Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg and Sga Guglielmi"/1) | (@(roleclean,performerclean) "Sg and Sga Guglielmi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
1651 results for: Keyword - Sg and Sga Guglielmi
We found 939 matches on Performance Comments, 712 matches on Performance Title, 290 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1601
19 September 1761 @ King's Theatre

Event Comment: Mainpiece: (The Hope of the Earth) performed last June in Honour of the King's Birth Day, but now with some alterations. Afterpiece: (The Promises of Heaven) an entirely new Serenata writ in order to celebrate, as far as lies in Sga Mattei's power, the late Royal Nuptials, and approaching Coronation. The Nobility and Gentry will please to dispense with their servants not being admitted this night

Performances

Mainpiece Title: Le Speranze Della Terra

Performance Comment: The Music performed not only by the Opera singers and the usual orchestra, but also by a very considerable number of vocal and instrumental performers (all Englishmen) who will be divided into two bands: one in the usual place, and the other in the upper gallery. The Dances, Scenes, Illuminations, Dresses and other Decorations (the whole new) will be made to correspond as much as possible, with the solemnity of the drama.

Afterpiece Title: Le Promesse del Ciels

1602
15 May 1762 @ King's Theatre

Event Comment: Serious Opera. Music by Jomelli, Sga Mattei humbly desires the Nobility and Gentry to purchase their subscriptions for the ensuing season

Performances

Mainpiece Title: Attilio Regolo

1603
05 June 1762 @ King's Theatre

Event Comment: Tickets at half a guinea. Gallery 5s. N.B. As part of the Serenata must be performed in the upper Gallery, it is humbly hoped the Nobility and Gentry will not take it amiss that servants cannot be admitted this night. The last night of performing this season. Sga Mattei humbly desires Subscribers for the ensuing season to pay their subscription money to Mess. Andrew Drummond and Co., Bankers, at Charing Cross; or to Mr Crawford, Agent and Treasurer of said Theatre

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Two acts performed with the dances, and to conclude with a grand Serenata of one act, in honour of His Majesty's birthday. Exhibited with two orchestras, a great number of vocal and instrumental performers, with the same grandeur as it was performed last year on the same occasion.

1604
24 March 1763 @ King's Theatre

Event Comment: Benefit for Sga DeAmicis, who will present it [the afterpiece] in its own natural beauty, such as it originally came from the hands of the ingenious author Sig Pergolesi, and as it was first done at Naples, in order to give the Nobility and Gentry the most favorable idea of so masterly a piece. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s

Performances

Mainpiece Title: Il Tutore E La Pupilla

Afterpiece Title: La Serva Padrona

Dance:

1605
24 February 1764 @ Drury Lane Theatre

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).
Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

1606
12 November 1764 @ Drury Lane Theatre

Event Comment: The New English Opera oblig'd to be deferr'd till Friday on account of the Indisposition of Sga Cremonini. Tomorrow, by Particular Desire. Richard III, with a Pantomime (Not perform'd this season) call'd The Genii

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Polly Honeycombe

Dance: IV: New Tambourine, as17640929

1607
26 April 1766 @ King's Theatre

Event Comment: [Illness of Sga Scotti requires the company to have Savoi sing her part today]

Performances

Mainpiece Title: L'eroe Cinese

1608
05 October 1767 @ Covent Garden

Event Comment: Mainpiece: Never acted there. Neville MS Diary: Both theatres opened again with The English Merchant. Went into the Pit of cg. Shuter did Freeport pretty well, but had not that appearance of blunt honesty which Yates has in that character....I like Miss Pope better in Molly than Mrs Mattocks. Mrs Goodman by Mrs Ward, who is a very different figure now from what she was some years ago. Her daughter did Amelia pretty well, but has a stiffiness and an indifferent voice. End Act III, The Irish Lilt-The celebrated dancer Aldridge, Sga Manesiere. Entertainment Harlequin Dr Faustus. I hope this emulation between the 2 Houses will cause exertion. Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Irish Lilt, as17670921

1609
01 December 1767 @ King's Theatre

Event Comment: The Comic opera is oblig'd to be deferred on account of the sudden indisposition of Sga Guadagni

Performances

Mainpiece Title: Tigrane

1610
08 December 1767 @ King's Theatre

Event Comment: A new serious opera. Music composed by several. The comic opera is obliged to be deferred on account of the Indisposition of Sga Guadagni

Performances

Mainpiece Title: Sifare

1611
09 December 1767 @ Covent Garden

Event Comment: Benefit for Theatrical Fund, instituted by Persons of this theatre. Mainpiece: Acted there but once. Such of the Nobility, Gentry, etc. who are pleased to favour this undertaking are desire to send for places, Pit or Box tickets, to Mr Sarjant at the stage-door. [Neville attended at half-past four and read the principal parts of the play, as altered by Colman. Noted that Sga Manesiere did The Sicilian Peasant in boy's clothes.] @Receipts #164 19s.@Charges to House #63@Chorus Singers #1 15s.@Candles #1 5s.@Kettle Drum 5s.@Bag Pipes 5s.@#66 10s.@Dr to the Fund #98 9s.-Account Book@

Performances

Mainpiece Title: Philaster

Afterpiece Title: Midas

Dance: II: The Merry Sailors, as17671009; III: The Sicilian Peasants, as17671123

1612
19 December 1767 @ King's Theatre

Event Comment: By Command of their Majesties. [Sga Guadagni still indisposed.

Performances

Mainpiece Title: Sifare

1613
02 February 1769 @ Drury Lane Theatre

Event Comment: [The following day Garrick received a letter from L. A. Ein Schweitzer: "As you spare nothing in adding new characters etc. to the Masquerade...I hope you will introduce in it the dress as described hereunder, being the first, perhaps, that ever appeared in this country. It is that of a country maid of the Cantoon of Bern; and as the Allemande is really a Swiss Dance, nobody could with more propriety wear it than Sga Vidini who would greatly shine in it." The hairdo is described in detail--ringlets, with cap and small feather, and no powder. The jacket, skirt, and socks (red jacket with black trim, black skirt, red stockings) are described in detail. "N.B. The dress in my opinion would also do very well for a Colombine. The man's dress is not suitable to a dance." Folger Library Copy, Garrick Correspondence, Vol. IV, MS Letter 42.

Performances

Mainpiece Title: Douglas

Cast
Role: Lord Randolph Actor: Jefferson
Role: Lady Randolph Actor: Mrs Barry.

Afterpiece Title: Fortunatus

Cast
Role: a New Allemande Actor: .

1614
06 February 1770 @ King's Theatre

Performances

Mainpiece Title: Il Padre E Il Figlio Rivali

Performance Comment: New dances, composed by Galliotti in which Sga Guidi (first appearance) and (by Particular Desire), Slingsby will dance the Allemande.

1615
23 April 1770 @ King's Theatre

Event Comment: Benefit for Sga Zamperini. Pit tickets at 10s. 6d. To begin at 7 p.m. [Repeated.

Performances

Mainpiece Title: La Buona Figliuola

1616
11 May 1770 @ King's Theatre

Event Comment: Benefit for Sga Grassi who most humbly entreats the kind protection of the Nobility and Gentry, and hopes that subscribers to the Boxes will not think her remiss in not waiting on them in person, she being a stranger in the method how to proceed

Performances

Mainpiece Title: L'olimpiade

1617
24 May 1770 @ King's Theatre

Event Comment: Benefit for Galliotti and Sga Guidi

Performances

Mainpiece Title: Orfeo

1618
06 May 1771 @ King's Theatre

Event Comment: Benefit for Sga Grassi

Performances

Mainpiece Title: Orfeo

1619
23 May 1771 @ King's Theatre

Event Comment: Benefit for Sga Guidi

Performances

Mainpiece Title: La Schiava

Dance: The Statue-; The Dutch Dance on Skates-; New Dance- (this night only) in which will be introduced the principal scenes and characters in the favourite Opera of La Buona Figliuola composed to the music of the celebrated Piccini

1620
09 May 1774 @ Hickford's Room

Event Comment: Benefit for Sga Marchetti. A Cantata, music by Sacchini which has never been performed before. Tickets 10s. 6d. To begin at 7:00 p.m

Performances

Mainpiece Title: Il Trionfo Della Costazza

Music: After I: Solo on Hautboy-Fischer; End Opera: Solo on Violincello-Crosdell, to conclude with a Grand Overture

1621
14 December 1774 @ Covent Garden

Event Comment: Both pieces by Command of their Majesties

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Romance of an Hour

Dance: II: The Frolick-Aldridge, Mrs Stephens, Miss Besford See17740416; End: A New Dance call'd The Generous Pirate-Dagueville, his Pupil, Mas. Blurton, Mrs Stevens, Helme, Sga Vidini

Performance Comment: Blurton, Mrs Stevens, Helme, Sga Vidini.
Related Works
Related Work: L'Usurier Gentilehomme Author(s): M.A. Le Grand
Related Work: Agnes de Challiot Author(s): M.A. Le Grand
Related Work: L'Epreuve Réciproque Author(s): M.A. Le Grand

1622
24 January 1775 @ Drury Lane Theatre

Event Comment: Author's Night. Paid Sga Hidou for lace per Mr Johnston #31 18s. 10d. (Treasurer's Book). Receipts: #186 3s.; Charges: #73 10s.; Profit to author: #112 11s. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Irish Widow

1623
10 March 1775 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. [From the Westminster Magazine for March: "On Friday the third instant the Entertainments peculiar to this season commenced. Messrs Bach and Abel were first, and have been at each successive Oratorio since (one night excepted when the King and Queen favored Mr Stanley, with bringing the only good House he has hitherto had), honoured with the presence of their Majesties, who have been accused, we think justly, of partiality to these foreigners, in overlooking Mr Stanley's past services and great personal merits. Justice, however, requires us to observe, that both in point of vocal and instrumental performers, the former have displayed a striking superiority over the latter. The singers at Messrs Bach and Abel's are, Parry, Corse, Mrs Weichsel, Miss Brown and Sga Corri. At Drury Lane, Norris, Reinhold, Mrs Mattocks, Mrs Barthelemon, and a young Lady from the Founding Hospital."

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

1624
06 April 1775 @ King's Theatre

Event Comment: Benefit for Sga Sestina

Performances

Mainpiece Title: La Buona Figliuola

Dance: I: Chaconne-Mlle Baccelli; II: Silvie (with additional Song)-Vallouis, Mlle Vallouis; III: La Mascherata-

1625
16 May 1775 @ Covent Garden

Event Comment: Benefit for Young and Sga Vidini

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The What D'Ye Call It

Dance: I: The Country Macaroni Assembly, as17750512; With Minuet, as17750512; End Opera: The British Bacchanalian, as17750512; with Wooden Shoe Dance, as17750512

Ballet: II: Boadicea Queen of Britain. As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans

Performance Comment: As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans.
Cast
Role: in addition are Twenty@three Combatants Actor: , dressed after the manner of the ancient Britons and Romans.