29 January 1788

Event Information
Theatre: King's Theatre
Theatrical Season: 1787-1788
Volume: 5
Comments: The Manager of the Opera, in conjunction with Noverre, the Ballet Master, esteem it their duty to request all persons who are not immediately interested in the performance of the new ballet of L'Amour et Psiche, to keep clear from the stage during the time of its representation, lest any accident should arise from the moving of the Machinery, from the flambeaux to be used therein, and from the opening of the Trap Doors, circumstances which must necessarily take place on the Practices and Representation of that ballet, and which they therefore think it incumbent on themselves to forewarn and caution the Public. "Noverre was unanimously called for on the stage to receive the applause and acclamations due to his merit...This, though common in France, was a new mark of approbation in England" (Burney,II, 901). Receipts: #146 1s. 6d. [non-subscription]

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  • Original Data

    Source: London Stage Information Bank

    *p king's La Locandiera. As 15 Jan. *dEnd I: <i>Divertissement</i>, as 8 Dec. 1787. *bEnd Opera: [a new ballet (1st time), composed by $Noverre=,% <i>L'Amour et Psiche</i>. [By Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris, Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. [Cast from synopsis ($H. Reynell=, 1788):% Psyche-Mlle Hilligsberg; Adonis-Didelot; Venus-Mlle Coulon; Hymen-Chevalier; Love[, or <i>Cupid</i>r%-Vestris; Graces Furies and Fates-Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala; Mercury-Coulon. [The music composed by $Mazzinghi=; with all new Scenery (by $Marinari=), Dresses (by $Lupino=).% *cThe Manager of the Opera, in conjunction with $Noverre=, the Ballet Master, esteem it their duty to request all persons who are not immediately interested in the performance of the new ballet of <i>L'Amour et Psiche</i>, to keep clear from the stage during the time of its representation, lest any accident shouldarise from the moving of the Machinery, from the flambeaux to be used therein, and from the opening of the Trap Doors, circumstances which must necessarily take place on the Practices and Representation of that ballet, and which they therefore think it incumbent on themselves to forewarn and caution the Public. "Noverre was unanimously called for on the stage to receive the applause and acclamations due to his merit...This, though common in <i>France</i>, was a new mark of approbation in <i>England</i>" ($Burney=,II, 901). Receipts: #146 1s. 6d. [non-subscription].
  • Cleaned Data

    *p1788 01 29 king's La Locandiera. ^As17880115^.*d1788 01 29 king's End I: <i>Divertissement</i>, ^as17871208^.*b1788 01 29 king's End Opera: a new ballet (1st time), composed by $Noverre=, <i>L'Amour et Psiche</i>. By Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris, Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. Cast from synopsis ($H. Reynell=, 1788): Psyche-Mlle Hilligsberg; Adonis-Didelot; Venus-Mlle Coulon; Hymen-Chevalier; Love, or <i>Cupid</i>r-Vestris; Graces Furies and Fates-Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala; Mercury-Coulon. The music composed by $Mazzinghi=; with all new Scenery (by $Marinari=), Dresses (by $Lupino=).*c1788 01 29 king's The Manager of the Opera, in conjunction with $Noverre=, the Ballet Master, esteem it their duty to request all persons who are not immediately interested in the performance of the new ballet of <i>L'Amour et Psiche</i>, to keep clear from the stage during the time of its representation, lest any accident should arise from the moving of the Machinery, from the flambeaux to be used therein, and from the opening of the Trap Doors, circumstances which must necessarily take place on the Practices and Representation of that ballet, and which they therefore think it incumbent on themselves to forewarn and caution the Public. "Noverre was unanimously called for on the stage to receive the applause and acclamations due to his merit...This, though common in <i>France</i>, was a new mark of approbation in <i>England</i>" ($Burney=,II, 901). Receipts: #146 1s. 6d. [non-subscription].
  • Parsed Data

    Event: 45350 | 17880129 | king's | The Manager of the Opera, in conjunction with $Noverre=, the Ballet Master, esteem it their duty to request all persons who are not immediately interested in the performance of the new ballet of <i>L'Amour et Psiche</i>, to keep clear from the stage during the time of its representation, lest any accident should arise from the moving of the Machinery, from the flambeaux to be used therein, and from the opening of the Trap Doors, circumstances which must necessarily take place on the Practices and Representation of that ballet, and which they therefore think it incumbent on themselves to forewarn and caution the Public. "Noverre was unanimously called for on the stage to receive the applause and acclamations due to his merit...This, though common in <i>France</i>, was a new mark of approbation in <i>England</i>" ($Burney=,II, 901). Receipts: #146 1s. 6d. [non-subscription]
    Performance: 98421 | 45350 | p | La Locandiera | As17880115.
    AsSeeDate: 98421 | king's | p | As | 17880115
    Cast:
    617823 | 98421 | Don Polidoro | Morelli
    617824 | 98421 | Sumers | Calvesi
    617825 | 98421 | Mynheer Vanderdur | Fineschi
    617826 | 98421 | Livia | Sga Schinotti
    617827 | 98421 | Madama Brillante | Sga Storace.
    Performance: 98422 | 45350 | d | End I: <i>Divertissement</i>, as17871208
    AsSeeDate: 98422 | king's | d | As | 17871208
    Performance: 98423 | 45350 | b | End Opera: a new ballet (1st time), composed by $Noverre=, <i>L'Amour et Psiche</i> | By Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris, Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. Cast from synopsis ($H. Reynell=, 1788): Psyche-Mlle Hilligsberg; Adonis-Didelot; Venus-Mlle Coulon; Hymen-Chevalier; Love, or <i>Cupid</i>-Vestris; Graces Furies and Fates-Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala; Mercury-Coulon. The music composed by $Mazzinghi=; with all new Scenery (by $Marinari=), Dresses (by $Lupino=). with all new Scenery (by $Marinari=), Dresses (by $Lupino=).
    Cast:
    172767 | 98423 | Psyche | Mlle Hilligsberg
    172768 | 98423 | Adonis | Didelot
    172769 | 98423 | Venus | Mlle Coulon
    172770 | 98423 | Hymen | Chevalier
    172771 | 98423 | or <i>Cupid</i> | Vestris
    172772 | 98423 | Graces Furies and Fates | Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala
    172773 | 98423 | Mercury | Coulon. The music composed by $Mazzinghi=

Mainpiece

Comments:
As17880115.
Cast:

Dance

Comment: End I: Divertissement, as17871208

Ballet

Comment: End Opera: a new ballet (1st time), composed by Noverre, L'Amour et Psiche. By Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris, Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. Cast from synopsis (H. Reynell, 1788): Psyche-Mlle Hilligsberg; Adonis-Didelot; Venus-Mlle Coulon; Hymen-Chevalier; Love, or Cupid-Vestris; Graces Furies and Fates-Sga Bedini, the two Miss Simonets, Mlle Vedie, Henry, Jacolet, Saulnier, Sala; Mercury-Coulon. The music composed by Mazzinghi; with all new Scenery (by Marinari), Dresses (by Lupino)

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