SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robt Lloyd"/1) | (@(roleclean,performerclean) "Robt Lloyd")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 258 matches on Performance Comments, 128 matches on Author, 43 matches on Event Comments, 26 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Performance Comment: Parts by: Bannister, Dibdin, Jackson, Griffith, Lloyd, A Gentleman first appearance, Mrs Love, Mrs Jewell. Don Pedro-Wilson; Lysander-Bret; Fabio-Bannister; Perez-Weston (?); Marcella-Mrs Jewell; Juletta-Mrs Weston (Edition of 1776).

Dance: The Venetian Regatta-

Event Comment: Tickets delivered for a Comedy, by Messink, Jones, Ledger, Newton, Painter, Darley, Lloyd, Mrs Davenett, Mrs Sharpe and the Widow of the late Dr Arne will be admitted this Evening. Receipts: #281 1s. (91/16; 5/1; tickets: 184/4)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Retaliation

Event Comment: Tickets delivered by Jackson, Prosser, Helme, Lloyd, Real, Rowson, R. Ledger, Mrs Hamilton, Mrs Lampe, and the Performers in the Orchestra will be admitted this Evening. Receipts: #276 12s. 6d. (83/7/0; 2/7/6; tickets: 190/18/0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Waterman

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford; End of mainpiece Hornpipe by Prosser

Performances

Mainpiece Title: The Woodman

Performance Comment: As17910310but the Vocal Parts-Mrs _Mountain, Mrs Lloyd.

Afterpiece Title: Modern Antiques

Event Comment: Account-Book: Tickets delivered by Trowion, Rock, Blurton, Ledger, Evatt, Jackson, Ratchford, Cross, Letteney, Williamson. Mrs Davenett, Mrs Lefevre, Mrs Lloyd, Mrs Arnold, Mrs Gray, Mrs Masters, Mrs Goodwin will be admitted. Receipts: #435 9s. (45.8; 3.2; tickets: 383.19)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deaf Lover

Dance: As17910507

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Quick; Captain O'Donnel-Johnstone; Welford-Incledon; Fairlop (1st time)-Richardson; Medley (1st time)-Townsend; Bob-Cross; Filbert-Wilde; Thomas-Linton//Dolly-Mrs Martyr; Miss Di Clacket-Mrs Henley; Polly-Miss Barnett; Emily-Miss Poole (1st appearance in that character). Rest of the Vocal Parts by Miss Stuart, Mrs Follett, Mrs Lloyd, Miss Kirton, Mrs Castelle, Mrs Platt, Mrs Ratchford, Miss Watson, Mrs Bayzand, Miss Leserve, Mrs Mountain .

Afterpiece Title: MODERN ANTIQUES

Dance: As17931015

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: THE POOR SOLDIER

Song: In Act II of mainpiece the Grand Triumphal Entry of Alexander into Babylon. Vocal Parts by Johnstone, Incledon, Cubitt, Rock//Mrs Mountain, Miss Stuart, Miss Leserve, Miss Barnett, Mrs Lloyd, Mrs Martyr. In the course of the Evening Black-Eyed Susan by Incledon

Performance Comment: Vocal Parts by Johnstone, Incledon, Cubitt, Rock//Mrs Mountain, Miss Stuart, Miss Leserve, Miss Barnett, Mrs Lloyd, Mrs Martyr. In the course of the Evening Black-Eyed Susan by Incledon .
Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: The Thespian Panorama

Performance Comment: As17950304 but The Recitals will be chosen from the Works of Milton, Sterne, Thomson, Goldsmith, Lloyd, Gray, and mostly spoken by Palmer. Part I, Part II, Part III. As17950304 .
Event Comment: Tickets delivered for King Richard the Third [Account-Book: by Brandon, Arnold, Little, Brice, Blurton, Bonsor, Hay, Haseler, Lloyd, Berecloth, Savory, Noble, Linton, Castelle, Atkins] will be admitted. Receipts: #484 14s. 6d. (51.0.6; 3.14.0; tickets: 430.0.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Comus

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Song: Vocal Parts, as17950309but Mrs _Blurton; In afterpiece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke

Event Comment: The Last Night of the Company's performing this Season. [Account-Book: Tickets delivered by Mrs Lloyd, W. Bayzand, Timkins (box-keeper), Street, Barnes, Morris, Rye, Dosel, Wells, King, Timkins (carpenter), Thompson (near Stage), Coates, Roberts, Thompson, (gallery door-keeper) will be admitted.] Receipts: #419 1s. (38.16; after-money: not listed; tickets: 380.5)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Irish Mimick

Dance: End: a Scotch Reel-Bayzand, King, Mlle St.Amand

Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Village Fete

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

Performance Comment: Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray.
Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Event Comment: Benefit for Palmer's Orphan Family [see dl, 18 June 1798]. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Tickets may be had at Lloyd's Coffee House [for this night only]; and of Fosbrook, at the Box Office, Little Russel Street, where, only, Places for the Boxes can be taken. The Public are respectfully informed that Mr Aickin is appointed Manager. Printed by C. Lowndes next the Stage-Door. Receipts: #571 15s. (519.8.6; 45.17.6; 1.16.0; tickets: none listed; Sundry Sums left at Door: 4.13.0) (charge: free)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Citizen

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performance Comment: Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward.

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: Five Thousand a Year

Afterpiece Title: The Magic Oak

Performance Comment: Principal Characters-King (1st appearance), Bologna, Duke, Simmons, Whitmore, Hawtin, Wilde, Blurton, Claremont, Klanert, Master Blackmore, Platt, Abbot, T. Cranfield, Powers, Lewiss, Davies, L. Bologna, Letteney, Farley, Mrs Bologna, Mrs Whitmore, Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Lloyd, Ms Burnett, Ms Walcup, Ms Blurton, Ms Bologna, Ms Cox, Ms Crow, Ms Dibdin, Ms Ward, Ms Coombes, Ms Standen, Mrs Watts; Vocal Characters-Townsend, Hill, Street, Linton, Thomas, Russel, Master Ramage, Master Goodwin, Mrs Chapman. [And see17990129] .And see17990129] .

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

Performance Comment: Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox.
Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts