SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Langford"/1) | (@(roleclean,performerclean) "Robert Langford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1057 matches on Performance Comments, 967 matches on Author, 294 matches on Event Comments, 93 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: This celebration of the Queen's Birthday presumably was given on 30 April, her birthday. The music in the Royal Society of Music gives the singers as Mrs Ayliff, The Boy, Turner, Snow, Edwards, Howell, Bowman, Damascene, Bouchier, Williams, Woodeson, Roberts. See Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Betterton's Company. John Coke (see below), writing on 16 March 1696@7, referred to a "new farce" appearing at this theatre on this day, but no "new farce" is known at this period; on the other hand, an edition of Mountfort's farce published in 1697 indicates a revival in this season and is a likely possibility for this date. John Coke to Thomas Coke, 16 March 1696@7: Saturday a new farce was acted at the new house, which did not take. The Mourning Bride was acted till Saturday, and was full to the last (HMC, 12th Report, Part II, Cowper MSS., II, 368). Robert Shirley to Thomas Coke, 13 March 1696@7: I am, dear Sir, indebted to you in sending me so ingenious an account of Mr Congreve's tragedy, which I hear on all sides far exceeded what the world expected from him in that part of dramatic poetry (ibid)

Performances

Mainpiece Title: The Life And Death Of Doctor Faustus

Event Comment: John Dryden to his sons, 3 Sept. 1697: After my return to Town, I intend to alter a play of Sir Robert Howards, written long since, & lately put by him into my hands: tis calld The Conquest of China by the Tartars. It will cost me six weeks study, with the probable benefit of an hunderd pounds. In the meane time I am writeing a Song for St Cecilia's feast, who you know is the Patroness of Musique. This is troublesome, & no way beneficiall: but I coud not deny the Stewards of the feast, who came in a body to me, to desire that kindness (Letters of John Dryden, p. 93)

Performances

Event Comment: James Brydges, Diary: I went to Mr Roberts's, who had a consort of musick, Mr Frank Roberts Mr Banister, la Riche Mr Shore, &c. I staid here till towards eleven, & then home with Lady Lucy Bright & my Wife (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Event Comment: Post Boy, No. 452, 26-29 March 1698: In York-Buildings tomorrow being the 30th instant will be perform'd a New Consort of Vocal and Instrumental Musick, compos'd by Seignior Baptist for the Benefit of him and Mr Robert, beginning at the usual time. [London Gazette, No. 3378, 24-28 March 1698, with essentially the same notice, states that the admission charge is 5s.

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: About 5 my Coz: Roberts & I went to ye Playhouse in Covent Garden, but not liking ye play, wee went to that in Lincolns inn fields, & staid till 'twas done. I saw Ld Normanby, Ld Willouby, Sir Rich. Samford &c. here (Huntington MS St 26)

Performances

Event Comment: Post Man, 28 March 1699: For the Benefit of Mr Robert Roades...a Consort, all new Music, both Vocal and Instrumental: There being no Play at either House

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: I went & din'd at ye fountain, after wch I went to ye Playhouse in Lincolns Inn fields, & saw my Cozen Hussys & Coz. Roberts there. I staid an act (Huntington MS St 26)

Performances

Event Comment: Benefit Ray and Roberts. At the particualr Desire of several Persons of Quality. Written by the late Mr Otway

Performances

Mainpiece Title: Venice Preserv'd

Music: Between the Acts: Select Pieces-

Dance: Thurmond Jr, Mrs Bullock, Miss Tenoe

Event Comment: Benefit Roberts, Wright, and Nailer

Performances

Mainpiece Title: King Henry The Eighth

Music: Concerto on Little Flute-Baston

Dance:

Event Comment: Benefit Mrs Robert. Tickets 5s. At 7 p.m. His Excellency the Morocco Ambassador will be there

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: King-Mills; Osmyn-Booth; Gonsalez-Thurmond; Garcia-Williams; Heli-Boman; Selim-W. Mills; Alonzo-Watson [Daily Courant or Roberts: Daily Post]; Zara-Mrs Porter; Almeria-Mrs Thurmond.

Dance: SShepherd and Shepherdess-Young Sandham, Young Sandham's Sister; Scaramouch-Young Sandham; Serious Dance-Lally, Mrs Walter

Event Comment: Benefit Hallam, Robert Williams, and Peplow. Mainpiece: As it was alter'd from Shakespeare by Sir Wm D'Avenant and Mr Dryden

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Strolers

Dance: End I: The Muzette-Young Rainton, Miss Robinson; III: Whitson Holidays-Boval, Miss Tenoe

Ballet: End Farce: The Cobler's Jealous Wife. As17270505

Event Comment: Benefit Roberts, Boxkeeper

Performances

Mainpiece Title: The Constant Couple

Dance: End II: Lads and Lasses-; III: Dutch Skipper-Sandham; IV: Shepherd's Holiday-Burny, Sandham, Eaton, Mrs Haughton, Mrs Mountfort, Miss Sandham

Song: End I: Miss Thornowets; IV: Miss Thornowets

Event Comment: Benefit Roberts, Boxkeeper

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Damon and Phillida

Dance: Sandham

Music: II: Welch Harp-a Gentleman for his Diversion; IV: Solo-Ravenscroft

Event Comment: Benefit John Roberts, now Confin'd in the Fleet Prison. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lottery

Dance:

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17311025, but Falstaff-Gentleman who perform'd it in Harry the Fourth; Rugby-Williams; Sir Hugh-Norris; Mrs Ford-Mrs Giffard? (Daily Advertiser) or Mrs Roberts (Daily Post).

Afterpiece Title: The Devil to Pay

Dance: LLes Amants-Burney, Mrs Wherrit

Event Comment: Benefit Berry, Roberts, Miss Brett

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Country Wedding

Song:

Dance:

Event Comment: DDaily Post, 28 Sept.: Yesterday Morning [27 Sept.] between Nine and Ten o'Clock, Robert Wilks, Esq., one of the Patentees and Managers of his Majesty's Company of Comedians, died, at his House in Bow-street, Covent-Garden

Performances

Performances

Mainpiece Title: The Miser

Music: Second and Third Musick, as17331201 I as IV on 1 Dec

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Polichinelles by Janno and F. Tench. V: Watteau by Miss Robinson

Song: II: A Thousand Fairy Scenes (from Rosamond) by Master Arne. IV: An Air in Porus by Roberts

Performance Comment: IV: An Air in Porus by Roberts .
Event Comment: Benefit Roberts and Perry. At 7 P.M.'Boxes 51. Pit is. Gallery 2s

Performances

Mainpiece Title: Concert

Music: Two Sonatas on the Harp by Perry. Also by the best Performers

Performances

Mainpiece Title: The Humorous Election; Or, Court And Country

Performance Comment: Parts by Mrs Roberts, Mrs Charke, Mrs Egerton, Mrs Talbot, Turbutt, Miss Jones, Jones, Hallam, Woodward, Woodburne, and Este .

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Flora

Song: English Roast Beef by Leveridge. Mock Italian Song by E. Roberts

Performance Comment: Mock Italian Song by E. Roberts .

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: II: By a Scholar of Nivelon's. III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others

Song: I: Chanson a Boire, to Musick of Mr Handel's, sung by Leveridge and Laguerre. II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England

Performance Comment: II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England .