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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sg Badini"/1) | (@(roleclean,performerclean) "Sg Badini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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361 results for: Keyword - Sg Badini
We found 175 matches on Performance Title, 95 matches on Performance Comments, 74 matches on Event Comments, 37 matches on Author, and 0 matches on Roles/Actors.

301
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

302
19 May 1770 @ King's Theatre

Event Comment: A new comic opera...written by Mr C. F. Badini. Music entirely new composed by Guglielmi, with new Dances and Decorations

Performances

Mainpiece Title: Il Disertore

303
23 February 1771 @ King's Theatre

Event Comment: A new Comic Opera. Poetry by Badini; Music entirely New, composed by Guglielmi

Performances

Mainpiece Title: Le Pazzie Dorlando

304
23 November 1771 @ King's Theatre

Event Comment: A New comic Opera Written by Sig Badini; The Music entirely new composed by Guglielmi. With New Dances and Decorations

Performances

Mainpiece Title: Il Disertore

305
14 January 1772 @ King's Theatre

Event Comment: New Comic Opera by Badini. The Music entirely new by Guglielmi. New Scenes painted by Bigari

Performances

Mainpiece Title: Carnovale Di Venezia

Dance: I: New DancesMlle Heinel, as17720111; II: A Venetian Dance-adapted to the Opera by Galliotti, Sga Guidi, and four other principal dancers; End Last Act: Grand Ballet, as17720111Mlle Heinel three Entrees

306
29 February 1776 @ King's Theatre

Event Comment: Benefit for Rauzzini. A New Opera, written by Badini; Music entirely New by Rauzzini

Performances

Mainpiece Title: Le Ali Damore

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

307
09 April 1782 @ King's Theatre

Event Comment: A new Comic Opera in 2 acts [1st time, by Carlo Francesco Badini]; the music composed by [Tommaso] Giordani

Performances

Mainpiece Title: Il Bacio

Dance: As17820402 throughout

308
19 December 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2, by Carlo Francesco Badini]. The Music entirely new, composed by Anfossi

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

309
20 May 1786 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2], written by Charles Francis Badini, and set to music by Pasquale Anfossi. "The Author has . . . struck out ideas fit to excite the utmost powers of harmony. We do not think that he has been sufficiently seconded by Signor Anfossi. The music evidently labours under a tedious monotony" (General Advertiser, 22 May)

Performances

Mainpiece Title: Linglese In Italia

Dance: As17860516 throughout

310
23 December 1786 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

311
01 May 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; by Carlo Francesco Badini]; the music entirely new by Venanzio Rauzzini. Receipts: #178 16s. 6d. [non-subscription]

Performances

Mainpiece Title: La Vestale O Sia Lamore Protetto Dal Cielo

Dance: End I: Divertissement, as17870428; End Opera: Sylvie, as17870322but Mlle _Mozon

312
17 June 1791 @ King's Theatre

Event Comment: Benefit for Badini. Gazetteer, 18 June: The novelty of the evening was what was called the singing of a Tulip and a Rose; that is, of two performers concealed in pedestals, upon which were placed pots of flowers

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertissement, as17910523

Ballet: End II: L'Amadriade. As17910517, but The Minuet de la Cour-Vestris Sen. as17910505

313
23 January 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Dance: I: The French Peasants, as17420116; II: A Dutch Dance, as17411114; III: The Swiss, as17420119; In III: a Hornpipe-Phillips

314
20 February 1750 @ King's Theatre

Performances

Mainpiece Title: Adriano In Siria

Dance: End of Opera:

315
01 May 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

316
18 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Harlequin Ranger

Dance: Mad Auretti

317
05 March 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Harlequin Ranger

318
17 March 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Womans Oratory

319
11 April 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Womans Oratory

320
18 April 1752 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Triumphs of Hibernia

Dance: I: Grand Comic Ballet, as17511216; III: Venetian Gardeners-Grandchamps, Madem Camargo; End of Play: Louvre, Minuet-Grandchamps, Madem Camargo

321
10 October 1752 @ Covent Garden

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: Perseus and Andromeda or The Cheats of Harlequin

322
07 April 1753 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Womans Oratory Mrs Midnights Concert And Oratory

Entertainment: Bombasto

323
19 January 1754 @ Covent Garden

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

324
04 November 1754 @ Covent Garden

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Schoolboy

325
09 December 1754 @ Covent Garden

Performances

Mainpiece Title: La Famiglia De Bertholdi Alla Corte Del Re Alboino

Dance: [Unspecified.]