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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg and Signora Paganini"/1) | (@(roleclean,performerclean) "Sg and Signora Paganini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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895 results for: Keyword - Sg and Signora Paganini
We found 412 matches on Performance Comments, 366 matches on Performance Title, 184 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

801
09 May 1789 @ King's Theatre

Event Comment: A new Comic Opera (never performed [in London; 1st performed at Florence, 1778]); the Music by Gazzaniga [with additions by Storace, Posi, Trachi (World, 11 May)], under the direction of Mazzinghi. At the London production of La Vendemmia, the duet (Count-Susanna) Crudel perche finora from Mozart's Le Nozze di Figaro was sung by Benucci and Anna Storace; probably the first piece of any Mozart opera which was heard on the London stage" (Loewenberg, 364). [In June 1789 it was published by Birchall and Andrews, as "A favorite duett...sung in...La Vendemmia...by Sg Benucci and Sga Storace". See Illustration

Performances

Mainpiece Title: La Vendemmia

Performance Comment: Principal Characters by Benucci (1st appearance in England), Borselli, Forlivesi, Fineschi, Sga Sestini, Sga Borselli, Sga Storace (1st appearance this season). Cast from libretto (L. Wayland, 1789): Il Conte Zefiro-Benucci; Cardone-Borselli; Don Achille-Giuseppe Forlivesi; Don Fausto-Fineschi; Artemisia-Sga Sestini; Lauretta-Sga Borselli; Agatina-Sga Storace.

Dance: As17890404

802
23 January 1703 @ Drury Lane Theatre

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

803
13 May 1707 @ Drury Lane Theatre

Event Comment: [in Daily Courant, 7 May, Thomyris had been advertised by subscription for Saturday 10 and Thursday 15 at two guineas for three tickets on each day, the number not to exceed 420 in the front boxes, side boxes, and pit, all to be laid together.

Performances

Mainpiece Title: Thomyris, Queen Of Scythia

Performance Comment: Advertised but postponed by the illness of Signora Margarita.

804
29 March 1710 @ York Buildings

Event Comment: Benefit Signora Maria Gallia Saggione

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-

805
21 April 1710 @ Queen's Theatre

Event Comment: Benefit Signora del'Epine. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hydaspes

806
25 November 1710 @ Queen's Theatre

Event Comment: Receipts: #147 3s. 6d. Signora Schiavonetti is announced as in the Service of her Highness the Princess Sophia of Hanover

Performances

Mainpiece Title: Hydaspes

807
28 April 1711 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Pilotta Schiavonetti. At the Desire of several Ladies of Quality. Admission as 7 April

Performances

Mainpiece Title: Hydaspes

808
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Afterpiece Title: Thomyris (the famous Scene only)

809
13 November 1712 @ Hickford's Room

Event Comment: Benefit Signora Celotti. At the Request of several Ladies. A 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-, Compos'd by some of the best Italian Masters

810
10 December 1712 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda

Performance Comment: singers included Cavaliero Valeriano, Valentini Urbani, Signora Pilotta Schivaonetti, Mrs Barbier, Leveridge.

811
04 March 1713 @ Stationer's Hall

Event Comment: Benefit Signora Celotti. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands of the Opera

812
28 March 1713 @ Queen's Theatre

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

813
09 April 1713 @ Hickford's Room

Event Comment: Benefit Signora Victoria Albergotti Romano. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; performing several Songs out of the newest Operas-; with One and Two Trumpets-; With variety of new Concertos for Flutes, German Flutes, Trumpets, Hautboys, other Instruments; by Mr Corbet-Mr Corbet, others of the best Masters in the Opera

814
17 April 1714 @ Queen's Theatre

Event Comment: Benefit Signora Galerati. Admission as 10 April

Performances

Mainpiece Title: Ernelinda

Music: As17140403

815
28 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbet. Tickets 5s. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a Solo of Corelli's-Mr Corbet; with variety of Pieces on the Echo Flute Hautboy German Flute and Trumpet-the best Masters; with a new Cantata-the best Masters; a Solo for the Harpsichord-the best Masters

816
02 April 1715 @ King's Theatre

Event Comment: Benefit Signora Pilotti. By His Majesty's Command. Pit and Boxes together by tickets only at half a guinea. Stage Boxes 15s. Gallery 4s. Tickets for Ernelinda taken. At 6 p.m

Performances

Mainpiece Title: Lucius Verus

817
23 April 1715 @ King's Theatre

Event Comment: Benefit Signora Galerati. With several Songs alter'd. Admission as 23 Oct. 1714. By Command. Weekly Journal, 30 April: His Majesty was incognito...at Lucius Verus...as were the Prince and Princess of Wales, who went publickly

Performances

Mainpiece Title: Lucius Verus

818
30 April 1715 @ King's Theatre

Event Comment: Benefit Signora Vico. By Command

Performances

Mainpiece Title: Lucius Verus

819
15 March 1716 @ Hickford's Room

Event Comment: Benefit Signora Isabella Aubert

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; the Instrumental-Castraccio lately arriv'd from Rome

820
09 May 1716 @ King's Theatre

Event Comment: Benefit Signora Elizabetta Pilotti Schiavonetti, Servant to Her Royal Highness. By Command. Admission as 1 Feb

Performances

Mainpiece Title: Hydaspes

821
06 June 1716 @ King's Theatre

Event Comment: Benefit Signora Elene Croce. By Command

Performances

Mainpiece Title: Cleartes

822
13 June 1716 @ King's Theatre

Event Comment: Benefit Signora Elena Croce. By Command

Performances

Mainpiece Title: Cleartes

823
02 May 1717 @ King's Theatre

Event Comment: Benefit Signora Elizabetta Pilotti. By Command. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

824
25 April 1719 @ King's Theatre

Event Comment: Benefit Signora Mons. At 7 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

825
17 March 1724 @ King's Theatre

Event Comment: Benefit Signora Margherita Durastanti. Particular Care will be taken to Place Benches on the Stage for the Accommodation of the Company. [According to Deutsch, Handel, p. 160, her benefit brought her #1,000, in addition to a salary of 1,200 guineas yearly. The Cantata is printed in the Daily Journal, 18 March.

Performances

Mainpiece Title: Coriolanus