SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal Garden at Richmond"/1) | (@(roleclean,performerclean) "Royal Garden at Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2152 matches on Event Comments, 763 matches on Performance Title, 587 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Sailor's Festival

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Rosina

Performance Comment: Belville-Bannister; Captain Belville-Davies; William-Bland; Rustic-Cooke; Irishmen-Benson, Waldron Jun.; Phoebe-Miss DeCamp; Dorcas-Mrs Powell; Rosina-Miss Copell [recte Gopell] (from the Theatre Royal, Bath; 1st appearance on this stage); Sweet Echo-Miss Copell; accompanied on the violin-Shaw.

Song: Mainpiece: Vocal Parts-Kenrick, Walker, Linton, Dorion, Dorion Jun., Miss Dall, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale

Event Comment: Benefit for Bannister Jun. 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 23 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland-Farren; Bellamy-Davies; Jack Meggot-Bernard (1st time [i.e. appearance] these 2 [recte 3] years); Tester-Blanchard; Buckle-Thompson; Frankly-Holman; Mrs Strickland-Miss Chapman; Jacintha-Miss Hopkins (from the Theatre Royal, Edinburgh; 1st appearance on this stage); Lucetta-Mrs Mattocks; Milliner-Mrs Follett; Clarinda-Mrs Pope.

Afterpiece Title: Robin Hood

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Middleton (from the Theatre Royal, Dublin; 1st appearance these 5 years); Roderigo-Bernard; Cassio-Macready; Barbantio-Hull; Lodovico-Davies; Montano-Claremont; Duke-Cubitt; Gratiano-Powel; Iago-Harley; Emilia-Mrs Fawcett; Desdemona-Mrs Pope.

Afterpiece Title: The Midnight Wanderers

Event Comment: [The playbill announces the performances for this evening as by command of Their Majesties, but "The melancholy tidings of the death of the Queen of France prevented the royal visit" (Thespian Magazine, Dec. 1793, p. 357).) Receipts: #392 13s. (383/11; 9/2)

Performances

Mainpiece Title: Lovers' Quarrels

Afterpiece Title: HARTFORD BRIDGE

Afterpiece Title: HARLEQUIN'S CHAPLET

Cast
Role: Gardener Actor: Hawtin

Entertainment: As17931002

Performances

Mainpiece Title: The Siege Of Berwick

Afterpiece Title: ROBIN HOOD

Performance Comment: As17930920, but Robin Hood-Townsend (from the Theatre Royal, Norwich; 1st appearance on this stage) . 1st appearance on this stage) .

Dance: As17931015

Event Comment: By Command of Their Majesties. "God save the King was several times repeated, and other songs suitable to the circumstances of the night" (World, 21 Nov.). " As the taste of the Royal Family is well known to be equal to the delight they take in encouraging genius, it is, we presume, the Lord Chamberlain that so frequently orders, for their entertainment, a hash of old Pantomimes, which even children cannot relish more than once" (Morning Chronicle, 21 Nov.). Receipts: #521 11s. (514/17; 6/14)

Performances

Mainpiece Title: The School For Arroganc E

Afterpiece Title: MODERN ANTIQUES

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT

Dance: As17931119

Song: As17931119

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Performance Comment: As17931223, but Richard-Pindar (from the Theatre Royal, Bath; 1st appearance on this stage); Sir James Tyrrel-Waldron Jun.; Lord Mayor-Burton .
Cast
Role: Earl of Richmond Actor: Barrymore

Afterpiece Title: MY GRANDMOTHER

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Event Comment: Afterpiece: By Permssion of the Manager of the Theatre Royal, Haymarket. The Overture and Music by Dr Arnold. Powell: Children in the Wood rehearsed at 10 (Bannister, Dignum, Mrs Powell, Mrs Bland absent); No Song No Supper at 11 (for Starace, Kelly, Leak, Dignum, Sedgwick); Distressed Mother at 12. Receipts: #385 7s. (310/1/6; 64/10/6; 10/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: In Act V of mainpiece a song by Mrs Bland

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MD 2, by John Cartwright Cross]: The Overture and the Musick entirely new, by Reeve. Books of the Songs to be had at the Theatre. Morning Chronicle, 9 Sept. 1794: This day is published THE APPARITION (1s.). Morning Chronicle, 30 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE APPARITION

Monologue: 1794 09 03 End of mainpiece, as 30 Aug

Event Comment: Afterpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: THE PRIZE; or, 2, 5, 3, 8

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden; Young Marlow-Bernard; Hastings-Davies; Sir Charles Marlow-Powel; Diggory-Burton; Sland-Rock; Landlord-Thompson; Jeremy-Farley; Roger-Ledger; Tony Lumpkin-Quick; Mrs Hardcastle-Mrs Davenport (from the Theatre Royal Dublin; 1st appearance on any [sic] stage); Miss Neville-Miss Cornelys; Miss Hardcastle-A Young Lady (1st appearance on any [sic] stage [Miss Hill]).sic] stage [Miss Hill]).

Afterpiece Title: Rosina

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Holman; Cymbeline-Richardson; Cloten-Bernard; Bellario-Farren; Arviragus-Middleton; Guiderius-Macready; Pisanio-Harley; Caius Lucius-Davies; Lords-Claremont, Davenport; Phillario-Powel; Frenchman-Farley; Iachimo-Pope; Queen-Mrs Fawcett; Helen-Miss Leserve; Imogen-Miss Wallis (from the Theatre Royal Bath).

Afterpiece Title: Robin Hood

Song: II: Hark! Hark! the Lark-Townsend, Linton, Gray, Mrs Martyr, Mrs Clendining, Mrs Mountain, Mrs Henley, Miss Poole

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Johnstone; Sir Harry Sycamore-Quick; Ralph-Munden; Mervin-Townsend; Fairfield-Richardson; Framer Giles-Haymes (from the Theatre Royal Bath; 1st appearance on this stage); Fanny-Mrs Martyr; Theodosia- Mrs Arnold?; Patty-Mrs Mountain.

Afterpiece Title: Mago and Dago

Cast
Role: A Throw with the dice Actor: Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Seven's the Main Actor: Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Event Comment: A Sacred Oratorio; the music entirely by Guglielmi, composed purposely for Mme Banti at the Royal Theatre of St.@Charles at Naples [in l788]; with Grand Chorusses under the direction of Dr Arnold, who will himself preside at the organ. At the harpsichord, Federici. Leader of the Band, Cramer. The Orchestra, vocal and instrumental, will consist of nearly two hundred performers

Performances

Mainpiece Title: Debora And Sisara

Music: End Part I: a Grand Overture by Haydn-; conducted-Haydn

Song: At commencement Part II: Angels ever bright and fair-Mme Banti

Performances

Mainpiece Title: The Telegraph

Performance Comment: ; or, A New Way of Knowing Things. Characters by Quick, Powel, Haymes, Rock, Farley, Thompson, Abbot, Davenport, Fawcett, Miss Hopkins, Miss Stuart, Mrs Davenport. [Cast from text (J. Downes, 1795): Sir Peter Curious-Quick; Deputy Feedwell-Powel; Major O'Donelly-Haymes; Cook-Rock; Drama-Farley; Coachman-Thompson; Servant-Abbot; Butler-Davenport; Fertile-Fawcett; Gardener-Wilde; Hostler-Horton [recte Burton]; Footman-Blurton; Emily-Miss Hopkins; Edging-Miss Stuart; Lady Curious-Mrs Davenport; Housekeeper-Mrs Platt; Maid-Miss Leserve.
Cast
Role: Gardener Actor: Wilde

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson (for that night only)-Hughes (Manager of the Theatre Royal, Weymouth); Sir John Loverule (with Old Towler)-Incledon (1st appearance in that character); Butler-Townsend; Coachman-Rock; Cook-Rees; Lady Loverule-Mrs Fawcett; Lucy-Miss Stuart; Lettice-Miss Leserve; Nell-Mrs Mattocks (1st appearance in that character).

Song: III 2nd piece: song in character-Mrs Clendining

Event Comment: Benefit for Bannister Jun. 3rd piece: By permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Chronicle, 6 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Mountaineers

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Prize; or, 2

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Toms (from the Theatre Royal, Weymouth; 1st [recte 2nd] appearance on this stage); Capulet-Powel; Benvolio-Macready; Friar Lawrence-Hull; Prince-Richardson; Tibalt-Haymes; Paris-Claremont; Balthazar-Williamson; Montague-Davenport; Peter-Farley; Friar John-Thompson; Apothecary-Rees; Mercutio-Lewis; Lady Capulet-Miss Morris; Nurse-Mrs Davenport; Juliet-Miss Wallis.

Afterpiece Title: Cymon

Dance: In I: a Grand Masquerade-; the Minuet de la Cour and Allemande-Byrn, Mlle St.Amand; afterpiece to conclude with: Dance-

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite Elegy-; (composed by Dr Arne) Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

Event Comment: Mainpiece: For the first time here (by permission of the Manager of the Theatre Royal, Hay Market). [Author of Prologue unknown.] Paid Messrs Hammersley & Co.'s Trust Account for Renters, Theatre Rent, Patent Rent, Taxes, Insurance, and other certain Charges for 12 nights Paid each night #100: #1,200. Receipts: #235 9s. 6d. (174.9.0; 59.12.0; 1.8.6)

Performances

Mainpiece Title: The Three And The Deuse [sic]

Afterpiece Title: Lodoiska

Event Comment: Afterpiece: For the first time here (by permission of the Proprietor of the Theatre Royal, Hay Market). Receipts: #291 11s. (216.19.6; 74.0.6; 0.11.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Peeping Tom