SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal Garden at Richmond"/1) | (@(roleclean,performerclean) "Royal Garden at Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2152 matches on Event Comments, 763 matches on Performance Title, 587 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Ladies are desired to send servants by 3 o'clock. On Saturday Night last a New Scene, representing a fountain, was introduced in the Entertainment of Harlequin Sorcerer, at Covent Garden, which for elegance of Design, Beauty of Paintings, and ingenious invention in the Mechanism, was received by the numerous Spectators with universal applause (Public Advertiser)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for the Author. [For tickets see 9 Feb., add tickets delivered for the third and sixth nights will be taken.] This Tragedy may be had at R. Francklin's in Covent Garden. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Gamester

Event Comment: Afterpiece: An Interlude. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd this day, at the office in Covent Garden theatre at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four O'clock. Pit and Boxes at Five. To begin at half an hour after Si(

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

Event Comment: We hear that Mr Handel will play a Concerto on the organ in Alexander's Feast, Wednesday next at Covent Garden Theatre

Performances

Mainpiece Title: The Earl Of Essex

Dance: IIl Pastore, as17521219

Event Comment: The Dr New Dress'd & in a New Manner with a Prologue by ye old Dr to introduce the New by the Author of the Hilliad. The Prologue was forbid by the Licencer, & struck out of the bills, but by Mistake was left in ye News; a great noise for it, Woodward said; as he had face to study, he had not time to do it--more Noise--I went on--& told 'em the Prologue was forbid--Noise still--Woodward went on & said it was forbid by L@or@d Chamberlain--it cool'd a little but when he came on dress'd like Dr Hill, it began again, & so ye farce ended (Cross). Benefit for Mr Woodward. Part of Pit laid into Boxes, and Stage commodiously built in form of an Amphitheatre. Boxes and Stage 5s. Ladies send servants by 3. Tickets to be had of Woodward in Great Piazza, Covent Garden; and at Stage Door. This day publish'd The Chaplet at 6d. a Musical entertainment as performed at Drury Lane. Receipts: #330 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Mock Doctor

Dance: Devisse, Ferrere, Mlle Auretti

Event Comment: Mainpiece: Not acted in 5 years. [See 12 March 1747.] This day publish'd The Oracle, a comedy of one act as it is acted at Covent Garden. By Mrs Cibber

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Harlequin Sorcerer

Dance: IIl Pastore, as17521219

Event Comment: Benefit for Mrs Clive-She did Zara (Cross). Farce (not acted these 2 years) with Alterations and an Additional Scene. Part of Pit laid into Boxes. [None behind scenes.] Tickets of Mrs Clive in Henrietta St., Covent Garden, and at The Stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Bayes in Petticoats

Event Comment: Benefit for Beard. Tickets of Beard in Russel-St, Covent Garden; and at Stage Door. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Double Disappointment

Song: I: Cymon and Iphigenia a Cantata by Mr Arne-Beard; II: The School of Anacreon a New Cantata by Arne-Beard; IV: (By Desire) The Lass of the Mill-Beard; accompany'd on the Harp-Mr Parry

Music: III: A Piece on the Welch Harp-Parry

Event Comment: Afterpiece: By Particular Desire. Benefit for Mr Dexter (Cross). No building on Stage. Tickets to be had of Dexter at his lodgings in James St., Covent Garden, at the Grecian Coffee House, and at the stage dobr. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: II: A Comic Dance, as17530402 IV: L'Entree de Flore, as17530324 End Farce: Le Matelot Basque, as17521005

Event Comment: Benfit for Berry. Afterpiece: By Desire. Tickets at stage door, and of Berry at Mr Pope's, a Peruke Maker in Russel St., Covent Garden. Berry's figure was well adapted to Sciolto, Acasto and characters of that cast; No man had more feeling than he, and it generally had its proper effect, but by being too fond of aiming at tenderness, he grated upon the ear of an auditor (Genest, IV, p. 363, from State of the Stage). Receipts: #220 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Double Disappointment

Event Comment: Benefit for Blakes and Mrs James. Mainpiece: Acted but once these three years. Tickets to be had of Blakes at his House in Duke's Court, near Broad Court, Bow St. Covent Garden; of Mrs James in Little Wild St., Lincoln's Inn Fields; and at stage door. Receipts: #270 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Devil to Pay

Dance: IV: Le Matelot Basque, as17521005; V: Country Amusements, as17530412

Event Comment: Benefit for Davies & Wife (Cross). Tickets at Davies's lodgings at Mr Evans, in Tavistock Row, Covent Garden; and at Stage Door. [The Bill announces Garrick as Lothario for last time this season.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Dance: III: Dutch Dance, as17521125; V: Country Amusements, as17530412

Song: I: A Cantata-Beard

Event Comment: Benefit for my Self & Wife, Miss Thomas had Tickets (Cross). Last time for mainpiece this season. Tickets of Cross at his house in Crown Court, Little Russel St., Covent Garden. Receipts: #195(Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherd's Lottery

Dance: CCountry Amusements, as17530412

Event Comment: Towards a fund for ye Support of a publick Charity-(ye Lock Hospl.). King Lear & Duke & no Duke given out for Wed., 23 & bills put up, but not play'd on account of Mr Havard's illness, at 12 at noon, bills were dispers'd saying--the Play of King Lear, design'd for to Night is oblig'd to be defer'd on Account of Mr Havard's sudden illness. N.B--It was a very hot day (Cross). Tickets to be had at the following Coffee Houses: The St James, in St James's St.; The Mount, in Grosvenor St.; George's the upper end of the Haymarket; the Bedford and Tom's in Covent Garden; Garraway's in Cornhill; and at the Stage Door of the Theatre. Tickets deliver'd out for 16 April will be taken. [Cross lists no Receipts.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Scapin

Dance: CCountry Amusements-. See17530412

Event Comment: [G+Gray's Inn Journal contains a puff' for Macklin's coming benefit (see 20 Dec.), deplores his dismissal from Covent Garden, and hopes for a good audience to help set him up in his new venture.] Receipts: #100 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Englishman in Paris

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Event Comment: Benefit for Mr Macklin, to which he spoke a farewell Prologue hinting at his new scheme (a Coffee house now fitting up in the Piazza) Mrs Mack, Miss & He play'd (Cross). [Macklin discharged last June from Covent Garden, one night given him at Drury Lane when he took leave; Poor I toss'd up...King Henry 7, 1764 (Winston MS 8). Gray's Inn Journal noted this performance by the bequeathing to the stage of Miss Macklin who should succeed in genteel comedy.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Englishman in Paris

Event Comment: On Tuesday next a New Tragedy called Philoclea. On Monday 28 January will be a Benefit for Sga Nicolina Giordani, A comic Opera with dances. Tickets and places for the Boxes may be had at Sg Giordani's Lodging, at Mr Milbourn's Grocer, in James St. Covent Garden. To the Young Gentlewoman who has performed Hermione [see 19 Jan.]: @Great was th' Applause you met, great your desert,@You charm'd the Eye, the Ear, the Head, the Heart.@Amaz'd we saw you at the first appear,@Ev'n in the hardest part, a perfect play'r.@Your person, your deportment set to view,@The youthful princess that the poet drew.@All was propriety, and all was grace,@We read the author's meaning in your face.@Your elocution was both just and strong,@Mix'd with due ease, and not an accent wrong,@Such varied Musick in your voice we heard,@That in the Tones both Taste and Sense appear'd.@Love, Jealousy, and Rage so well expres't@Engag'd our souls, nor knew we which was best,@'Twas Nature all-she form'd you for the stage,@Follow her steps, and glad th' Admiring Age.-Public Advertiser@

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Cast
Role: Chasseur Royale Actor: Lowe
Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Music: As17540123

Dance: Devisse, Mlle Auguste

Event Comment: Benefit for Signora Nicolina Giordani [By Command of] the Duke and Princess Amelia (Cross). The Manager of Covent Garden being under a necessity of interrupting the run of the new Tragedy of Philoclea by a Command, and a Benefit for Sga Nicolina Giordini (which was settled before the coming out of that play) has been so obliging as to give the Author the choice of a day for his second benefit; and many of his friends having taken places for Tuesday, as that would have been his sixth night in course, the Author, lest they should be disappointed, has chosen Tuesday for his second benefit

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217

Event Comment: For the the Author Tho' but the 5th Night, Mr Rich's Indulgence (Cross). Philoclea published at 1s. 6d. Tickets to be had at Dodsley's, Tulley's Head in Pall Mall; the Bedford Coffee House, Covent Garden; the Grecian Coffee House, in Devereaux Court; and at Baker's Coffee House in Change Alley

Performances

Mainpiece Title: Philoclea

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

Event Comment: Benefit of Mr Foote (Cross). Tickets of Foote at Mr Ray's, a woolen-draper, in Tavistock Row, Covent Garden, and at the stage door. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Knights

Event Comment: Benefit for the Author. Tickets to be had of the author at his house in Southampton St., near Covent Garden; at Millar's, Bookseller in the Strand, and at the Stage Door. [But see note for 28 Feb.

Performances

Mainpiece Title: Constantine

Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Afterpiece Title: Enterntainment

Dance: [Unspecified.]