SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "S G"/1) | (@(roleclean,performerclean) "S G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 344 matches on Roles/Actors, 223 matches on Event Comments, 196 matches on Performance Comments, 56 matches on Author, and 37 matches on Performance Title.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Performance Comment: Parts-Garrick, Woodward, Yates, Beard, Taswell, Winstone, King, Vaughan, Bridges, Mrs Green, Mrs Clive. [Poet, Frenchman, Drunken Man-Garrick; Fine Gentleman-Woodward; Taylor-Yates; Old Man-Taswell; Charon-Winstone; Tatoo-King; Aesop-Bridges; Mercury-Beard; Mrs Riot-Mrs Clive; Mrs Tatoo-Mrs Green.-Edition of 1749.]
Cast
Role: Mrs Green. Actor: Edition of 1749.

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: Afterpiece: By desire. To Mr G-, Sir: You will very much oblige many of your friends by reviving the play of Ulisses wrote by the celebrated Mr Rowe; We apprehdnd there are four characters in which yourself, Mr Barry, Mrs Cibber and Mrs Pritchard would shine inimitably. If you think this hint worthy your notice, we make no doubt it will in every Respect answer your expectations, as well as gratify the town in general. S. W., S. T., &c. (General Advertiser). This day is publish'd, at 1s. Lethe Rehears'd or a critical discussion of the beauties and blemishes of that performance; interspers'd with occasional remarks upon dramatick satires in general, as well as on some that have been best receiv'd in particular. The whole in a free conversation amongst several persons of distinction. Printed for J. Roberts (General Advertiser). [This is a fifty@two@page puff for Lethe, and for the usefulness of the stage for propagating morals. The characters who lead the discussion are: Sir Francis Friendly , a sensible learned Gentleman; Dr Heartfree , a candid, judicious person; who has a great opinion of Mr Garrick; Mr Snip@Snap , a vociferous modern Critic; and Two Women .] Receipts: #120 (Cross); #118 12s. 6d. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Chaplet

Dance: SSwedish Gardeners-Master Maltere, Miss Anne Foulcade; The Wooden Shoe Dance-Master Maltere, Miss Foulcade their 1st appearance any stage (General Advertiser)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Bridges; Ferdinand-King; Trincalo-Yates; Hippolito-Mrs Willoughby; Caliban-Blakes; Stephano-Shuter; Mustachio-James; Ventoso-Ray; Sycorax-Taswell; Miranda-Miss Cole; Dorinda-Mrs Green; Ariel-Mrs Clive (with Proper Songs); With Decorations-; particularly: A Dance of Aerial Spirits-Mlle Mariet, Miss Baker, Mrs Shawford, Mrs L'Font; A Dance of Winds-Macneale, Shawford, Pelling, Master Shawford; A Grand Dance of Fantastic Spirits- in the shapes of four Demons, four Monsters, and four Pigmies; Infernals-Reinhold, Bennet; The whole to conclude with the Masque of Neptune and Amphitrite-; Neptune-Beard; Amphitrite-Miss Norris.

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Alchemist

Related Works
Related Work: The Tobacconist Author(s): Francis Gentleman

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: I: Comic Dance, as17501231; III: Hornpipe-Master Shawford

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Don Quixote

Dance: I: A Hornpipe-the Little Swiss; II: A Comic Dance-Harvey, Miss Shawford; III: A Dance-Sg Piettro, Mad Janeton Auretti; IV: A Scotch Dance-Harvey, Miss Shawford; V: The Minuet, Louvre-Harvey, Mrs Addison

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Bayes in Petticoats

Song: II: Beard

Dance: III: A Hornpipe-Morris, the Little Swiss; End of Farce: Scots Dance- (see17530501)

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Old Maid

Dance: As17610702

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: The Genii

Song: IV: A New Comic Interlude of Singing and Dancing, call'd Hearts of Oak The Characters-Lowe, Stevens, Fox, Vincent, Miss E. Young, Miss Baker

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Old Maid

Dance: End: Hornpipe-Vincent

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Performances

Mainpiece Title: The Clandestine Marriage

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None