SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg and Sga Guglielmi"/1) | (@(roleclean,performerclean) "Sg and Sga Guglielmi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 939 matches on Performance Comments, 712 matches on Performance Title, 290 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Holland; Major Oakly-Yates; Lord Trinket-Griffith; Charles-Palmer; Sir Harry Beagle-King; Russet-Burton; Capt. O'Cutter-Moody; Pairs-Baddeley; Tom-Clough; Lady Freelove-Mrs Clive; Harriot-Mrs Palmer; Mrs Oakly-Mrs Pritchard.
Cast
Role: Oakly Actor: Holland

Afterpiece Title: The Witches

Dance: II: A New Scaramouch Dance-Sg Berardi (1st appearance this stage), Miss Baker

Event Comment: Book of the opera at the theatre. N.B. For the Future, this Opera will be perform'd on Fridays and Mondays

Performances

Mainpiece Title: Almena

Dance: II: A New Dance-Sg Berardi

Performances

Mainpiece Title: The Way To Keep Him

Cast
Role: Lovemore Actor: Holland

Afterpiece Title: The Frenchified Lady never in Paris

Dance: III: The Medley, as17641120; End: The Irish Lilt, as17641011; End Farce: A Minuet-Sg Giorgi, Miss Pope

Performances

Mainpiece Title: False Delicacy

Cast
Role: Rivers Actor: Holland

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Dance: II: A New Comic Dance call'd The Wake-Sg Giorgi, Mrs King

Event Comment: A Dramatic Poem take from the celebrated Ossian. Pit and Boxes Half a Guinea. First Gallery 5s. Second gallery 3s. Barthelemon, the promoter announces that only two acts will be produced on this night, after one Act of a Concert. On the second night of performance of which timely notice will be given he will have honour to present the piece complete

Performances

Mainpiece Title: Oithona

Music: CConcerto on Viole D'Amour-Barthelemon; Lesson on the Harpsichord-Mrs Barthelemon; concerto on Madoline-Sg Gervasia

Event Comment: By Command of their Majesties. Charges: #35 (Account Book)

Performances

Mainpiece Title: Acis And Galetea And Dryden's Ode

Performance Comment: Acis-; Polyphemus-; Damon-; Galatea-; Chorus of Shepherds and Shepherdesses-.

Music: Solo on the Violin-Sg Paganini

Event Comment: By Command of their Majesties. Receiv'd from Stanley and Smith for use of the Organ this season #21; for coals burnt at Oratorios #2 2s. Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Serenata Geminiane, Third Opera,-Sg Paganini

Event Comment: Pit and Boxes to be laid together at 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had and places to be taken for the Boxes at Mr Sarjeant's (only) at the Stage Door of the Theatre. Books of the Performance will be sold there. The doors to be opened at Five. To Begin at Half past Six. Received of Toms and Arnold Charges of the House. #35

Performances

Mainpiece Title: The Messiah

Music: FFirst Violin, a Solo-Giardini; Concerto on French Horns-Sg Rodolpho

Event Comment: By Command of their Majesties

Performances

Mainpiece Title: Alexander's Feast With The Coronation Anthems

Music: FFirst Violin, a Concerto-Barthelemon; a Solo on the Violincello-the celebratedMr DuPort, Musician to the Prince of Conte; and By Particular Desire after the First Act: Dove Sci in Rodelinda-Sg Guadagni; End Act II: Doppo L'Orrore in Otho-

Event Comment: By Command of their Majesties

Performances

Mainpiece Title: Acis And Galatea, With Dryden's ode- By handel

Performance Comment: Parts were: Acis-; Polyphemus-; Damon-; Galatea-; Chorus of Shepherds and Shepherdesses-.

Music: As17700302 but Concerto on Violincello-Duport; and by Particular Desire After the First Act: Dove Sci in Rodelinda-Sg Guadagni

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo Concerto by Barthelemon; Concerto on Organ by Hook ; Fourth Concerto of Corelli with the additional parts for trumpets, French Horns, and Kettle Drums adapted to that favourite piece by the late ingenious Sg Pasquali

Performances

Mainpiece Title: The Messiah

Music: As17710215; but by Particular Desire an English Song by Arnold-Sg Guadagni

Event Comment: Lethe is reviv'd with Alterations & a New Character-very well receiv'd & great Applause-Mr Garrick play'd with great Spirit & was much Applauded (Hopkins Diary). [MacMillan notes lack of Fribble parts in Larpent MS. Yet Theatrical Review, 11 Jan., describes briefly the alterations, suggesting, The character of the Fine Gentleman in the former Lethe had some strong allusions to the behaviour of Gentlemen behind the scenes at the playhouses, which custom being abolished of late years, the character had lost its importance, on which account it is altered to a Fribble, and consequently entirely new written." A methodist taylor, an Irishman, Mr & Mrs Carbine (originally Mr & Mrs Tatoo) are also new. See account also in Town and Country Magazine (Theatre NO. XXXIII).] Paid Salary list, #502 3s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French 6 days #1 10s.; Rec'd, Stopages. #11 13s. (Treasurer's Book). Receipts: #245 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Lethe

Dance: III: The Amusements of Strasburgh-as17711118, but now By the scholars of Sg Daigville

Event Comment: Benefit for Champness and Mrs Scott. Receipts: #125 13s. 6d. Charges: #37 12s. 6d. Profits to Champness & Mrs Scott: #88 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Cast
Role: Charlotte Actor: Mrs Morland

Afterpiece Title: The Humours of the Turf

Cast
Role: Clara Actor: Mrs Morland

Song: II: A Song-Mrs Scott; V: The Favourite Song of Mad Bess, composed by Purcell-Mrs Scott

Dance: IV: A Hornpipe-A Child seven years old, a scholar of Sg Tassoni, her 1st appearance

Event Comment: Benefit for Mortimer Tomlinson and Lings. Tickets delivered by Page, Chinnal and Carleton Sen will be taken. Receipts: #242 9s. 6d. Charges: #84. Profits for Mortimer, Tomlinson, Lings: #158 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee

Afterpiece Title: A Trip to Scotland

Cast
Role: Landlady Actor: Mrs Lowe

Entertainment: IV: introduce the Description of a Man of War and a Sea Fight-Moody

Dance: V: New Double Hornpipe-Master Whitlow, Miss Lings (scholars of Sg Giorgi)

Event Comment: Oratorio composed by Dr Arne. Not performed these eight years. Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for the boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the Oratorio to be sold at the theatre. Doors opened at Five o'clock. To Begin at Half past Six. [Note on prices, time, and books repeated each performance this season.] Charges: #35

Performances

Mainpiece Title: Judith

Music: I: Solo on Violin-Barthelemon; II: Concerto on French Horn-Sg Spandau

Event Comment: [Pasticcio: an opera, cantata, or other composition made up of various pieces from different authors or sources. See H. Walpole to Mann, 1 Nov. 1752, Our Operas begin tomorrow with a pasticcio full of most of my favourite songs." Grove's Dictionary, II, 688: "A species of lyric drama composed of airs, duets and other movements selected from different sources and so grouped as to provide a mixed audience with the greatest possible number of favourite airs in succession." See favorable notice 20 March in the Public Advertiser. The Westminster Magazine remarked of Oratorio season at cg: "They have not possessed so uninterrupted a flow of success, but we remember that they have experienced more barren seasons. The instrumental band is superior to that at the other house, and the vocal not at all inferior. At this house they have produced selections of musical pieces, by the most capital masters, arranged so as to form entire entertainments. In general these are very agreeable." See 20 March.] Charges: #35

Performances

Mainpiece Title: A Pasticio With Concertos

Performance Comment: Act I a Pasticcio consisting of select airs and concertos-; Symphony-; Song-Ristorini; Accompanied Recitative and song-Reinhold (composed by Giordani); A new Song-Miss Venables (composed by Mr Arne); Chorus-Mr Nigri; song-Mrs Mattocks (composed by Bach); New Song-Mrs Barthelemon (composed by Mr Barthelemon; accompanied on the French Horn-Sg Spandau; a Song-Miss Catley (composed by Dr Arne); . .

Music: I: Concerto on violin-Barthelmon; II: a Serenata Beauty and Virtue-; translated from Metastasio and composed by Dr Arne; II: Concerto on Organ-Mr Arne; III: (Never Performed) The Thunder Ode written on the Hurricanes of the West Indies, by Mr Arne, Principal singers-Miss Catley, Mrs Mattocks, Miss Venables, Sg Ristorini, Mrs Barthelemon, Mr Reinhold; The concertos-Barthelemon, Spandau, Mr Arne

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-A Gentleman, first appearance any stage; Prince of Wales (By Particular Desire)-Mrs Lessingham; Achbp York-Clarke; Prince John-Davis; Westmorland-Hull; Chief Justice-Younger; Shallow (that night only)-Woodward; Pistol-Hamilton; Poins-Wroughton; Bullcalf-Dunstall; Hostess-Mrs Pitt; Doll Tearsheet-Mrs Gardner; Falstaff-Shuter.
Cast
Role: Westmorland Actor: Hull

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

Event Comment: Mainpiece: Not acted these 2 years. [See 31 Dec. 1772.] Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons admitted behind the scenes, nor any money returned after the Curtain is drawn up. Places for Boxes to be taken of Mr Sarjant (only) at the Stage Door. The Doors to be open'd at half an hour past 5 o'clock. To Begin half an Hour past 6. Vivant Rex & Regina. [Customary footnote for all succeeding bills this season, not to be repeated here. Woodward seems to have spoken an Occasional Prologue on the opening of the theatre. See request for its repetition on bill for 21 Sept. This Prologue is Larpent MS 377. It suggests the policy of offerings and competitions for the season--some old plays, some new, some foreign, some pantomimes, some Shakespeare, &c.

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; What though I trace-Miss Poole (Solomon); Happy if still they reign in pleasure-Chorus (Time and Truth); He layeth the beams of his chambers-Sale [Ezio]; He smote all the first@born of Israel-Chorus (Israel in Egypt); Come ye smiling hours-Miss Poole (Nabal); Softly rise-Harrison; Ye southern breezes-Chorus (Solomon by Boyce); Let the bright Seraphim-Miss Cantelo; Let their celestial concerts all unite-Chorus (Samson).
Cast
Role: Overture and March Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Hark! 'tis the Linnet-Miss Dall (Joshua); Hence loath'd melancholy!, Come come thou Goddess-Saville (L'Allegro); What Passion cannot Music raise?-Miss Mahon (Dryden's Ode); No more to Ammon's God and King-Chorus; Virtue my soul shall still embrace-Harrison (Jephtha); Hear Jacob's God-Chorus (Samson); O magnify the Lord-Miss Cantelo (Chandos? Anthems); Kings shall be thy nursing fathers-Grand Chorus (Coronation? Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: From harmony-Harrison, Chorus (Dryden's Ode); Hush ye pretty warbling choir-Miss Mahon (Acis and Galatea); Like a bright Cherub-Miss Cantelo, Saville, Harrison (Gideon); With thee the unsheltered moor-Miss Cantelo (Solomon); No more ye infidels, Behold ye nations-Saville; Lord of Eternity, O Baal-Chorus (Deborah); Chastity thou cherub bright-Harrison (Susanna); Haste thee Nymph-Saville, Chorus (L'Allegro); God save the King (Coronation Anthems)-.

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

Performances

Mainpiece Title: Leucippo

Dance: I: A new dance-Miss Lalauze; The Tambourine-Fischer; the Terzetto-Duval, Berardi, Miss Tetley; II: Le Matelot Provencalle-Fischer, Miss Auretti; III: Le Mariage du Village-Duberval, Miss Auretti; a new dance-Miss LaLauze

Song: By desire Nasce nel Bosco (Giordini)-Sga Mingotti; O che Salvo (Hasse)-Sga Mingotti; Se Il mio dual (Hasse)-Sga Mingotti; Non fau in che parlo (Perez)-Sga Mingotti; Act III: To mon@fugaste (Vento)-Sga Mingotti

Event Comment: Benefit for Sieur Daigville & Signa Vidini. Music for the Pantomime Dance entirely new, composed by Barthelemon. New Habits (playbill). Paid Mr Lutherbourg, on acct #50 (Treasurer's Book). Receipts. #154 18s. Charges: #64 9s. Profits to Daigville and Vidini #90 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Author

Dance: I: A Minuet-Daigville, Sga Daigville; II: New Comic Dance-Daigville, Sga Vidini, Sga Daigville; III: A Louvre, Minuet-Two of Daigville's Scholars; V: A New Pantomime Dance call'd The Lutte Marine-Daigville, Sga Vidini, Sga Daigville, Daigville's scholars, in which Daigville will introduce a Pas de trois and a Mungo Dance, accompanied by the Tambourine, with variations

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lottery

Dance: I: Les Taileurs-Maranesi, Sga Bugiani; II: Les Sabotiers-Maranesi, Sga Bugiani; IV: Le Matelot-Maranesi, Sga Bugiani; And by particular desire at End of play: A Mock Minuet[All]-Maranesi, Sga Bugiani

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Polly Honeycomb

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Performances

Mainpiece Title: La Fraschetana

Dance: End I: La Paysane Distraite, as17770524, but Sga _Zuchelli; End II: Serious Ballet, as17770225, but Sga _Zuchelli; End Opera: La Clochette, as17770315but Sga _Zuchelli