SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Duke of Gloucester"/1) | (@(roleclean,performerclean) "Richard Duke of Gloucester")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2389 matches on Author, 1707 matches on Performance Comments, 1495 matches on Event Comments, 1026 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Macready; Squire Richard-Knight; John Moody-Quick; Lady Grace-Miss Mansel; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Squire Richard Actor: Knight

Afterpiece Title: Bantry Bay

Afterpiece Title: The Irish Mimick

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: As17961229, but Lady Jane-Mrs Powell; added: Robert-Banks; Richard-Evans; Madam La Rouge-Miss Tidswell.
Cast
Role: Richard Actor: Evans

Afterpiece Title: Cape St

Ballet: The Scotch Ghost. As17961219

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Minor

Performance Comment: Sir William Wealthy-Wewitzer; Mr Richard Wealthy-Packer; Sir George Wealthy-C. Kemble; Shift, Smirk-Bannister Jun.; Loader-Caulfield; Mrs Cole-Mr Bannister; Lucy-Miss Heard.
Cast
Role: Mr Richard Wealthy Actor: Packer

Performances

Mainpiece Title: King Henry The Fourth, First Part

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Claremont; Francis-Knight; Sir Walter Blount-Toms; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Clarke; Sheriff-Abbot; Peto-Street; Gadshill-Wilde; Prince John of Lancaster-Curties; Messenger-Dyke; Carriers-Munden, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: The Farm House

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Squire Richard Actor: Knight

Afterpiece Title: The Maid of the Mill

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Performances

Mainpiece Title: The Wise Man Of The East

Performance Comment: Principal Characters by Lewis, Munden, Knight, H. Johnston, Murray, Davenport, Waddy, Thompson, Claremont, Simmons, Atkins, Abbot, Klanert, Curties, Mrs H. Johnston, Miss Murray, Mrs Davenport, Mrs Johnston, Mrs Whitmore, Mrs Mattocks, [Cast from text (G. G. and J. Robinson, 1799): Claransforth-Lewis; Ava Thoanoa-Munden; Timothy Starch-Knight; Ensign Metland-Murray; Bankwell-Davenport; Lawley-Waddy; Sir Richard Chances-Claremont; Quaker Servant-Simmons; Servant to Ava-Abbot; Waitby-Klanert; Servant to Lady Mary-Curties; Ruth Starch-Mrs H. Johnston; Ellen Metland-Miss Murray; Lady Mary Diamond-Mrs Davenport; Mrs Metland-Mrs Johnson; Rachel Starch-Mrs Mattocks; unassigned-Thompson, Atkins, Mrs Whitmore; Prologue-H. Johnston; Epilogue-Mrs H. Johnston. [These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]These were spoken, as here assigned, at the 1st 11 performances only (see17991228).]

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: King Henry The Fourth [part I]

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Whitfield; Francis-Knight; Sir Walter Blount-Mansel; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Claremont; Gadshill-Wilde; Peto-Street; Carriers-Emery, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Sir Richard Vernon Actor: Waddy

Afterpiece Title: The Volcano

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Prince Richard Actor: Kemble

Afterpiece Title: The First Floor

Event Comment: Pepys, Diary, 6 June 1660: My letters tell me...that the two Dukes do haunt the Park much, and that they were at a play, Madam Epicene, the other day

Performances

Mainpiece Title: Madam Epicene

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The Duke's Company. Pepys, Diary: Creed and I to Whitefriars to the Play-house, and saw The Mad Lover, the first time I ever saw it acted, which I like pretty well

Performances

Mainpiece Title: The Mad Lover

Event Comment: The Duke's Company. The British Museum copy of the 1653 copy of this play has, in an old hand: Deflores by Betterton. Pepys, Diary: Then by water to Whitefriars to the Play-house, and there saw The Changeling, the first time it hath been acted these twenty years, and it takes exceedingly. Besides, I see the gallants do begin to be tyred with the vanity and pride of the theatre actors who are indeed grown very proud and rich

Performances

Mainpiece Title: The Changeling

Event Comment: The Duke's Company. Pepys: I to Whitefryars, and saw The Bondman acted; an excellent play and well done. But above all that ever I saw, Betterton, do the Bondman the best

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: And so to Salisbury Court, where the house as full as could be; and it seems it was a new play, The Queen's Maske, wherein there are some good humours: among others, a good jeer to the old story of the Siege of Troy, making it to be a common country tale. But above all it was strange to see so little a boy as that was to act Cupid, which is one of the greatest parts in it

Performances

Mainpiece Title: The Queen's Mask

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Love's Mistress

Event Comment: The Duke's Company. Pepys, Diary: To Whitefriars and saw The Spanish Curate, in which I had no great content

Performances

Mainpiece Title: The Spanish Curate

Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queen's Mask

Event Comment: The Duke's Company. Pepys, Diary: Mrs Pierce and her husband and I and my wife to Salisbury Court, where coming late he and she light of Col. Boone that made room for them, and I and my wife sat in the pit, and there met with Mr Lewes and Tom Whitton, and saw The Bondman done to admiration

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: Then to Whitefryars, and there saw part of Rule a wife have a wife, which I never saw before, but do not like it

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Duke's Company. An edition dated 1661 lists no cast, no prologue, and epilogue. Pepys, Diary: And so to White-fryars and saw The Little Thiefe, which is a very merry and pretty play, and the little boy do very well

Performances

Mainpiece Title: The Little Thief

Event Comment: The Duke's Company. Pepys, Diary: Then by water, Creed and I, to Salisbury Court and there saw Love's Quarrell acted the first time, but I do not like the design or words

Performances

Mainpiece Title: Love's Quarrel

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant