SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "S Foote Esq"/1) | (@(roleclean,performerclean) "S Foote Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1898 matches on Author, 436 matches on Event Comments, 317 matches on Performance Comments, 27 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Torrismond-Holland; Elvira-Mrs Clive; Dominic-Berry; Gomez-Foote; Bertran-Austin; Lorenzo-Palmer; Queen-Mrs Yates; Alphonso-Burton; Pedro-Packer; Raymond-Bransby; Teresa-Mrs Bennet.

Afterpiece Title: The Diversions of the Morning

Related Works
Related Work: The Diversions of a Morning; or, A Dish of Chocolate Author(s): Samuel Foote
Related Work: The Diversions of a Morning Author(s): Samuel Foote

Dance: As17581017

Dance: TThe Swiss, as17581102

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Brisk-Obrien (1st time); Froth-Blakes; Lady Plyant-Miss Barton; Maskwell-Mossop; Sir Paul-Foote; Careless-Palmer; Lady Touchwood-Mrs Pritchard; Lady Froth (with song)-Mrs Clive; Mellefont-Havard; Cynthia-Mrs Davies; Touchwood-Davies; Froth-Blakes; Saygrace-Clough.

Afterpiece Title: The Diversions of the Morning

Related Works
Related Work: The Diversions of a Morning; or, A Dish of Chocolate Author(s): Samuel Foote
Related Work: The Diversions of a Morning Author(s): Samuel Foote

Dance: SSpanish Dance, as17581014

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Yates; Young Philpot-Foote; Wilding-O'Brien; Sir Jasper Wilding-Baddeley; Dapper-Weston; Maria-a Young Gentlewoman; Corinna-Miss Cockayne; Miller, Davies, Marr, Miss E. Ambrose, Gardiner, Blakey. Miller, Davies, Marr, Miss E. Ambrose, Gardiner, Blakey.

Dance: As17610727 Hornpipe-Miss Scott

Performances

Mainpiece Title: The Citizen

Performance Comment: Young Philpot-Foote; Maria-Miss Elliot.

Afterpiece Title: The Old Maid

Event Comment: NNeville MS Diary: Read their parts before ye play began....When the curtain was drawn up, ye Gods and even some in the pit (where I was) called for ye occasional prologue, which was not advertised. A fellow who played Gregory answered insolently The Prologue will not be played tonight." This provoked them more and an excuse sent by Davis not being admitted, Mr Foote was obliged to appear and promised that if they would wait till between ye play and ye farce, ye Prologue should be given....All this was not over till past 11 p.m

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Foote Actor: London Magazine.

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Fondlewife and Laetitia

Performance Comment: Fondlewife-Foote; Laetitia-Mrs Dancer.

Song: II: DuBellamy

Dance: IV: Fingalian-; End: Italian Peasants, as17670805

Entertainment: PPost@Haste Observations from his Journay to Paris-Shuter (for that Night only)

Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Gomez (for that Night only)-Foote, being his first appearance in that character these twelve years; Torrismond-Aickin; Bertran-Bannister; Fryar-Sowdon, first appearance in that Character; Raymond-Gardner; Alphonso-Casey; Lorenzo-Lee; Pedro-Mahoon; Leonora-Mrs Graham; Teresa-Mrs White; Elvira-Young Gentlewoman, first appearance on the Stage.

Afterpiece Title: Damon and Phillida

Dance: I: By Desire, Double Hornpipe-Vandermere, Miss Street

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Foote; Belmour-Aickin; Vainlove-DuBellamy; Sharper-Kearny; Sir Joseph Wittol-Hamilton; Noll Bluff-Sparks; Setter-Vandermere; Fondlewife's Servant-Jacobs; Old Batchelor-Sowdon; Bellinda-Mrs DuBellamy; Araminta-Mrs Dyer; Sylvia-Mrs Jefferies; Lucy-Mrs Reade; Betty-Mrs White; Laetitia-Mrs Gardner.
Related Works
Related Work: The Credulous Husband Author(s): Samuel Foote

Afterpiece Title: Diversions of the Morning

Performance Comment: Lady Pantweazle-Foote.
Related Works
Related Work: The Diversions of a Morning; or, A Dish of Chocolate Author(s): Samuel Foote
Related Work: The Diversions of a Morning Author(s): Samuel Foote

Dance: TThe Sailor's Return-Tassoni, Vandermere, Summers, Miss Street

Song: II: Cara Sposa-Mrs Jewell; IV: A Favourite Air in the Captive-Mrs Jewell

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Foote; Bellmour-Aickin; Vainlove-DuBellamy; Sharper-Smith; Sir Joseph-Hamilton; Bluff-Sparks; Setter-Vandermere; Barnaby-Jacobs; Footman-Holcroft; Old Batchelor-Sowdon; Belinda-Mrs M'George; Araminta-Mrs Dyer; Sylvia-Mrs Jefferies; Lucy-Mrs White; Laetitia-Mrs Gardner .
Related Works
Related Work: The Credulous Husband Author(s): Samuel Foote

Afterpiece Title: Taste; or, The Diversions of the Morning

Performance Comment: Lady Pentweazle and Fustian-Foote; Carmine-Aickin; Townley-Vandermere; Manly-DuBellamy; Alderman Pentwezle-Sparks; Caleb-Weston; Project-Wheeler; Prompter-Farrell; Painter's Boy-Jacobs; Lindamira-Pearce. singing, III: A Favorite Ballad Song, set by Dr Arne-Phillips .
Related Works
Related Work: The Diversions of a Morning; or, A Dish of Chocolate Author(s): Samuel Foote
Related Work: The Diversions of a Morning Author(s): Samuel Foote
Related Work: Taste Author(s): Samuel Foote
Related Work: Lady Pentweazle in Town Author(s): Samuel Foote

Dance: End of Play: The Pedlar, as17700817

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: hay The Citizen

Performance Comment: Young Philpot-Foote, first time in five years; Old Philpot-Weston; Sir Jasper Wilding-Saunders; Young Wilding-Smyth; Beaufort-Wheeler; Dapper-Farrell; Quildrive-Griffiths; Philpot's Servant-Holcroft; Corinna-Miss Trowel; Maria-Mrs Jewell .

Dance: hay End of Play: The Cowkeeper, as17700521

Song: hay II: A favorite song from The Captive; III: An Italian Song-Mrs Jewell

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: hay The Author

Performance Comment: As17700518 [but Short Bill]: Cadwallader-Foote; Young Cape-Aickin; Arabella-Mrs Jeffries; Mrs Cadwallader-Mrs Gardner .

Dance: hay IV: The Nosegay, as17700611

Song: hay IV: By Mrs Jewell

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Don Lewis-Foote (first appearance in that Character); Carlos-Davis; Antonio-Fearon; Charino-F. Gentleman; Don Duart-Robson; Governor-Dancer; Sancho-Weston; Monsieur-Vandermere; Jaques-Cornelys; Clodio-Woodward; Angelina-Miss Ambrose; Elvira-Mrs Didier; Louisa-Mrs Gardner.

Afterpiece Title: The Captive

Entertainment: End: Scrub's Trip to the Jubilee-Weston

Dance: Double Hornpipe, as17710724

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Foote; Belmour-Aickin; Vainlove-Robson; Heartwell-Gardner; Sharper-Didier; Bluff-F. Gentleman; Setter-Vandermere; Sir Joseph-Woodward; Belinda-Mrs Granger; Silvia-Mrs Didier; Araminta-Mrs Collins; Lucy-Mrs White; Betty-Mrs Farrell; Laetitia-Mrs Gardner.
Related Works
Related Work: The Credulous Husband Author(s): Samuel Foote

Afterpiece Title: The Mayor of Garrett

Song: II: Song (composed by Arne)-Phillips

Dance: As17710517

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; other parts-Weston, Aickin, Davis, Jacobs, Howard, Fearon, Lloyd, Moody, Hamilton, Castle, Ward, Moss, Lings, Courtney, Pierce, Miss Atkinson, Miss Platt, Mrs Weston, Miss Lings, Miss Craven, Francis; with a Re-inforcement of Bayes's new rais'd troops-.

Afterpiece Title: Damon and Phillida

Dance: The Italian Peasants, as17730614

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; parts-Weston, Aickin, Davis, Wilson, Jacobs, Lloyd, Johnson, Follett, Pierce, Owenson, Fearon, Courtney, Jones, Palmer, Francis, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with the reinforcement of Mr Bayes's new rais'd troops-.

Afterpiece Title: The Padlock

Dance: As17740613

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Aickin, Whitefiled, Fearon, Lane, Brett, L'Estrange, Wilson, Jacobs, Jones, Lloyd, Everard, Castevens, Walters, Pierce, Chaplin, Francis, Weston, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with a Reinforcement of Bayes's new-Raised troops-.

Afterpiece Title: Thomasand Sally

Dance: The Medley-

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Gomez-Foote; Torrismond-Fearon; Colonel-Whitefield; Raymond-Lloyd; Bertran-L'Estrange; Alphonso-Chaplin; Pedro-Griffith; Friar Dominic-Lewis; Elvira-Mrs Wilson; Queen-Mrs Whitefield; Teresa-Mrs Palmer.

Afterpiece Title: A Trip to Portsmouth

Dance: A Dance-

Entertainment: Imitations Vocal and Rhetorical-Bannister

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; others-Aickin, Whitefield, Parsons, Davis, Fearon, Baddeley, L'Estrange, Lloyd, Edwin, Brett, Jones, Griffith, Pierce, Walters, Francis, Miss Ambrose, K. Palmer, Miss Francis, Miss Platt; With the Reinforcement of Bayes's New Rais'd Troops-.

Afterpiece Title: The Padlock

Dance: Tambourine Dance-

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Sir Paul Pliant-Foote; Maskwell-Palmer; Lord Froth-Parsons; Carless-Aickin; Lord Touchwood-Fearon; Brisk-Whitefield; Mellefont-L'Estrange; Lady Touchwou'd-Miss Sherry; Lady Froth-Miss Ambrose; Cynthia-Mrs Whitefield; Lady Plyant-Mrs Gardner.

Afterpiece Title: The Waterman

Song: End of Play: Hunting Song-Brett

Dance: The Venetian Regatta-

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .
Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq</i>., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances