SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Scot"/1) | (@(roleclean,performerclean) "Scot")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 318 matches on Performance Title, 135 matches on Performance Comments, 65 matches on Roles/Actors, 34 matches on Event Comments, and 0 matches on Author.
Event Comment: A new Scots Opera. As it was acted by a Select Company of Comedians near Westminster Hall (edition of 1748)

Performances

Mainpiece Title: The Double Traitor Roasted

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Country Farmer Deceivd or Harlequin Statue

Dance: Dennison, Settree; scholars of Lalauze, being the second time of their performing on that stage. Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington

Performance Comment: Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington.
Event Comment: A Scots' Pastoral Comedy. A Concert, &c. By desire. To begin at 5 p.m. Prices Boxes 5sPit 3s. Gallery 2s. [Time and prices repeated in subsequent bills.

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Event Comment: A Scots Pastoral Comedy by Allan Ramsey. For one night only. Boxes 5s. Pit 3s. Gallery 2s. To begin at 7 p.m

Performances

Mainpiece Title: The Gentle Shepherd

Song: Lauder

Event Comment: Play Never acted there before. The Characters new dress'd. [See comment in London Chronicle, March 8-10, 1757, which quotes the lengthy Admonition and Exhortation of the Scots Presbytery to be read from all pulpits, against stage plays. "This Exhortation," writes the London Chronicler, "was probably occasioned by the greatness of the crowds who flocked for many successive nights to see the tragedy of Douglas acted" It had been played in Edinburgh 14 Dec. 1756.

Performances

Mainpiece Title: Douglas

Event Comment: To the Public: An Impartial Account of Cibber's Impromptu, by a Spectator: @In a frolicsome humour I went t'other day@To see the Diversions collected by THE',@When seen -from Amazement I could not refrain@That such an odd Oglio should come in his brain;@That from Chaos, Confusion and Visible night@He could bring such a queer group of figures to light:@I went-with a critical spleen that disdained@This project -but found myself well entertained.@For the English there's ships; for the Scots a good song;@[what] He sought to provide for Hibernia was Wrong@When this I observ'd to aworthy dear Honey -@He reply'd -"Blurr and Houns? there's enough for your money.@But to state the affair without laughter or fun@All agreed -my shift was superior to none;@With new Scenes, new Machines, Music, Dancing and all,@To risk our Diversions THE' ventured a fall@And if his last trump should unluckily fail,@[Brain?] must lay a scheme to keep out of a jail.@A few trivial errors we ought to forgive@Pay to Merit reward and let Industry live,@For your Candor alone must determine his fate@For the sake of Old Coll', let Theophilus eat.@ His Benefit tomorrow, Wednesday, the 14th Instant, at the Theatre in The Haymarket

Performances

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: A variety of entertainments as17570902 as17570908 as17570912; An Address-Mr Cibber; Hooley and Fairley, A Scotch Song-Lauder; Blind Man's Buff-Lilliputians; A Concerto for French Horns-; The Comic Lectures-Mr Cibber; Music-; The Taylors-Master Settree, Miss Twist; An Auction-Mr Cibber; Italian Air-Signora Mimicotti; Bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Marine Boys Marching to Portsmouth-; +Hornpipe-Morris, Miss Durham; Handel's Water Music, Preamble on Kettle Drums-; Comic Epilogue-Miss Midnight; Voluntary on the Cymbalo-Mr Noel Sr; Favourite English Song-Miss Gaudry; Kitty or the Female Phaeton-Miss Gaudry; Dialogue-Mr Gaudry, Miss Gaudry; The Lark Concerto-Mr Gaudry; Country Lass-Miss Valois; What's That to You?-Lauder; Oration-Miss Midnight; Cuckow Overture-; Singing-Sadler; Dutch Peasant-Miss Valois; Louvre, Minuet-Froment, Madam Dulisse; with the addition of La Bergere-Miss Vallois (scholar to Mr LaCointe); a new Scots Dance-Froment, Mlle Dulisse; an Epi@congee-Cibber; Alli Croker a comic dance-Miss Valois.

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: An Address-Cibber; Comic Oration-Miss Dorothy Midnight; Hooley and Farley, a Scots song-Lauder; Blindman's Buff-; Comic Lectures-Cibber; Lilliputian Taylors-Master Settree, Miss Twist; Wounded Gizzard-Lauder; Grand Concerto for French Horns-; Kitty-Miss Gaudry; Auction-Cibber; Italian Air-Signora Mimicotti as17570902; Italian Peasants-Joly, Madam Dulisse as17570902; The Marine Boys Marching to Portsmouth-as17570617; Handel's Water Musick-Mother Midnight; Dialogue-Mr Gaudry, Miss Gaudry; Speech of Old Time to the People of Great Britain-; Minuet-Master Settree, Miss Twist; Miss Midnight, for this Night only, will give Caudle; Comic Epilogue-Miss Midnight riding on an Ass; Prussians March to Bohemia-; Colin and his Rival Lassies-.
Cast
Role: a Scots song Actor: Lauder
Role: a Scotch Song Actor: Mr Lauder

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.
Cast
Role: Scots Songs Actor: Lauder

Afterpiece Title: Britannias Triumph

Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a la Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: Benefit for Lauder. To begin at 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. A Scots Musical Pastoral

Performances

Mainpiece Title: Patie And Roger

Song: Two Masons Songs-Lauder

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: With an Alteration in the performers. In which Lauder will introduce several favourite Scots Songs.

Dance: Middlemist

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Introduce several favourite Scots songs, two Mason's songs-Mr Lauder.

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder (with favorite Scots songs); Prologue-Lauder.

Entertainment: The Cries of Edinburgh-Lauder

Dance: McClean, 1st appearance on the stage

Performances

Mainpiece Title: Patie And Roger Or The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder (who will introduce several Scots Songs); Prologue, Epilogue by Smollett-.

Dance: Middlemist

Event Comment: By Authority and particular Desire for the Benefit of Middlemist and the Widow and child of the deceased Lauder, a Scots Musical Pastoral. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at 6

Performances

Mainpiece Title: Pattie And Roger Or The Gentle Shepherd

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-a young Gentleman, first time; Lord Randolph-Butler; Glenalvon-Lloyd; Old Norval-Wilkins; Officer-Collet; Anna-Miss Fairlamb; Lady Randolph-Miss Roberts (with the original Scots Music); Prologue-Wilkins.

Afterpiece Title: The Miller of Mansfield

Entertainment: End: Ode in Honor of Shakespeare-Swaine

Event Comment: Being desired, for one night only under thr direction of Dr Arne at the Theatre Royal...will be performed the celebrated Catches and Glees, after which by Authority will be performed a new Burletta...alter'd and plann'd for Music from a favourite piece written by Henry Fielding, Esq. Music entirely new composed by Dr Arne, with a new Irish and Scots Medley Overture. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Books of both performances to be had together at the Theatre at 1s. 6d

Performances

Mainpiece Title: Squire Badger

Event Comment: Benefit for Hopkins, Prompter, and Mrs Hopkins. By Particular Desire. Tickets deliver'd for Mary Queen of Scots will be taken (playbill). Miss Hopkins made her first appearance upon the stage in Celia in As You Like It. Was rec'd with great applause (Hopkins Diary). House charges: #74 14s.; Profit to beneficiaries: #165 2s. Receipts: #239 16s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequins Invasion

Performance Comment: As17721106, but Abram-Jacobs; Grand Chorus-Mrs Wrighten, Mrs _Scott.

Dance: I: A Dance-Daigville's scholars

Entertainment: End: (First time) an Address to the Town-Miss P. Hopkins

Event Comment: By Permission of the Lord Chamberlain, for one night only. A Scots Musical-Pastoral Comedy. Not acted this season. Benefit Walker and Stewart. [The Hartrys from Theatre Royal, Edingburgh.

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Entertainment: End I: Song-Hartry; II: Tarewoo-M'Donald; III: Hornpipe-; End: A burlesque Tinker's Travels-Hartry

Event Comment: Benefit for Walker. Mainpiece: Original Scots Musical Pastoral. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Double Amour

Dance: End IV: a Dance-Allison, Pupils of Allison

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina or The Hall of Fingal

Song: II: song-Incledon

Event Comment: Afterpiece: 39th [recte 40th] time [i.e. in continuation of the reckoning for the previous season, when it had been acted 39 times]. The Ballet composed by Byrn. The Music composed, and the Ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. Receipts: #323 3s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina or The Hall of Fingal

Music: In afterpiece: the Harp and Pipes-Weippert, Courtney

Event Comment: Afterpiece: The Ballet composed by Byrn. The Music composed and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Receipts: #291 1s. (274/9; 16/12)

Performances

Mainpiece Title: Loves Frailties

Afterpiece Title: OSCAR AND MALVINA or The Hall of Fingal

Music: In afterpiece the Irish Pipes by Courtney; the Harp by Weippert