Event Comment: Benefit for Grimaldi and Vincent. No Building on Stage. Full Prices

Event Comment: Mainpiece: By Desire. Afterpiece: For last time this season. Full Prices

Event Comment: Benefit for Leviez, ballet master. Full Prices. Afterpiece: By Desire. The Farmer, for last time this season

Event Comment: Mainpiece: By Particular Desire. Full Prices. Doors open'd at half past Four. To Begin exactly at half past Six

Event Comment: Full Prices. Afterpiece: For 67th time. Last time of the Company's performing this season

Event Comment: Full prices

Event Comment: Full Prices

Event Comment: Full Prices. After this night the Coronation cannot be done for a considerable time on account of the pantomime entertainment of the Sorcerer

Event Comment: Afterpiece: Not perform'd these 4 years. [See 12 Feb. 1759.] Habits and Scenes for it entirely new. Nothing under Full Price will be taken

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Event Comment: At the Great Room, Dean St. Benefit for Miss Formantel. Price: 5s. To begin at 7

Event Comment: Benefit for the Author. [At the half-price riots (25 Jan.) Moody had stopped a man from setting fire to the house. When called upon to apologize for interfering with a gentleman and for taking the manager's part he thought to restore good humor by assuming the tone of a low-bred Irishman, saying he was sorry he had displeased them by saving their lives and putting out the fire. The reply inflamed the rioters more (Genest, V, p. 15). On 5 Feb. Moody inserted the following apology in the Public Advertiser: Mr Moody begs leave to inform the Public that the impropriety of his behavoir at the theatre was intirely owing to the confusion of mind he was then under; which unhappily for him was misconstrued into disrespect; tho' nothing could at that, or that, or at any other time, be farther from his thoughts. He therefore earnestly hopes and entreats that he may be permitted to appear before them again; as he hereby most humbly asks their pardon for whatever he inadvertently said or did to incur their displeasure."

Event Comment: Opera Not Performed this Season. No persons admitted behind the scenes, nor any money return'd after the curtain is drawn up. [But no mention is made of full prices.] Books of the Opera to be sold at the Theatre

Event Comment: Full Prices. To prevent any mistakes for the future in advertising the Plays and Entertainments at the above theatre, the managers think it proper to declare that the Playbills are inserted by their direction in this paper only (Public Advertiser)

Event Comment: A new Comedy. To begin at seven. Prices [as of 6 July]: Boxes 5s. Pit 3s. Gallery 2s

Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Event Comment: LLovemore by Mr Holland (Hopkins). Lovemore is a character no way proper for Mr Holland (Hopkins Diary-MacMillan). Full Prices. Receipts: #247 14s. (MacMillan)

Event Comment: LLusignan by Mr Powell (first time) (Hopkins). Mr Powell played Lusignan with great Feeling, but spoke much too low, and cryed too much (Hopkins Diary-MacMillan). Full Prices. Receipts: #241 7s. (MacMillan)

Event Comment: Full prices. Receipts: #97 2s. (MacMillan)

Event Comment: Oratorio By Command of their Majesties. This Day is publish'd Price 1s. Deborah, a Sacred Drama, or Oratorio, as it is performed By Command of their Majesties at Covent Garden...Printed for Benjamin Dod at the Bible and Key in Chancery Lane

Event Comment: This Day Publish'd. Price 1s. As acted tonight at Covent Garden, Judas Maccabaeus, a Sacred Drama. With Alterations. Printed for the Administrator of J. Watts

Event Comment: By Command of their Majesties. This Day publish'd Price 1s. L'Allegro ed Il Penseroso By Milton, and a Song for St Cecelia's Day by Dryden as performed at Covent Garden. Printed for J. and R. Tonson

Event Comment: TThe Messiah publish'd this day by B. Dod. Price 1s

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.