Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Authors of Prologue and Epilogue unknown. MS: Larpent MS 1096; not published]. Receipts: #358 12s. 6d. (280.6.6; 76.10.6; 1.15.6)

Event Comment: 2nd piece: Not acted these 12 years. Compressed into 4 acts by the Author [Richard Cumberland]. "This play has been compressed into unintelligibility. We defy the most ingenious analyser to connect the incidents in any way so as to be understood" (Monthly Mirror, Jan. 1796, p. 188). Receipts: #146 5s. 6d. (141.13.6; 4.12.0)

Event Comment: 1st piece: In one Act [i.e. reduced from the original two]. 2nd piece [1st time; MD 3, by Richard Cumberland. Author of Prologue unknown]. Receipts: #235 13s. 6d. (232.9.6; 3.4.0)

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; C 5, by Richard Cumberland. Text 1st published in his Posthumous Dramatic Works, Vol. II (G. and W. Nicol, 1813); it assigns no parts, but adds George Ivey and David Duncan, acted by Caulfield and Packer. Genest erroneously assigns Sir Adam to Wewitzer and Beau Tiffany to R. Palmer. Prologue and Epilogue by the author (True Briton, 9 May). Songs by Michael Kelly, in Act I harmonized by Sir William Parsons.] True Briton, 25 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #581 15s. (294.18.6; 72.7.0; 3.17.6; tickets: 210.12.0) (charge: #213 6s. 8d.)

Event Comment: Account-Book: Tickets delivered by Ledger, Claremont, Goostree. Mrs Dick, Mrs Egan will be admitted. 2nd piece [1st time; M. INT 1, by Richard Cumberland. Larpent MS 1111; not published]: To conclude with an Illumination, Transparency, and a Rural Procession. The Music partly selected, and partly composed, by Shield. The Harp by Weippert. The Bells by Lawrence. With appropriate Scenery, Dresses, and Decorations. [Written in honour of the Royal Marriage" [see dl, 13 May] (Morning Herald, 19 May). "If we are to have these repeated Congratulations, let them be written by men of spirit and invention. The public are miserably placed, in cases like the present: between a respect for their King and a respect for their own understandings, they know not how to act" (Monthly Visitor, May 1797, pp. 454-55, which also includes a brief synopsis of the plot). Receipts: #254 9s. 6d. (84.0.0; 11.2.6; tickets: 159.7.0)

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Author of Prologue unknown. Epilogue by the author (Knapp, p. 302)]. [Afterpiece in place of Netley Abbey, advertised on playbill of 22 Nov.] Morning Herald, 6 Dec. 1797: To-morrow will be published False Impressions (2s.). Receipts: #165 16s. (161.13; 4.3)

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, 1st published (without assignment of parts) in his Posthumous Dramatic Works, 1813, Vol. I, as The Passive Husband. Prologue and Epilogue by the author (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 205)]. Receipts: #253 8s. 6d. (189.12.6; 60.7.6; 3.8.6)

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Event Comment: Author's Night for Mainpiece. Fashionable Lover Published by Cumberland at 1s 6d. Paid Salary List #502 2s. 6d.; Mrs Abington's cloaths acct, #2; Rec'd stopages, #11 11s. (Treasurer's Book). Receipts: #200 19s.; Charges #73 10s. Profit to Cumberland #127 9s. (Treasurer's Book)

Event Comment: This Comedy is written by Mr Cumberland but I think inferior to his other Productions was tolerably well receiv'd but a most excellent Epilogue was Written by Mr G. & Spoken by Mrs Abington which gave a great Lift to the Play Uncommon Applause to the Epilogue (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid Mr Lauchery per order #1 1s. (Treasurer's Book). [From the Westminster Magazine, Dec. 1774: We cannot think Mr Cumberland has courted the Comic Muse in this play so successfully as in the West Indian, and the rest of his comedies. His language is unexceptionably good; he is often as witty as Congreve, as easy as Vanbrugh, and as satirical as Wycherly. But language alone will not do. The plot is ill conducted.] Receipts: #243 6s. (Treasurer's Book)

Event Comment: Author's Day. Books of the Comedy to be had at the Theatre. N.B. The Author has generously given the profits of this day to a Fund, lately establish'd, by the Performers of the above Theatre, for the Maintenance of Decayed Actors and their Families. Public Advertiser, 3 Feb. 1766: The Performers of Covent Garden Theatre return their sincere thanks to Mr Cumberland for his generous donation of the profits of the 9th performance of The Summer's Tale, amounting to #74, for use of the newly established Theatrical Fund

Event Comment: This New Comedy [Mainpiece] written by Mr Cumberland receiv'd with the greatest applause imaginable particularly Mr Moody's part. He play'd finely--it will have a great run (Hopkins Diary). New Scenes, Dresses, Decorations, &c. (Winston MS 10). [A six and one-half column review of the plot appeared in the Gentleman's Magazine for Feb. 1771.

Event Comment: Afterpiece: An alteration by Cumberland from his Summer's Tale (Genest, V, 321). Theatrical Review, 14 Dec.: We confess we pitied the situation of the performers, who all exerted their utmost efforts to support it in the representation; but it is not the eminent abilities of a Vernon, a Parsons, a Hunt, or a Fitzgerald, that can render a piece worthy of notice, which has nothing interesting in it, and is absolutely devoid of merit. Paid Salary list, #501 3s. 6d.; Mr S. French 6 days #1 10s.; Mrs Abington for cloaths #2; Rec'd stopages #13 18s. 6d. (Treasurer's Book). Receipt2: #128 17s. (Treasurer's Book)

Event Comment: This Comedy was written by Mr Cumberland was very well receiv'd & great Applause but it will not be so Successful as the West Indian was (Hopkins Diary). New Scenes and Dresses for the Mainpiece. [See Theatrical Review, 20 Jan. See also account in Town and Country Magazine (Theatre No. XXXIII). Larpent MS 329 again includes scene description by the author: "Hall in Lord Abberville's Housev with a staircase seen through an arch in the Flat."] Receipts: #248 17s. 6d. (Treasurer's Book)

Event Comment: Author's Night for Mainpiece. Receipts: #223 18s.; Charges #73 10s.; Profit to Cumberland #150 8s. (Treasurer's Book)

Event Comment: Author's Night for Mainpiece. Receipts: #196 7s. Charges #73 10s. Profit to Cumberland #122 17s. (Treasurer's Book)

Event Comment: This farce was wrote by Mr Cumberland & receiv'd with Applause (Hopkins Diary). [Larpent MS 365, suggests Sapling was written for Weston.] Paid Mr Lacy Frederick for sattin #15 10s. 6d. (Treasurer's Book). Receipts: #205 10s. (Treasurer's Book)

Event Comment: [As mainpiece the playbill announces The Mysterious Husband, but its "being, on account of Miss Younge's sudden Illness, set aside, it was very proper to substitute another Piece of Cumberland's, The Walloons" (Public Advertiser, 10 Feb.).] Receipts: #150 6s. (142/7/6; 7/18/6)

Event Comment: Benefit for Mr and Mrs Johnston & Miss Williams. Mainpiece: Written by R. Cumberland, Esq., and perform'd at the Theatre-Royal, Drury-Lane, with great Applause. Never acted there. Tickets to be had of Mr and Mrs Johnston & Miss Williams at the Windsor Castle [Inn], Plough and Harrow, Angel, Cock and Magpie, Salutation; and of Waldron, No. 17, Dorville's Row, where places for the Boxes may be taken

Event Comment: [In mainpiece the playbill retains Miss Biggs, but "Biggs, of Drury-lane Theatre, died yesterday [actually not until 9 Dec.]. The grief of his sister on the occasion prevented her performing in Cumberland's new comedy last night; in consequence of which the part of Matilda was read by Miss Heard" (Morning Herald, 8 Dec.).] Receipts: #158 0s. 6d.(98.0.0; 56.11.6; 3.9.0)

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)