SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sga Hidou"/1) | (@(roleclean,performerclean) "Sga Hidou")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 904 matches on Performance Comments, 647 matches on Performance Title, 218 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Signora Davies Inglesina. Public Advertiser, 25 Feb.: Tickets to be had of Sga Davies at her House, No. 1, St. Alban's street, Pall-mall

Performances

Mainpiece Title: L'ali D'amore

Performance Comment: As17770313but Clori-Sga Marianna Farnese in place of Sga Luiggva? Farnese.
Cast
Role: 770313but Clori Actor: Sga Marianna Farnese in place of Sga Luiggva? Farnese.
Role: Clori Actor: Sga Farnese
Role: Amarilli Actor: Sga Cecilia Davies.

Song: In III: 'Sventurata in van mi lagno-Sga Davies; with the flute accompaniment-, from Antigono

Event Comment: Mlle Baccelli being still unable to dance, Sga Jermoli has...undertaken to dance a Minuet, in her character of Angiolina, with Simonet

Performances

Mainpiece Title: L'amore Artigiano

Cast
Role: Angiolina Actor: Sga Jermoli
Role: Madama Costanza Actor: Sga Prudom
Role: Rosina Actor: Sga Todi.

Dance: End I: Le Devin du Village, as17771104; End II: Masquerade Dance, as17780303but a Minuet-Simonet, Sga Jermoli in place of Minuet de la Cour and Gavot; Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Polonaise Favourite, as17780131, but Mlle _Baccelli

Event Comment: Benefit for Sga Sestini

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Gretna Green

Song: End of Act III of mainpiece Water parted from the Sea by Sga Sestini; End of Act I of afterpiece Edwin's favourite song in The Castle of Andalusia, A Master I have and I am his Man, by Master Sestini

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Performance Comment: The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel .

Performances

Mainpiece Title: Il Marchese Tulipano

Performance Comment: Principal Characters by Babbini, Morigi, Schinotti; Sga Sestini, Miss Wheeler, Sga Ferrarese del Bene. [Cast from Larpent MS 720: Giorgino-Babbini; Il Marchese Tulipano-Morigi; Il Barone-Schinotti; La Baronessa-Sga Sestini; La Contessa-Miss Wheeler; Vespina-Sga Ferrarese del Bene.] hathi. hathi.

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performance Comment: , Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c .
Event Comment: Author's Night. Paid Sga Hidou for lace per Mr Johnston #31 18s. 10d. (Treasurer's Book). Receipts: #186 3s.; Charges: #73 10s.; Profit to author: #112 11s. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Irish Widow

Event Comment: Afterpiece: By Particular Desire. House. So Ends the Season 56 different Plays 37 different Farces 188 Nights in all (Hopkins Diary). Paid Mr J. French on acct #5 5s.; Subscription to Chas Standen #1 1s.; Returned Mr J. Palmer part of his Benefit Balance #30; Sga Hidou in full of 500 Guineas for this season #27 5s. Receipts: #118 14s. 6d. (Treasurer's Book). After season receipts and expenses (Treasurers's Book). Receipts: 29 May: Stopages #6 1s.; Watson & Mortimer #25 returned from cash advanced at beginning of season; Mrs Smith in full of debt #14. 2 June: Mr Heath's rent 1 yr to Xmas last #10; Mr Brereton's salary stopt & Benefit after money 3rd May #17 11s. 6d.; Ditto for Reddish #10; Ditto for Dibdin #24 12s. 24 June: Public Advertiser this season #50; Ditto for Gazetter #50; Mr Pope one yrs rent to Lady Day last (#1 10s. land tax deducted) #28 10s.; Harrison's rent ditto (#8 15s. deducted) #34 18s. 4d.; also deducted #2 6s. 8d. sewer's tax; Mr Parsonage 1 yrs ditto (#5 land tax and 15s. Repairs deducted) #42 5s.; Late Mr Banks 1 yrs ditto #3; Their Majesties account #80. 30 June: Mr Burges, 1 yrs rent to Xmas last (#4 4s. land tax deducted) #16 16s.; Discount on #362 1s. 3d. amount of tallow chandler's 10 Bills this season at 8%-#28 19s. 2d.; Remainder of Sinking Fund, #159 12s.; Mr Reddish's Benefit Acct #78 16s. 6d. 15 July: Sundry salary forfeits taken up by Evans #144 18s. 4d.; Music forfeits #18 4s. 6d. B. Richards forfeits #6 12s. Expenditures: 29 May: Salary List #510 6s.; Davies on note #9 9s.; Slingsby in full of #350 for this season #3 1s. 8d.; Mrs Yates ditto of #800 this season 11s. 8d.; Mr Courtney Chorus 27 nights at 5s. per night in full #6 15s.; Advanced to Everard to compleat his ticket acct #1 5s. 6d.; Mr Page on note #5 5s.; Mr Page in full of #25 this season #1 12s. 6d. 3 June: Miss Berkley on note #5 5s.; King in full of #500 salary #32 10s.; Mrs Moffat, dresser, per order D. Garrick #5 5s.; Lamash on note #6 15s.; One yrs watch & rector's rate to Lady Day last (Cov. Garden) #1 10s. 24 June: Repaid Mr Bannister his Bt balance #35 16s. 6d.; Lent Mr Baddeley per order Mr D. Garrick #20; Mr G. Garrick in full of #400, #50; Mr Smart, attending practices of Dances #10 10s.; Mr Pope's bill for Wigs #17 7s. 6d., and his bill for 64 extra nights for dressing #6 8s.; Mr D. Richards 31 weeks 1 day extra salary #31 3s. 4d.; Chaise to Hampton, Mr Evans & Becket 19s. 8d.; J. French on acct #7 7s. 30 June: Mr Vernon's balance of Acct in full #18 9s. 6d.; Mrs Chitty for coals #77; Barrow & Co. for Oil #187 6s. 6d.; Burges (bricklayer) #134 11s.; Tallow chandler's 10th and last bill #28 4s. 10d.; Chettell (timber merchant) #76 12s. 6d.; R. Palmer Jr 47 nights in Maid of Oaks and Harlequin's Jacket #4 14s.; Loss on sale of 75 Guineas & half light cash of Sinking Fund #3 9s. 6d. 5 July: Bibb (sword cutler) #3 6s.; Scott (copper laceman) #100 3s.; Powney (stationer) #5 16s.; Mrs Jones (worsted lace) &c. #8 2s.; Hopkins & Co. (ironmongers) #33 3s. 6d.; Blakes (hatter) #10 4s.; Jennings (glover & furrier) #23 7s. 6d.; Mrs Lowe@and@Co. (glaziers) #2 16s.; Mr Hadley (engine maker) #13; Thomson (smith) #14 9s.; Carter (scowrer) #9 4s.; Cubitt (tinman) #4 8s. 6d.; Hewetson & Co. (laceman) #17 2s. 6d.; Gardner (shoemaker) #3 19s. 7 July: Waller & Co. (hosiers) #24 4s. 6d.; Carpue (silk dyer) #8 10s. 6d.; Cropley (linen draper) #13 9s. 6d.; Mr Knyvett (harpsichord performer) 14 nights #5 5s.; Mrs Vaughan (haberdasher) #13 12s.; J. French on Acct #8 8s.; Cole (turner) #35 5s. 6d. 12 July: Mr Stafford (glassman) per Mr Johnston #29 5s. 6d.; Mr King & Co. for Women's cloaths, per Mr Johnston #10; Mrs Garwood (laundress) per Mr Johnston #15 15s.; Mr Palmer for Spermacetti Candles, per Mr Johnston, #172 4s. 15 July: J. French on Acct #15 15s.; J. Johnston's Music Bill, #12 11s. 10d.; Repaid Mr Reddish's Benefit Acct to Mr Burns for his creditors, #78 16s. 6d. 19 July: Lent to Miss Berkley on note #5 5s.; Mr Victor's Gratuity #30, and two weeks' extra salary #5; Mr Evans in lieu of Benefit #42 and two week's extra salary #3. Books closed and balanced paid. VIZ. Total income #33,614 16s. 6d. Total profit #389 5s. 7d. Total expense #29,719 10s. 11d. Paid Patentees #2840. To Clutterbuck #1000. Left in Victor's hands carried to next season 55 5s. 7d

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Charing-cross

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters-Jermoli, Rossi, Coppola, Micheli, Sga Jermoli, Sga Pollone, Sga Pozzi, Sga Sestini. [Libretto (T. Cadell, 1777) lists the Parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]Libretto (T. Cadell, 1777) lists the Parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]

Dance: End I: Les Oiseleurs, as17790123; End Opera: New Ballet, as17790227

Ballet: End II: Annette et Lubin. As17781124

Event Comment: Benefit for Sga Allegranri. Opera [1st time; com 2, author unknown] : The Music entirely new by Anfossi. Tickets to be had of Sga Allegranri, No. 232, Piccadilly

Performances

Mainpiece Title: I Vecchi Burlati

Performance Comment: Principal Characters by Viganoni, Morigi, Bartolini, Schinotti; Sga Gherardi, Sga Pollone, Sga Allegranri. [Cast from libretto (H. Reynell, 1783): Buonatutto-Viganoni; Flaterio-Morigi; Giacinto-Bartolini; Papavero-Schinotti; Droghetta-Sga Gherardi; Mestolina-Sga Pollone; Vistosa-Sga Allegranri.] hathi. hathi.
Cast
Role: Droghetta Actor: Sga Gherardi
Role: Mestolina Actor: Sga Pollone
Role: Vistosa Actor: Sga Allegranri.

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby, Mlle Theodore; End of Act II Le Tuteur Trompe, as17830128

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. The Opera of Lionel and Clarissa being oblig'd to be changed to the Comedy of The Wonder, Fishar and Sga Manesiere hope those Ladies and Gentlemen who have taken places for the opera, will honour them with their commands for the above play. Charges #64 5s. Balance to Fishar and Sga Manesiere #33 19s. plus tickets income: Fishar #46 9s. (Box 67; Pit 114; Gallery 126); Sga Manesiere #28 18s. (Box 69; Pit 45; Gallery 49). Receipts: #98 4s. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Devil to Pay

Dance: I: A New Pantomime Dance, call'd The Florist-Mas. Blurton, Miss Besford, Miss Ford (scholars to Fishar), Arnauld, Miss Capon (Apprentice to Fishar); II: A Minuet-Fishar, Sga Manesiere; III: [By Particular Desire, The Garland[, with an Allemand, as17681028; End: The Wapping Landlady (not performed this season) [see17670427] [but Sga Manesiere impersonates an Orange@Woman instead of a Milk@woman, [with a Double Hornpipe-Fishar, Sga Manesiere; End I Afterpiece: A New Tripple Hornpipe-Mas. Blurton, Miss Besford, Miss Ford

Performance Comment: Blurton, Miss Besford, Miss Ford (scholars to Fishar), Arnauld, Miss Capon (Apprentice to Fishar); II: A Minuet-Fishar, Sga Manesiere; III: [By Particular Desire, The Garland[, with an Allemand, as17681028; End: The Wapping Landlady (not performed this season) [see17670427] [but Sga Manesiere impersonates an Orange@Woman instead of a Milk@woman, [with a Double Hornpipe-Fishar, Sga Manesiere; End I Afterpiece: A New Tripple Hornpipe-Mas. Blurton, Miss Besford, Miss Ford.
Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Performance Comment: Parts by: Rauzzini, Onofreo, Savoi, Francesce Gabrielli, Sga Sestini, Caterina Gabrielli. Dido-Sga Caterina Gabrielli; Aneas-Sg Venanzio Rauzzini; Jarba-Sg Onofrio; Selene-Sga Francesca Gabrielli; Araspe-Sg Savoi; Osmida-Sg Vincenzio Sestini; Ballet Master-Bouqueton; Principal Dancers-Mr Fierville, Sg Paladini, Mr Helme, Sga Baccelli, Sga Tinti, Mlle Sophie; Painter, Machinist-Sg Colomba; Taylor-Sg Lupino (Libretto, 1775).

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Event Comment: Benefit for Sga Todi. Opera: The Music by Piccinni. Tickets to be had of Sga Todi, No. 12, Haymarket

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters-Jermoli, Rossi, Coppola, Micheli, Sga Jermoli, Sga Prudom, Sga Todi. [Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]

Dance: As17780203 throughout

Event Comment: A new Comic Opera; the music by Paisiello. Under the direction of Storace. [Sga Storace was from the Opera, Vienna.] Morelli "was an actor such as the Italian stage has seldom witnessed. He was, I used to think, in his prime, quite upon a par with King of Drury Lane Theatre. Like him, he was distinguished for neat articulation, and an unremitting attention to the business of the whole stage" (Boaden, Kemble, I, 449). Receipts: #165 19s. 6d. [non-subscription]

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: [Principal Characters-Morelli (1st appearance), Mengozzi, Morigi, Sga Sestini, Sga Schinotti, Sga Storace (1st appearance since 1777]). [Cast from libretto (D. Stuart, 1787): Bastiano Ammazzagatte-Morelli; Don Berlicco-Mengozzi; Mons. Perruque-Morigi; Mlle Neri-Sga Sestini; Mlle Pate-Sga Schinotti; Glenda-Sga Anna Storace.
Cast
Role: Mlle Neri Actor: Sga Sestini
Role: Mlle Pate Actor: Sga Schinotti
Role: Glenda Actor: Sga Anna Storace.

Dance: As17870329

Event Comment: A new Comic Opera (never performed [in London; 1st performed at Florence, 1778]); the Music by Gazzaniga [with additions by Storace, Posi, Trachi (World, 11 May)], under the direction of Mazzinghi. At the London production of La Vendemmia, the duet (Count-Susanna) Crudel perche finora from Mozart's Le Nozze di Figaro was sung by Benucci and Anna Storace; probably the first piece of any Mozart opera which was heard on the London stage" (Loewenberg, 364). [In June 1789 it was published by Birchall and Andrews, as "A favorite duett...sung in...La Vendemmia...by Sg Benucci and Sga Storace". See Illustration

Performances

Mainpiece Title: La Vendemmia

Performance Comment: Principal Characters by Benucci (1st appearance in England), Borselli, Forlivesi, Fineschi, Sga Sestini, Sga Borselli, Sga Storace (1st appearance this season). Cast from libretto (L. Wayland, 1789): Il Conte Zefiro-Benucci; Cardone-Borselli; Don Achille-Giuseppe Forlivesi; Don Fausto-Fineschi; Artemisia-Sga Sestini; Lauretta-Sga Borselli; Agatina-Sga Storace.
Cast
Role: Artemisia Actor: Sga Sestini
Role: Lauretta Actor: Sga Borselli
Role: Agatina Actor: Sga Storace.

Dance: As17890404

Event Comment: Benefit for Sga Sestini. Opera: Not acted these 3 years [acted 26 June 1788]. A Comic Opera; the Music by Paisiello. Under the direction of Federici. Tickets, 10s. 6d. each, to be had of Sga Sestini, No. 17, Mount-street, Berkley-square

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Borselli, Costa, Torregiani, Sga Borselli, Sga Del'Acqua, Sga Sestini. [Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]

Dance: End I: Divertisement, as17900515; End Opera: The Generous Slave-Blake [see17900513], Duquesney, Labourie, Mlle de'Caro, Mlle Dorival, Mlle Hilligsberg

Event Comment: Benefit for Sga Morichelli. Tickets to be had of Sga Morichelli, No. 127, Pall Mall. Opera: A Comic Opera [reduced to 2 acts]; the music by Paisiello, under the direction of Federici

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Characters by Rovedino, Braghetti, Torregiani, Morelli//Sga Pastorelli, Sga De Mira, Sga Morichelli. [Cast from libretto (C. Clarke [!794]): Nardone-C. Rovedino; Il Cavaliere Giocondo-Braghetti; Pagnotta-Torregiani; Don Fabrizio-Morelli//Donna Stella-Sga Pastorelli; Lisetta-Sga De Mira; Violante-Sga A. Morichelli.] hathi. hathi.

Dance: As17940531 throughout

Event Comment: Benefit for Sga Passerini at the Great Room, Dean Street, Soho. N.B. The Pastoral will precede the Oratorio. The Pastoral, by Desire. The overture and greatest part of which composed by his Majesty the King of Prussia. Mainpiece by Handel. Tickets for the 29th will be taken. Tickets at half a guinea for the Pit, and 5s. for the Gallery. To begin at 6:30 p.m. [The Pastoral is not named in the Bill, but from comment on its musical composer is deemed to be Charlottenburg Festegiante. See 16 March.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Vocal Parts-Sga Passerini, the best English singers.

Afterpiece Title: Charlottenburg Festegiante

Performance Comment: . Vocal Parts-Sga Passerini, Sga Mattei, Sga Peralta, Pazzalia.
Event Comment: Benefit for Sga Storace. A new Comic Opera, as originally performed at the Courts of Petersburgh and Vienna; the Music by Paisiello. Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone-place

Performances

Mainpiece Title: Il Barbiere Di Siviglia; Or, The Spanish Barber

Performance Comment: Almaviva-Kelly (of dl); Figaro-Borselli; Don Basilio-Torregiani; Don Bartolo-Benucci; Rosina-Sga Storace; The other Characters-Sga Delicati, Sga Giani; Libretto (L. Wayland, 1789) adds: Il Giovinetto-Delicati; Notaro-D@@; Alcade-Cardinale.

Dance: End II: New Divertissement-[See17890110]; End Opera: La Nymphe et le Chasseur, as17890606

Music: End I: a Trio for Piano Forte Violin and Violoncello-Clementi, Cramer, Cervetto

Event Comment: Benefit for Dagueville (ballet master) and Sga Vidini. Doors open half past 5. To begin a half past 6 o'clock

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

Performance Comment: Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-.
Event Comment: A new Serious Opera in 2 acts [1st rime; author unknown]; the music by several eminent composers, under the direction of Bertoni. Books of the Opera [which are entitled Giunio Bruto], with an account of the new Dance, to be had at the Theatre. [Sga Macchierini was from the Opera, Cremona.] Public Advertiser, 14 Jan.: Pacchierotti sang "in a Stile the most superior--superior to any Singer heard in this country since Farinelli--superior to Pacchierotti himself!"

Performances

Mainpiece Title: Junius Brutus

Performance Comment: Principal Characters by Pacchierotri, Ansani, Manzoletto, Micheli; Sga Lorenzini, Sga Macchierini (1st appearance in England). [Cast from libretto (E. Cox, 1781): Tito-Pacchierotri; Giunio Bruto-Ansani; Aronte-Manzoletto; Procolo-Micheli; Marzia-Sga Lorenzini; Tullia-Sga Macchierini.] hathi. hathi.
Cast
Role: Marzia Actor: Sga Lorenzini
Role: Tullia Actor: Sga Macchierini.

Dance: End of Act I Divertisement Dance, as17811117; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: [The playbill retains Sga Pollone, but she did not sing. Public Advertiser, 27 Jan.: The Indisposition of Sga Pollone prevented the performance of Il Convito [originally announced for performance on this present night]. For Sga Salpietro, see 13 Feb.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Performance Comment: As17821219, but Sga Salpietro (probably) in place of Sga Pollone .
Cast
Role: Giacomina Actor: Sga Gherardi
Role: Lisetta Actor: Sga Pollone
Role: Giannina Actor: Sga Allegranti.

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

Event Comment: Benefit for Sga Sestini. A Comic Opera, not acted these 7 years [acted 28 Apr. 1785]; the Music by Piccinni, under the direction of Mazzinghi. Tickets, 10s. 6d., to be had of Sga Sestini, No. 15, Mount-street, Berkeley-square

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters-Benucci, Fineschi, Balelli, Borselli, Mme Pieltain, Sga Borselli, Sga Sestini. [Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]Libretto (T. Cadell, 1777) lists the parts: Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto, La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.]

Dance: End I: New Divertissement-[See17890110]; in which the Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428; End Opera: Les Caprices de Galatee, as17890523

Event Comment: Benefit for Sga Storace. Afterpiece [1st time; MF 2, by Prince Hoare]: The Musick by Storace. Morning Herald, 27 Feb.: Tickets to be had of Sga Storace, No. 36, Howland-street, Rathbone-place. Account-Book, 4 July: Paid Hoare for Prize #210. ["Sga Storace's person (is) clumsy; her face coarse and ordinary; and yet there is so much enchanting vivacity...that she always delights whenever she appears" (Candid Strictures, 41).] Receipts: #388 12s. 6d. (196.11.6; 38.5.0; 3.10.0; tickets: 150.6.0) (charge: #157 1s. 3d.)

Performances

Mainpiece Title: At King's The Pirates

Cast
Role: Fabulina Actor: Sga Storace

Afterpiece Title: The Prize; or, 2

Performance Comment: 5.3.8. Characters by Bannister Jun., Baddeley, Whitfield, Suett, Mrs Bland, Webb, Master Welsh, Mrs Booth, Sga Storace. Cast from text (Dublin: Patrick Conner, 1793) Lenitive-Bannister Jun.; Caddy-Baddeley [in text: Wewitzer (see17930319; Heartwell-Whitfield; Label-Suett; Juba-Mrs Bland; Servant-Webb [in text: Lyons]; Boy-Master Welsh [in text: Master Gregson (see17930319; Mrs Caddy-Mrs Booth; Caroline-Sga Storace.
Cast
Role: Caroline Actor: Sga Storace.
Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Performance Comment: Principal Characters-Viganoni, Rovedino, Morelli, Sga Bolla (1st appearance in this country) [Sga Clara (1st appearance)]. Parts from libretto (J. Hammond [1793]): [Pandolfo, Eleuterio, Perillo, Scevola, Calandrino, Frappa, Lucrezia, Stellidaura, Cecca.]Sga Clara (1st appearance)]. Parts from libretto (J. Hammond [1793]): [Pandolfo, Eleuterio, Perillo, Scevola, Calandrino, Frappa, Lucrezia, Stellidaura, Cecca.]

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Event Comment: With Alterations. Benefit Sga Pirker who lives at the Golden Ball in Panton St

Performances

Mainpiece Title: La Ingratitudine Punita

Performance Comment: Played at hay 12 Jan. Edition of 1748 lists for that date Nerina-Signiora Casarini; Silvia-Signiora Frasi; Alcasto-Signiora Pircher; Tirsi-Signiora Palli; Idreno-Ciacchi. New Song-Sga Pirker; Sga Frasi is to perform. Sga Frasi is to perform.