SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg and Sga Guglielmi"/1) | (@(roleclean,performerclean) "Sg and Sga Guglielmi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 939 matches on Performance Comments, 712 matches on Performance Title, 290 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Sga Storace. Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone Place. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Cast
Role: Mlle Neri Actor: Sga Sestini
Role: Mlle Pate Actor: Sga Schinotti
Role: Glenda Actor: Sga Anna Storace.

Dance: As17870329

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Siege of Curzola

Performance Comment: Principal Characters by Edwin, Moss, Davies, Meadows, Gardner, Burton, Lyons, Bannister Jun., Miss George, Mrs Forster, Mrs Webb, Sga Sestini. Cast adjusted from Songs (T. Cadell, 1786): Cricolo-Edwin; Podesto-Moss; Weatherbang-Davies; Junk-Meadows; Governor-Gardner; Giacomo-Burton; Morosini-Lyons; Pompeio-Bannister Jun.; Teresa-Miss George; Stella-Mrs Forster; Antonietta-Mrs Webb; Baba-Sga Sestini.
Cast
Role: Baba Actor: Sga Sestini.

Dance: In afterpiece: Byrn, the two Miss Simonets, the young D'Egvilles, Miss DeCamp

Event Comment: The Manager of the Opera, in conjunction with Noverre, the Ballet Master, esteem it their duty to request all persons who are not immediately interested in the performance of the new ballet of L'Amour et Psiche, to keep clear from the stage during the time of its representation, lest any accident should arise from the moving of the Machinery, from the flambeaux to be used therein, and from the opening of the Trap Doors, circumstances which must necessarily take place on the Practices and Representation of that ballet, and which they therefore think it incumbent on themselves to forewarn and caution the Public. "Noverre was unanimously called for on the stage to receive the applause and acclamations due to his merit...This, though common in France, was a new mark of approbation in England" (Burney,II, 901). Receipts: #146 1s. 6d. [non-subscription]

Performances

Mainpiece Title: La Locandiera

Dance: End I: Divertissement, as17871208

Ballet: End Opera: a new ballet (1st time), composed by Noverre, L'Amour et Psiche. By Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris, Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. Cast from synopsis (H. Reynell, 1788): Psyche-Mlle Hilligsberg; Adonis-Didelot; Venus-Mlle Coulon; Hymen-Chevalier; Love, or Cupid-Vestris; Graces Furies and Fates-Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala; Mercury-Coulon. The music composed by Mazzinghi; with all new Scenery (by Marinari), Dresses (by Lupino)

Performance Comment: By Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris, Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. Cast from synopsis (H. Reynell, 1788): Psyche-Mlle Hilligsberg; Adonis-Didelot; Venus-Mlle Coulon; Hymen-Chevalier; Love, or Cupid-Vestris; Graces Furies and Fates-Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala; Mercury-Coulon. The music composed by Mazzinghi; with all new Scenery (by Marinari), Dresses (by Lupino). with all new Scenery (by Marinari), Dresses (by Lupino).
Event Comment: Benefit for Sga Storace. Tickets, 10s. 6d. each, to be had of Sga Storace, No. 24, Howland-street, Rathbone-place. Receipts not listed

Performances

Mainpiece Title: La Cameriera Astuta

Cast
Role: Leonora Actor: Sga Sestini
Role: Dirindina Actor: Sga Schinotti
Role: Violetta Actor: Sga Storace.

Dance: As17880129

Performances

Mainpiece Title: L'olimpiade

Performance Comment: Principal characters by Marchesi, Forlivesi, Balelli, Fineschi, Torregiani, Mme Pieltain, Sga Giuliani. Cast adjusted from libretto J. Stevenson. 1788): Megacle-Luigi Marchesi; Clistene-Forlivesi; Licida-Balelli; Aminta-Torregiani; Argene-Mme Pieltain; Aristea-Sga Giuliani; unassigned-Fineschi.
Cast
Role: Aristea Actor: Sga Giuliani

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Admete, as17890331

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Performance Comment: [That were Performed at the Pantheon and Westminster-Abbey [on 26 and 27 May 1784. As17900219, but Principal Vocal Parts-_Kelly, Cizo (1st appearance), Miss _Hagley, Miss +Romanzini (1st time [in the oratorios]).in the oratorios]).

Afterpiece Title: Grand Selection 1

Performance Comment: PART I. Overture (Samson)-; Awake the trumpet's lofty sound-Chorus [Samson]; Nasce al Bosco-Reinhold [Ezio]; Ye men of Gaza-Mrs Crouch [Samson]; He chose a mournful muse-; He sung Darius great and good-Sga Storace [Alexander's Feast]; With down@cast looks-; Behold! Darius great and good-Chorus [Alexander's Feast]; Concerto hautboy-W. Parke; Verdi Prati-Sga Storace [Alcina]; He gave them hail@stones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Ye sons of Israel-Chorus [Joshua]; The Prince unable-Sga Storace [Alexander's Feast]; Concerto violin-Master Bridgtower[, Son of the African Prince; Pleasure my former ways resigning-Cizo [Time and Truth]; For unto us a Child is born-Chorus [The Messiah]; O! had I Jubal's lyre-Miss Romanzini [Joshua]; Softly sweet in Lydian measure-Mrs Crouch; accompanied on the violoncello-Mason; The many rend the skies-Chorus [Alexander's Feast].Alexander's Feast].

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Overture and Dead March (Saul)-; Blest be the man-Chorus [Joseph]; Gentle airs-Cizo [Athalia]; Concerto bassoon-Parkinson; How excellent thy name-Chorus [Saul]; Cease ah! cease thou gentle youth-Miss Romanzini; The flocks shall leave the mountains-Reinhold, Dignum, Miss Romanzini [Acis and Galatea]; Now heaven in all her glory shone-; Lord what is man?-Mrs Crouch [Semele]; Hallelujah! For the Lord God omnipotent reigneth-Grand Chorus [The Messiah].The Messiah].

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Performance Comment: Overture (Occasional Oratorio)-; Oh! first created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Sga Storace (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; Oh! Had I Jubal's lyre-Miss Hagley (Joshua); Jehovah crowned-Reinhold; He comes!-Chorus (Esther); Angels ever bright and fair-Sga Storace (Theodora); Welcome mighty King-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest harmony-Mrs Crouch (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Kelly (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: As17900219

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Selection

Performance Comment: Break his Bands of Sleep asunder-Chorus (Alexander's Feast); What sweeter than the new blown Rose-Miss Hagley [World: Sga Storace], Kelly (Joseph); The Soldier tir'd of War's Alarms-Mrs Crouch (Artaxerxes, by Dr Arne); Shake the Dome-Chorus (Solomon); Dove sei amato bene-Sga Storace (Rodelinda); The good we wish for, Thy glorious deeds-Reinhold (Samson); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: End II oratorio: concerto on the violoncello-Mason

Event Comment: [The playbill retains Mrs Crouch, but "Though [her] indisposition occasioned some disappointment, the loss was felt the less, as her place was supplied by the pleasing and unaffected Miss Hagley" (Public Advertiser, 12 Mar.).

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Oft on a plat of rising ground-Cizo (L'Allegro); For unto us a Child is born-Chorus (The Messiah); Ye sacred Priests, Farewell ye limpid springs and floods-Sga Storace (Jephtha); Fallen is the foe-Chorus; Thus we view-Miss Hagley; Disdainful of danger-Dignum, Miss Romanzini, Reinhold (Judas Maccabaeus); Tyrants would in impious throngs-Sga Storace; Tyrants ye in vain conspire-Chorus (Athalia).

Afterpiece Title: Grand Selection 2

Performance Comment: Let me wander not unseen-Sga Storace; Or let the merry bells ring round-Sga Storace; accompanied with the Carillon-; And young and old come forth-Chorus (L'Allegro); Concerto violin (1st time)-Weichsel; The Smiling dawn-Miss Romanzini (Jephtha); Wretched lovers-Chorus; I rage! I melt! I burn!, O! ruddier than the cherry-Reinhold; Oh! didst thou know the pains, As when the Dove-Miss Hagley (Acis and Galatea); What though I trace-Cizo (Solomon); We worship God-Chorus (Judas Maccabaeus).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Hautboy Concerto-; Venus laughing from the skies-Chorus (Theodora); Ask if yon damask rose be sweet-Miss Romanzini (Susanna); My arms against this Gorgias, Arm arm ye brave=-Reinhold; We come in bright array-Chorus (Judas Maccabaeus); Hence loathed melancholy, Come thou goddess fair and free-Cizo (L'Allegro); From mighty kings-Miss Hagley (Judas Maccabaeus); To sing and dance, Fix'd in his everlasting seat-Grand Chorus (Samson).

Music: End II: concerto on the violin-Weichsel

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0; Messiah

Afterpiece Title: Grand Selection 3

Performance Comment: As17900224, but Gentle airs-_; Rendi il sereno al ciglio-Kelly (Sosarme); Cease ah! cease-Sga Storace; The Flocks shall leave-Miss _Romanzini, Sga Storace.

Performances

Mainpiece Title: The 1st Act Of La Buona Figliuola

Performance Comment: Characters-Mussini, Borselli, Sga Del' Acqua (1st appearance), Sga Sestini.

Afterpiece Title: The Last Part of La Villanella Rapita

Dance: End I: an entirely new ballet, Les Caprices-Labourie, Mlle Hilligsberg [and see17900406]; End Opera: [an entirely new ballet, La Jalousie sans Raison-Labourie, Mlle Hilligsberg [and see17900415]

Performances

Mainpiece Title: L'usurpator Innocente

Performance Comment: Principal Characters-Marchesi (1st appearance this season), Mussini, Benigni, Costa, Torregiani, Sga Borselli, Mme Mara (1st appearance this season). Cast from libretto (Cane and Hammond, 1790): Timante-Luigi Marchesi; Demofoonte-Mussini; Cherinto-Giuseppe Benigni; Matusio-Costa; Adrato-Torregiani; Creusa-Sga Borselli; Dircea-Mme Mara.
Cast
Role: Creusa Actor: Sga Borselli

Dance: End I: Les Mariages Flamands, as17900227; End Opera: Les Caprices-Labourie, Duquesney, Mlle de'Caro, Mlle Dorival, Mlle Hilligsberg

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: No Song No Supper

Performance Comment: Characters by Dignum, Kelly, Suett, Bannister Jun., Sedgwick, Alfred, Miss Romanzini, Mrs Crouch, Sga Storace, Miss Hagley, Mrs Booth. Cast from Songs (no pub., 1790), and text (Dublin: P. Byrne, 1792): Crop-Dignum; Frederick-Kelly; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick; Thomas-Alfred; Dorothy-Miss Romanzini; Louisa-Mrs Crouch; Margaretta-Sga Storace; Nelly-Miss Hagley; Deborah-Mrs Booth.
Cast
Role: Margaretta Actor: Sga Storace

Dance: III: Hornpipe-Bourk

Performances

Mainpiece Title: La Generosita D'alessandro

Performance Comment: [Principal Characters by Marchesi, Benigni, Costa, Torregiani, Sga Borselli, Mme Mara. Cast from libretto (Hammond and Cane [1790]: Poro-Luigi Marchesi; Gandarte-Benigni; Alessandro-Costa; Timagene-Torregiani; Erissena-Sga Borselli; Cleofide-Mme Mara.
Cast
Role: Gandarte Actor: Benigni
Role: Alessandro Actor: Costa
Role: Erissena Actor: Sga Borselli

Dance: End I: La Jalousie sans Raison, as17900325End Opera: New Ballet, as17900422

Song: Two new songs of his own composition-Marchesi; one in Act I, one in Act II, accompanied by violin violoncello and tenor-Cramer, Cervetto, Shield

Related Works
Related Work: The Nest of Plays: Thee New Comedies of one Act each: The Prodigal Reform'd, The Happy Constancy, the Tryal of Conjugal Love Author(s): Hildebrand Jacob

Performances

Mainpiece Title: Andromaca

Performance Comment: [Principal Characters by Marchesi, Benigni, Costa, Torregiani, Sga Borselli, Mme Mara. Cast from libretto (Hammond and Cane [1790]: Pirro-Luigi Marchesi; Pilade-Benigni; Oreste-Costa; Clearte-Torregiani; Ermione-Sga Borselli; Andromaca-Mme Mara.
Cast
Role: Ermione Actor: Sga Borselli
Role: Andromaca Actor: Mme Mara.

Dance: End I: Divertisement, as17900515, but Mlle _Dorival, Mlle Ferrere; End Opera: +The Generous Slave, as17900527

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin, 1792]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Musick composed principally by Storace, with a few Pieces selected from [Una Cosa Rara, by] Martini [i.e. Martin y Soler], Salieri, and Paisiello. "The Siege of Belgrade is a very pleasing vehicle for the music, which in a modern opera is all that is expected from the poet" (Universal Magazine, Jan. 1791, p. 66). "The battle between Palmer and Kelly ought to be shortened. It is almost as ludicrous as that between Don Whiskerandos and Beefeater, in Mr Puff's Tragedy [in The Critic]" (Gazetteer, 4 Jan. 1791). Account-Book, 24 May 1791: Paid Cobb for Copyright of Siege of Belgrade of #210. Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: Characters by Kelly, Palmer, R. Palmer, Fox, Suett, Bannister Jun., Dignum, Cooke (1st appearance on any stage), Hollingsworth, Dubois, Mrs Crouch, Miss Hagley, Sga Storace, Mrs Bland. Cast from Songs (J. Jarvis, 1791): The Seraskier-Kelly; Colonel Cohenberg-Palmer; Krohnfeldt-R. Palmer; Ismael-Fox; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Cooke; Michael-Hollingsworth; Soldier-Dubois; Catherine-Mrs Crouch; Fatima-Miss Hagley; Lilla-Sga Storace; Ghita-Mrs Bland.
Cast
Role: Lilla Actor: Sga Storace
Role: Ghita Actor: Mrs Bland.

Afterpiece Title: The Deuce is in Him

Event Comment: Benefit for Sga Storace. Part of the Pit will be laid into the Boxes. Public Advertiser, 2 Feb.: Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone Place. Receipts: #357 11s. (195.13; 20.19; 1.9; tickets: 139.10) (charge: #115 3s. 6d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Cast
Role: Lilla Actor: Sga Storace
Role: Ghita Actor: Mrs Bland.

Afterpiece Title: No Song No Supper

Cast
Role: Dorothy Actor: Mrs Bland
Role: Margaretta Actor: Sga Storace
Role: Grandmother Actor: Mrs Booth.
Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Performance Comment: Principal Characters-Pacchierotti, Lazzarini, Benigni, Garelli, Mme Mara, Sga Salimbeni. Cast from libretto (H. Reynell, 1791): Rinaldo-Gasparo Pacchierotti; Ubaldo-Gustavo Lazzarini; Idreno-Giuseppe Benigni; Carlo-Giovanni Garelli; Armida-Mme Mara; Zelmira-Sga Giovanna Salimbeni.
Related Works
Related Work: Armida Author(s): Jacopo Durandi

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Performance Comment: Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer.
Related Works
Related Work: The Nest of Plays: Thee New Comedies of one Act each: The Prodigal Reform'd, The Happy Constancy, the Tryal of Conjugal Love Author(s): Hildebrand Jacob
Event Comment: Benefit for Mme Mara. A new Grand Serious Opera, composed by Sarti. Under the direction of Mazzinghi. With new Scenes, Dresses, and Decorations. Tickets, half a guinea each, to be had of Mme Mara, No. 25, Queen Ann-street, East

Performances

Mainpiece Title: Idalide

Performance Comment: Principal Parts by Pacchierotti, Lazzarini, Benigni, Garelli, Mme Mara, Sga Salimbeni. Cast from libretto (H. Reynell, 1791): Enrico-Pacchierotti; Palmoro-Lazzarini; Ataliba-Benigni; Imaro-Garelli; Idalide-Mme Mara; Aliciloe-Sga Salimbeni.
Cast
Role: Aliciloe Actor: Sga Salimbeni.
Related Works
Related Work: Idalide Author(s): Ferdinando Moretti

Dance: End I: Amphion et Thalie, as17910409nd Opera: Telemachus in the Island of Calypso [See17910322

Song: additional Songs-Mme Mara; accompanied by the Pedal Harp-

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Cave of Trophonius

Performance Comment: Characters by Sedgwick, Bannister Jun., Kelly, Suett, Dignum, Fox, Sga Storace, Mrs Crouch, Mrs Williames, Mrs Bland, Miss DeCamp. Cast from Songs (no pub., 1791): Aristo-Sedgwick; Dorilas-Bannister Jun.; Amintas-Kelly; Dromo-Suett; Corin-Dignum; Trophonius-Fox; Daphne-Sga Storace; Phaedra-Mrs Crouch; Dorcas-Mrs Williames; Alinet-Mrs Bland; 1st Spirit-Miss DeCamp.
Cast
Role: Daphne Actor: Sga Storace
Role: Alinet Actor: Mrs Bland
Event Comment: Benefit for the Author [i.e. compiler of the entertainment, identified in Oracle, 21 May, as LeTexier]. The Tickets, engraved by Bartolozzi, will be delivered in Lisle-street [LeTexier's home address] only, and no where else

Performances

Mainpiece Title: A New Kind Of Concert

Performance Comment: PART I A New Divertisement-Mlle Dorival, Mlle St.Amand, Mlle Provert, other Dancers; [to introduce the Animated Pictures-; [A new Hunting Song, Chorusses (composed by Philidor)-Albertarelli; A Hunting Symphony by Haydn-; [some favourite Airs with Variations on the Piano Forte-Master Hummel; Italian Song-Sga Sestini; Concerto on the Violin-Master Clement; [at the Harpsichord [the new Song [by Haydn (composed for his Benefit) [see17910512]-Davide; A Divertisement-all the Principal Dancers; [with the charming Pas de Deux-Vestris? Jun, Mlle Hilligsberg; the Pas Russe-Vestris? Jun, Mlle Hilligsberg; [PART II A Comic Duetto-Albertarelli, Sga Sestini; A new Overture [in the Tragic Style, with an entire new Cantata (both composed by Federici,)-Davide; Catches and Glees-the best English Singers; Orpheus and Eurydice-[see17910331.see17910331.
Event Comment: Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 17, Duke-street, Manchester-square. A new Grand Serious Opera (1st time [i.e. in 2 acts; originally performed in 3 acts at Milan, 1778, and at king's, 22 Jan. 1780]); the music by Bertoni. [World announces the ballets for this night as La Fille Mal Gardee and Le Siege de Cythere.

Performances

Mainpiece Title: Quinto Fabio

Performance Comment: Principal Characters by Pacchierotti, Lazzarini, Benigni, Garelli, Mme Mara, Sga Salimbeni. Cast from libretto (H. Reynell, 1791): Quinto Fabio-Pacchierotti; Lucio Papirio-Lazzarini; Volunnio-Benigni; Marco Fabio-Garelli; Emilia-Mme Mara; Fausta-Sga Salimbeni.
Cast
Role: Fausta Actor: Sga Salimbeni.
Related Works
Related Work: Quinto Fabio Author(s): Antonio Andrei

Dance: End I: Divertisement, as17910217 End Opera: Le Triomphe de la Folie, as17910503

Event Comment: A new Grand Serious Opera. With Grand Chorusses, new Dresses, Scenery and Decorations. The Music composed by Paisiello. Under the direction of Pederici. [Bruni was from the Opera, Milan.

Performances

Mainpiece Title: I Giuochi D'agrigento

Performance Comment: [Principal Characters by Bruni (1st appearance in this country), Kelly, Rovedino, Braghetti, Garelli, Sga Belloli, Mme Mara; Cast from libretto (J. Hammond 1793]): Clearco-Domenico Bruni; Eraclide-Kelly; Cleone-Carlo Rovedino; Filosseno-Braghetti; Elpenore-Garelli; Egesta-Sga Marianna Belloli; Aspasia-Mme Mara.
Cast
Role: Egesta Actor: Sga Marianna Belloli
Related Works
Related Work: I Giuochi d'Agrigento Author(s): Alessandro Pepoli

Dance: End I: Divertisement, as17930126; End II: Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Favre Gardel, Nivelon, Gentili (1st appearance in this country)

Event Comment: A new Serious Opera; the Music by Andreozzi, [with additions by] Cimarosa, Federici and Sarti. Under the Direction of Federici. With new Dresses, Scenery and Decorations

Performances

Mainpiece Title: Teodolinda

Performance Comment: [Principal Characters by Bruni, Kelly, Rovedino, Garelli, Sga Belloli, Mme Mara. Cast from libretto (J. Hammond 1793]): Agilulfo-Domenico Bruni; Minolfi-Kelly; Rodoaldo-Rovedino; Asprando-Garelli; Ermellinda-Sga M. Belloli; Teodolinda-Mme Mara.
Cast
Role: Asprando Actor: Garelli
Role: Ermellinda Actor: Sga M. Belloli
Related Works
Related Work: Teodolinda Author(s): Gaetano AndreozziGiandomenico

Dance: End I: Divertisement, as17930126

Ballet: End Opera: Venus and Adonis. As17930226

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Performance Comment: As17930226, but Braghetti_; Sga_ Belloli; Sga_ DeMira.
Cast
Role: La Contessa Actor: Sga Belloli
Role: Livietta Actor: Sga DeMira
Role: Dorina Actor: Sga Storace.

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet