SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Samuel Lord Bishop of Oxford"/1) | (@(roleclean,performerclean) "Samuel Lord Bishop of Oxford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3544 matches on Author, 1759 matches on Performance Comments, 715 matches on Event Comments, 131 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for General-Lying-In Hospital, Oxford Road (playbill). Charges #87 17s. Profit to Hospital #11 15s. plus #152 4s. from tickets (Box 511; Pit 115; Gallery 72). Receipts: #99 12s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Padlock

Dance: End: The Corsican Sailor's Punch House, as17711011

Event Comment: Benefit for Lying In Hospital, Oxford Road. Tickets delivered for Twelfth Night will be taken. Receipts: #233 19s. Charges: #84. Profits to Hospital: #149 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Event Comment: Lyric Ode (never performed) "On the Witches, Fairies, and Aerial Beings in Shakespeare. The Music entirely New." [The Westminster Magazine for March commented: "This poem is said to be written by a young gentleman of Oxford, and has many strokes of genius and inagination in it. The music, we hear, is composed by Mr Linley Jr, who has (since his return from Italy) been a student under that most excellent musician Dr Boyce. This composition must be allowed to be an extraordinary effort of genius in so young a man. The Fugue of the overture is masterly. The song of 'There in old Arden's inmost shade,' is well suited to the scene described by the poet....But what we think most deserving of praise is the power our young composer has shown in the chorusses....From the general and sincere applause with which the Ode was received, we may venture to pronounce, that if Mr Linley Jr pursues his studies, he will one day stand foremost in the list of modern composers."

Performances

Mainpiece Title: A Lyric Ode Alexanders Feast And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Event Comment: Benefit for Fawcett and Sga Crespi. Morning Chronicle, 12 May: Tickets to be had of Fawcett, Craven Buildings, Drury-Lane; of Sga Crespi, No. 26, Poland-street, Oxford-street. Receipts: #194 3s. 6d. (32.8.0; 14.5.6; 0.10.0; tickets: 147.0.0) (charge: #105)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Irish Widow

Dance: End I: Grand Dance, Chaconne (composed by Zuchelli)-Henry, Miss Armstrong, Sga Crespi; and a Minuet-Zuchelli, Sga Crespi; End I afterpiece: As17780919

Event Comment: Mainpiece: In Act I a Statute Scene. [This was included in all subsequent performances. Miss George had previously sung in the professional concerts held at Oxford. This was her 1st appearance as an actress.]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irish Widow

Dance: End of Act II of mainpiece Dance, as17830531; End of Act I of afterpiece [annother] Dance by Mr and Miss Byrn

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk or The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Event Comment: Benefit for Mme Theodore D'Auberval. Tickets to be had of Mme Theodore D'Auberval, No. 52, Poland-street, Oxford-road. 2nd ballet: With new Decorations painted by Munich [recte Moench], late painter to the Theatre in the Haymarket, and new Machinery by Bernard. The Dresses entirely new, invented and executed by Lupino

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: La Fille Mal Gardee, as17910430; End Opera: a new Pantomime Ballet in 3 acts (composed by D'Auberval) Le Siege de Cythere-Didelot, D'Egville, Vigano, Fialon, Mlle Leonore Simonet, Mlle Troche, Mlle Deligny, Mme Vigano, Mme D'Auberval. [For assignment of parts see17910517.

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 3 years [acted 13 May 1790]. Public Advertiser, 28 Apr.: Tickets to be had of Mrs Billington, No. 53, Poland-street, Oxford-road. Receipts: #320 4s. 6d. (205.14.6; 3.10.0; tickets: 111.0.0) (charge: #105)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Deserter

Song: In: an additional Obligato Bravura Song (composed by Sacchini,)-Mrs Billington; accompanied on the violin-Weichsel; the favorite Rondo, Se Ti Perdo (composed by Guglielmi)-Mrs Billington (as introduced in The Woodman)

Music: End II: a concerto on the Grand Piano Forte-Mrs Billington

Event Comment: Benefit for Middleton. 3rd piece [in place of The Frolics of an Hour, advertised on playbill of 1 June]: Engagement and Funeral Processionv as 6 May. Morning Chronicle, 30 May: Tickets to be had of Middleton, No. 53, Great Marlborough-street, Oxford-street. Receipts: #172 9s. 6d. (106.3.0; 6.9.0; tickets: 59.17.6)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Death of Captain Faulknor

Song: 3rd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: The Storm-Incledon

Event Comment: Benefit for Mrs Serres. 3rd piece: To conclude as 15 Apr. Morning Herald, 15 Apr.: Tickets to be had of Mrs Serres, No. 70, Berners-street, Oxford-road. Receipts: #288 2s. 6d. (159.3.6; 11.17.6; tickets: 117.1.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catharine and Petruchio

Cast
Role: Landlord Actor: Thompson

Afterpiece Title: The Point at Herqui

Dance: III: Hornpipe-Byrn; 3rd piece: Dance, as17960415

Song: In: Old Towler-Incledon; 3rd piece: Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415; Admiral Benbow-Incledon; Rondo-Mrs Serres

Performances

Mainpiece Title: Acis And Galatea Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

Performance Comment: Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley.
Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: John Dryden to Lord Latimer, July 1677: But the Kings Comedy [probably Mr Limberham] lyes in the Sudds till you please to send me into Northamptonshyre: it will be almost such another piece of business as the fond Husband, for such the King will have it, who is parcell poet with me in the plott; one of the designes being a story he was pleas'd formerly to tell me; and therefore I hope he will keep the jeast in countenance by laughing at it...I have a farther honour to beg, that my Tragedy [All for Love], which will be acted at Michaelmasse, & is already written, may have the honour to be addressed to my Lord Treasurer; & that your Lordship and My Lord Mulgrave wil I hope beg together for me (The Letters of John Dryden, ed. Ward, pp. 11-12)

Performances

Performances

Mainpiece Title: The English Frier Or The Town Sparks

Performance Comment: Edition of 1690: Prologue-; Epilogue-; Lord Stately-Lee; Lord Wiseman-Kinaston; Bellamour-Powell; Father Finical-Bowman; Young Ranter-Williams; Old Ranter-Underhill; Dullman-Bright; Coachman-Bowen; Sir ThomasCredulous-Sandford; Laura-Mrs Jordan; Julia-Mrs Bracegirdle; Airy-Mrs Butler; Lady Pinchgut-Mrs Lee; Lady Credulous-Mrs Bowtell.
Cast
Role: Lord Stately Actor: Lee
Role: Lord Wiseman Actor: Kinaston

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Edition of 1693: Prologue-Mrs Bracegirdle; Epilogue-Mrs Mountford; Maskwell-Betterton; Lord Touchwood-Kynaston; Mellefont-Williams; Careless-Alexander [Verbruggen]; Lord Froth-Bowman; Brisk-Powell; Sir Paul Plyant-Dogget; Lady Touchwood-Mrs Barrey; Cynthia-Mrs Bracegirdle; Lady Froth-Mrs Mountfort; Lady Plyant-Mrs Leigh.
Cast
Role: Lord Touchwood Actor: Kynaston
Role: Lord Froth Actor: Bowman

Performances

Mainpiece Title: The Female Wits Or The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.
Cast
Role: Lord Whiffle Actor: Thomas
Role: Lord Whimsical Actor: Verbruggen

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Edition of 1705 lists: Lord Morelove-Powell; Lord Foppington-Cibber; Sir Charles Easy-Wilks; Lady Betty Modish-Mrs Oldfield; Lady Graveairs-Mrs Moore; Lady Easy-Mrs Knight; Mrs Edging-Mrs Lucas; Prologue-; Epilogue-.
Cast
Role: Lord Morelove Actor: Powell
Role: Lord Foppington Actor: Cibber

Performances

Mainpiece Title: King Richard The Second

Performance Comment: As17191210, but Lord Ross-_; Lord Willoughby-_.
Cast
Role: Lord Salisbury Actor: Egleton
Role: Bishop of Carlisle Actor: C. Bullock
Role: Lord Ross Actor: Diggs
Role: Lord Willoughby Actor: Coker

Performances

Mainpiece Title: The Orphan

Performance Comment: Cordelia-Lord Duplin; Scholars of the Westminster School; Prologue by Prior-Lord Duplin.
Cast
Role: Cordelia Actor: Lord Duplin
Role: Prior Actor: Lord Duplin.

Performances

Mainpiece Title: The Coffee house Politician Or The Justice Caught In His Own Trap

Afterpiece Title: Tom Thumb

Afterpiece Title: The Battle of the Poets or The Contention for the Laureat

Performance Comment: Edition of 1730 lists: Fopling Fribble-Woodward; Comment Profound-Lacy; Sulky Bathos-Ayres; Noctifer-Roberts; Flaile-Morgan; Lord Truetaste-Furnival; Noodle-Reynolds; Lord Grizzle-Jones; Doodle-Wathen; Dangle-Havard; Dismal-Cross.
Cast
Role: Lord Truetaste Actor: Furnival
Role: Lord Grizzle Actor: Jones

Performances

Mainpiece Title: The Modern Husband

Performance Comment: Edition of 1731 lists: Lord Richly-Cibber; Bellamant-Wilks; Captain Bellamant-Cibber Jr; Gaywit-Mills Jr; Modern-Bridgwater; Lord Lazy-Boman; Colonel Courtly-Hallam Jr; Woodall-Harper; Captain Merit-Paget; Captian Bravemore-Watson; John-Berry; Porter-Mullart; Lady Charlotte Gaywit-Mrs Cibber; Mrs Bellamant-Mrs Horton; Mrs Modern-Mrs Heron; Emilia-Mrs Butler; Lately-Mrs Charke; Prologue-Wilks; Epilogue-Mrs Heron.
Cast
Role: Lord Richly Actor: Cibber
Role: Lord Lazy Actor: Boman

Performances

Mainpiece Title: The Authors Farce

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Chambermaid-Mrs Clive; edition of 1734 lists also: Goodall-Jones; Valentine-Stoppelaer; Lord Pride- Hewson; Lord Puff-Charles Jones; Colonel Bluff-Mecklin; Oldcastle-Norris Rakeit-Mullart; Marquis-Mlle Grognet; Slap-Topham; Trick-Hallam; Security-Giles; Mrs Highman-Mrs Mullart; Charlotte-Miss Atherton. Prologue on the Revival of the Author's Farce spoken by Mrs Clive. Epilogue spoken by Mrs Clive .
Cast
Role: Lord Pride Actor: Hewson
Role: Lord Puff Actor: Charles Jones

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Francois a Londres

Performance Comment: Le Marquis de Polinville-Le Sage Sr; Le Baron de Polinville-Le Sage Jr; Lord Crass-Verneuil; Lord Houssay-Young Master Cochoy; Roast Beef-Dessessars; Eliante-Mrs Mimi; Finette-Mrs Verneuil. [Tinette in Daily Advertiser.] hathi.Tinette in Daily Advertiser.] hathi.

Dance:

Performances

Mainpiece Title: The Connoisseur Or Every Man In His Folly

Performance Comment: Parts by Quin, Cibber, Griffin, W. Mills, Mecklin, Salway, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross; but edition of 1736 lists: Lord Constant-Quin; Lord Modely-Cibber; Sir Godfrey Trinket-Griffin; Sir Harry Gaylove-W. Mills; Cheatly-Mechlin; Signior Bagatelli-Salway; Tom-Turbutt; William-Cross; Flavia-Mrs Clive; Araminta-Miss Holiday; Mrs Freelove-Mrs Pritchard; Lucy-Mrs Cross. Prologue written by Aaron Hill and spoken by Quin. Epilogue spoken by Mrs Clive .
Cast
Role: : Lord Constant Actor: Quin
Role: Lord Modely Actor: Cibber