SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal"/1) | (@(roleclean,performerclean) "Royal")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1193 matches on Event Comments, 687 matches on Performance Title, 654 matches on Roles/Actors, 320 matches on Performance Comments, and 0 matches on Author.
Event Comment: Mainpiece: In Act I The Banquetv. [In Act IV] the Procession from the Abbeyv at the Coronation of Anne Bullenv. To conclude with the Ceremonial of a Royal Christeningv. Receipts: #145 13s. 6d. (143.15.0; 1.18.6)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Enchanted Castle

Song: III: song-Mrs Kennedy

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Performance Comment: Sir Hector Strangeways (for that night only)-Powell (from the Theatre Royal, Bath); Orson Strangeways-Quick; Brownlow-Davies; Colonel Ormsby-Macready; Pillage-Fearon; Bassore-Bernard; Lady Die Strangeways-Mrs Webb; Zelida-Mrs Bernard.

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Midnight Hour

Afterpiece Title: Animal Magnetism

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Maid of the Oaks

Performance Comment: Dupely-R. Palmer; Old Groveby-Baddeley; Sir Harry Groveby-Davies; Oldworth-Aickin; Hurry-Edwin; Maria-Mrs Kemble; Lady Bab Lardoon-Miss Prideaux (from the Theatre Royal, Bath; 1st appearabce on this stage). 1st appearabce on this stage).

Afterpiece Title: Peeping Tom

Dance: End 2nd piece: New Dance-Byrn, Miss DeCamp, Mrs Goodwin

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Palmer; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Le Beu-Lamash; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; the Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Goodall (from the Theatre Royal, Bath; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster

Event Comment: "This degradation of a theatre royal was properly reprobated by the audience in general" (Town and Country Magazine, Jan. 1789, p. 15). Receipts: #264 (252.3; 11.17)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Aladin

Event Comment: Benefit for R. Palmer. Afterpiece: Never performed there. [Follett was from the Royal Circus.] Public Advertiser, 20 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #232 19s. (74.17.0; 26.10.6; 1.10.6; tickets: 131.1.0) (charge: #111 17s.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In Afterpiece: a Fandango-Miss DeCamp; Dances-Hamoir, Bourk, Miss Blanchet, Miss Stageldoir; conclude with: Dance of Furies-; Shower of Fire-

Entertainment: Monologue Preceding: The Lecture on Heads (for this night only)-Palmer

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman (1st appearance at this theatre these 2 years); Capulet-Powel; Benvolio-Davies; Friar Lawrence-Hull; Paris-Macready; Tibalt-Cubitt; Prince-Gardner; Peter-C. Powell; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Pitt; Juliet-Mrs Achmet (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage).; 1st appearance on this stage).

Afterpiece Title: The Farmer

Song: End IV: Juliet's Funeral Procession-; With Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Blanchard (1st appearance in that character); Pedrillo-Edwin; Philippo-Davies; Don Scipio-Powel; Don Caesar-Bannister; Don Juan-Cubitt; Rapino-Rock; Sanguino-Thompson; Lopez-Evatt; Alphonso-Duffey (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage); Victoria-Mrs Mountain; Catalina-Miss Stuart; Isabell-Mrs Platt; Lorenza-Mrs Martyr.

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Harley (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Aickin; Buckingham-Farren; Stanley-Powel; Tressel-Egan; Pr. Edw.-Mrs Byrne; D. of York-Master Simmons; Norfolk-Macready; Lieut.-Cubitt; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Gardner; Oxford-Evatt; Richmond-Holman; Lady Anne-Miss Brunton; Duchess of York-Mrs Platt; Queen-Mrs Pope. [Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Fennell (from the Theatre Royal, Edinburgh); Roderigo-Blanchard; Cassio-Macready; Brabantio-Hull; Lodovico-Davies; Montano-Thompson; Duke-Gardner; Gratiano-Powel; Iago-Harley; Emilia-Mrs Bernard; Desdemona-Mrs Pope.

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bernard; Sir Jasper Wilding-Thompson; Young Wilding-Davies; Beaufort-Macready; Quildrive-C. Powell; Dapper-Rock; Old Philpot-Quick; Corinna-Miss Brangin; Maria-Miss Richards (from the Theatre Royal, Margate; 1st appearance on this stage). 1st appearance on this stage).

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17891002, but Rosa-Mrs Warrell (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Harlequin's Chaplet

Dance: As17900129

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

Performances

Mainpiece Title: Redemption 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End Part II: As17900219; End I: a new concerto on the Piano Forte-Attwood Jun., Musician to his Royal Highness the Prince of Wales

Performance Comment: , Musician to his Royal Highness the Prince of Wales.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Waterhouse (from the Theatre Royal Crow Street, Dublin; 1st appearance on this stage); Lockit-Cubitt; Filch-R. Palmer; Mat o' th' Mint-Chapman; Ben Budge-Abbott; Peachum-Moss; Lucy-Mrs Edwards; Mrs Peachum-Mrs Webb; Diana Trapes-Mrs Powell; Polly-Mrs Bannister.

Afterpiece Title: Try Again

Dance: III: Hornpipe (in Character)-Byrn

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick-Johnstone; Fitzroy-Bannister; Dermot-Incledon (from the Theatre Royal, Bath; 1st appearance on this stage); Father Luke-Rock; Bagatelle (with a song in character)-Marshall (from the Theatre, Birmingham; 1st appearance at this theatre); Darby-Ryder; Kathlane-Mrs Martyr; Norah-Mrs Mountain.

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Quick; Orlando-Holman; Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Corin-Cross; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Oliver-Davies; Duke Frederick-Thompson; Charles-Cubitt; Jaques-Aickin; Caelia-Mrs Mountain; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Esten (from the Theatre Royal, Edinburgh; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Provocation

Dance: End I: The Irish Lilt-Mr Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Event Comment: Account-Book: Tickets delivered by Follett, Warrell, A Gentleman, Miss Leserve will be admitted. Received of Their Majesties for the Box #80; for the Princess Royal's Box #40; for Her Majesty's Servants #6 6s. Receipts: #226 10s. 6d. (104.5.0; 4.3.6; tickets: 118.2.0)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Tippoo Saib

Afterpiece Title: Two Strings to Your Bow

Song: In 2nd Piece:as in 3rd piece, 10 June Poor Orra tink on Yanco dear-Mrs Mountain; The Gallant Soldier born to Arms-Incledon

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Agreeable Surprise

Performance Comment: Sir Felix Friendly-Wilson (1st appearance on this stage these 6 years); Compton-Bannister; Eugene (1st time)-Bland; Chicane-Usher; Lingo-Cornellys (from the Theatre Royal, Dublin [1st appearance on this stage]); Thomas-Burton; John-Phillimore; Laura-Mrs Bannister; Mrs Cheshire-Mrs Webb; Fringe-Mrs Edwards; Cowslip-Mrs Wells.

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Bloomfield (from the Theatre Royal, Bath; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.

Afterpiece Title: A Divertisement

Performances

Mainpiece Title: He Wou'd Be A Soldier

Performance Comment: Sir Oliver Oldstock-Quick; Colonel Talbot-Aickin; Captain Crevelt-Lewis; Caleb (with a song in character)-Fawcett (from the Theatre Royal, York; 1st appearance on this stage); Mandeville-Farren; Count Pierpoint-Marshall; Wilkins-Cubitt; Johnson-Macready; Amber-Thompson; Harriet-Mrs Wells; Mrs Wilkins-Mrs Rock; Lady Oldstock-Mrs Webb; Nancy-Mrs Cross; Betty-Mrs Davenett; Charlotte-Mrs Pope.

Afterpiece Title: Cymon