SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Cumberland"/1) | (@(roleclean,performerclean) "Richard Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2031 matches on Author, 704 matches on Performance Title, 677 matches on Performance Comments, 525 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Second

Dance: I: Je ne scai quoy-Tench, Villeneuve, Miss Oates; II: Comic Dance-Nivelon, Mrs LeBrun; III: French Sailors-Lalauze, Mlle Roland; V: Grecian Sailors-Glover

Song: II: The Roast Beef of Old England-Leveridge; IV: Since Times are so bad-Leveridge, Salway

Performances

Mainpiece Title: King Richard Iii

Dance: As17421108

Song: Beard, Lowe

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: HHarlots Progress

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Song: Platt

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Life and Death of Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Old Witch of Endor or Harlequin Turnd Beau

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Register Office

Entertainment: End: Bucks Have at Ye All-Richards

Monologue: II: Teague's Rambles to London. Capt. O'Brallaghan (with the favorite song in Love a La Mode)-Broderick; Terence O'Droghida-Youngs; the Knife Grinder (By Particular Desire)-Broderick

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Event Comment: A New Comedy. [By Mrs E. Cooper. Apparently not printed. The characters named in the bill are: Lord Belamour, Sir Roger Wrangle, Sir Charles Cumberland, Froward, Wary, Young Wrangle, Peinter, Snare, Lady Cumberland, Felicia, Ready. See also a puff by Mrs Cooper in Daily Advertiser, 17 May.]

Performances

Mainpiece Title: The Nobleman Or Family Quarrel

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Occasional prologue in honor of his RoyalHighness the Duke of Cumberland-Scudamore.

Afterpiece Title: The Virgin Unmasked

Dance: JJockey Dance-Adams

Performances

Mainpiece Title: Othello

Performance Comment: Epilogue in honor of the Duke of Cumberland-Master Perry.

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.]*c1765 11 01 cg No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

Event Comment: By Command of His Royal Highness the Duke. Benefit a Gentleman's Family in Distress. Receipts: money #71 0s. 6d.; tickets #51 15s. [Duke of Cumberland present.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes

Dance: TTwo Pierrots-Poitier, Nivelon; Fingalian-Newhouse, Mrs Ogden; Tambourine-Miss Rogers; French Sailor-Salle, Mrs Laguerre

Event Comment: Benefit Denoyer. By Command of His Royal Highness. [Prince, Duke of Cumberland, three eldest Princesses, and Princess Mary present.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): Richard Brome

Dance: II: Le Chasseur Royal-Denoyer, Mrs Booth, others; III: Comic Dance-Denoyer, Mrs Walter; IV: Minuet-Denoyer, Mrs Booth; V: Serious Dance-Denoyer

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti Or The Fall Of The Giants

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Event Comment: Mainpiece: By Desire. His Royal Highness the Duke of Cumberland was at the Theatre Royal in Drury Lane, to see the tragedy of The Orphan; being the first time of his Royal Highness's being at either of the Theatres since his indisposition (General Advertiser, 4 Jan.). Receipts: #180 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin Ranger

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: [Scheduled for performance, but theatres closed on account of the death of the Duke of Cumberland.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: Both Pieces By Particular Desire. Present the Dukes of York and Cumberland, Princess of Brunswick, and Lady Louisa. Paid for the paragraph of the Royal Family coming in the Ledger and Gazetteer 6s. (Account Book). Receipts: #149 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard Estcourt

Dance: End: The Garland-Fishar, Miss Wilford. [See17651003.