SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Merry"/1) | (@(roleclean,performerclean) "Robert Merry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1109 matches on Performance Comments, 931 matches on Author, 773 matches on Performance Title, 352 matches on Event Comments, and 1 matches on Roles/Actors.
Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Related Works
Related Work: The Coquette; or, The Mistakes of the Heart Author(s): Robert Hitchcock

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: Benefit for T. Ansell, Pilfold, Woolley & Marks. Tickets delivered by Furkins, Roberts, Clarridge, Doe, Wells, Francis, Walker, Brandon, Shuter and Abbot will be received. Tickets delivered for The Busy Body will be taken. Receipts: #243 13s. 6d. (137.12.6; 0.13.0; tickets: 105.8.0)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Mother Shipton

Event Comment: Benefit for T. Ansell, Pilfold, Woolley, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Francis, Walker, Whittington, Abbot, Haliburton, Ledger Jun. will be admitted

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Liverpool Prize

Dance: As17790222

Event Comment: Benefit for Baddeley. Mainpiece: With the Grand Triumphal Entry. 2nd piece [1st time; INT I, probably by Robert Baddeley]: Baddeley, in the character of Moses in The School For Scandal, will present the Audience with a specimen of Jewish Education in a series of Instructions to his son Shadrach. Public Advertiser, 13 Apr.: Tickets to be had of Baddeley, No. 4, Little Russel Street, Covent Garden. Receipts: #246 13s. (178.10; 30.11; 0.17; tickets: 36.15) (charge: #79 4s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Jewish Education

Related Works
Related Work: The Jewish Education Author(s): Robert Baddeley

Afterpiece Title: The Critic

Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Walker, Whittington, Abbot, Sarjant, R. Ledger and Seymour will be admitted this Evening. Receipts: #248 9s. 6d. (22.9.0; 1.3.6; tickets: 224.17.0)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Deaf Lover

Ballet: End IV: The Humours of New-Market. As17800518

Event Comment: Benefit for T. Ansell, Pilfold, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Walker, Whittington, Abbott, R. Ledger, Sarjent, Seymour [Account-Book adds Wewitzer] will be taken. Receipts: #271 (22.5.6; 1.7.6; tickets: 247.7)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deaf Lover

Dance: As17810426

Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Sloper, Abbot, Akrey [Account-Book adds Rolles] will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Yates's last appearance on the stage in London; he subsequently acted in Edinburgh in March, 1785. Afterpiece in place of The Country Mad-Cap, announced on playbill of 30 May.] Receipts: #255 3s. 6d. (20/5/0; 0/15/6; tickets: 234/3/0)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Barnaby Brittle, As17820930, but Jeremy-W

Dance: As17821231

Event Comment: Benefit for Marks, T. Ansell, Pilford & Furkins. Tickets delivered by Claridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Rye, Abbott, Akery, Rolles, Hall will be admitted this Evening. Receipts: #224 10s. 6d. (15/18/0; 0/6/6; tickets: 228/6/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece Statute Dance, as17840428

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Event Comment: Benefit for Baddeley. Public Advertiser, 2 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent-garden. [In mainpiece the playbill assigns Ogle to King, but on the Kemble playbill a MS annotation substitutes Barrymore.] 2nd piece [1st time: INT I, probably by Robert Baddeley. MS: Larpent 692; not published]. Receipts: #226 3s. 6d. (105/18/0; 30/11/6; 0/16/0; tickets: 88/18/0) (charge: #111 17s. 7d.)

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Afterpiece Title: The St

Related Works
Related Work: St. Giles's Scrutiny; or, The Cries of London in a New Stile Author(s): Robert Baddeley

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

Event Comment: Tickets delivered by Hall, Young, Brandon, Curteen, Bourrelier, Rolls, Cox, Robson, Ansell, Roberts, Orme will be admitted (Account-Book). Receipts: #311 15s. (25/4/6; 2/5/6; tickets: 284/5/0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Duke and No Duke

Dance: As17851019

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 765; not published]. 3rd piece [1st time; MF 1, author unknown. Larpent MS 766; not published]: The Overture and Music entirely new. Public Advertiser, 5 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Receipts: #285 (96.3.0; 14.1.6; 0.18.6; tickets: 173.17.0) (charge: #105 9s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II mainpiece) Jewish Courtship

Afterpiece Title: The Mistake of a Minute

Event Comment: Tickets delivered for The Provok'd Wife will be admitted. Tickets delivered by Jackson, Pilfold, Roberts, Clarke, Painter, Atkins, Curteen, Grey, Orme, Bourrelier will be admitted (Account-Book). Receipts: #340 15s. 6d. (22.18.0; 2.7.6; tickets: 315.10.0)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Love in a Camp

Dance: End: The Waterman-; to conclude with a Double Hornpipe-Jackson, Mrs Ratchford

Song: a Roman Ovation-; Vocal Parts, as17861021, but Miss _Stevenson, Mrs Byrn

Event Comment: Account-Book: Tickets delivered by Atkins, Masters, Roberts, Young, Painter, Curteen, Bourrelier, Longley, Dalby, Mrs Doyle, Jackson, Mrs Clark will be admitted. Receipts: #378 17s. (56.16.6; 5.14.6; tickets: 316.6.0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Don Juan

Dance: In Afterpiece: Mrs Ratchford, Mrs Goodwin, Byrne, Jackson

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Tickets delivered for She Stoops to Conquer will be admitted: Account-Book: Tickets delivered by Brandon, Curteen, Furkins, Anselmo, Robson [door-keeper], Paskin, Gawdry, Sturgeon, Roberts, Linton, Standen, Rye, Doe, Berecloth, Gray, Ledger will be admitted. Receipts: #426 13s. 6d. (59.19.6; 5.2.0; tickets: 361.12.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Poor Soldier

Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: As17930216

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Sir Ralph [in text: Robert ] Ramble-Lewis; Solus-Quick; Irwin-Pope; Lord Norland-Farren; Harmony-Munden; Edward-Miss Grist; Placid-Macready; Hammond-Powel; Porter-Thompson; Miss Wooburn-Mrs Esten; Mrs Placid-Mrs Mattocks; Miss Spinster-Mrs Webb; Lady Eleanor Irwin-Mrs Pope.

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Everyone Has His Fault

Performance Comment: As17931001, but Sir Ralph here, correctly, Sir Robert Ramble; Edward (for this night only)-Miss Poole//Miss Wooburn-Miss Chapman; Miss Spinster-Mrs Henley; omitted: Porter . omitted: Porter .

Afterpiece Title: THE SAILOR'S FESTIVAL

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Event Comment: [Afterpiece in place of PATRICK IN PRUSSIA, advertised on playbill of 30 May.] On account of Johnstone's Indisposition THE WORLD IN A VILLAGE [also advertised as above] is obliged to be deferred. Tickets delivered for that Comedy [Account-Book: by Claremont, W. Wilde, Jackson, Little, Hawtin, Roberts, Pollock, Curteen, Pilfold] will be admitted. Receipts: #399 13s. 6d. (55/4/6; 4/11/6; tickets: 339/17/6)

Performances

Mainpiece Title: The Beggar's

Related Works
Related Work: The Blind Beggar of Bethnal Green Author(s): Robert Dodsley

Dance: In Act III of mainpiece Hornpipe in character by Jackson; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931211, but omitted: Mat o' the Mint. Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose

Event Comment: Powell: Jones continuing Ill, Evans play'd Robert [in afterpiece]. G. D'Egville absent from this Evening's Performance, Ill. High Life below Stairs rehearsed at 11; Edwy and Elgiva read at 12. Receipts: #215 2s. (157.3.6; 55.1.0; 2.17.6)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: High Life below Stairs

Event Comment: Afterpiece [1st time; F 2, by Thomas Hurlstone. Prologue by Robert Houlton (see text)]. Morning Chronicle, 23 Mar. 1795: This Day is published Crotchet Lodge (1s.). Receipts: #179 16s. 6d. (172.14.6; 7.2.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Crotchet Lodge

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The British Recruit

Afterpiece Title: Barataria; or, Sancho Turned Governor

Song: As17950316

Entertainment: Monologues. End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks

Performance Comment: End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks.
Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb