SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Cross"/1) | (@(roleclean,performerclean) "Richard Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3146 matches on Event Comments, 2098 matches on Author, 1857 matches on Performance Comments, 931 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 4 years. [See 11 Apr. 1746.] Receipts: #150 (Cross); #119 8s. 6d. (Powel)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Lethe

Dance: Cooke, Anne Auretti, Mathews, Mrs Addison

Event Comment: Receipts: #120 (Cross); #124 8s. 6d. (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Lethe

Music: I: (By desire) a piece of Music-the Child

Dance: III: Characters de la Dance-Cooke, Anne Auretti, Janneton Auretti; IV: Italian Cabaret, as17481109

Event Comment: Letter from John Potter, Proprietor of the New Theatre in the Haymarket, to the author of the General Advertiser: As the resentment of the Town for the disappointment of the performance advertised to be exhibited at my theatre on Monday last, shall fall entirely upon me, I hope I may be allowed to acquaint the public with the nature of my case. [Suggests he should not be to blame for misbehavior of any person who hired his house, that he had some apprehensions in this case, but that the Bottle Conjurer paid the rent in advance and agreed to have a House officer in the box office to return the money if the audience was displeased.] All the caution above mentioned was taken, and the money locked up in the office, guarded by persons of reputation, who would have returned it, and publicly on the stage told them, that if the person did not appear, their money should be return'd. But instead of complying with that offer, my House was pulled down, the Office broken open, the money taken out, and the servants oblig'd to fly to save their lives. I hope therefore this may be deem'd a sufficient justification in my behalf, and all that could be reasonably expected from me; and that those gentlemen who are conscious of having injured me, will be so generous as to make me a reasonable Satisfaction, considering the damage I have suffer'd, which in a moderate computation will amount to upwards of four thousand pounds. This day is Publish'd, at 1s. Lethe, a Dramatic Satire, by David Garrick as it is perform'd at Drury Lane. By Paul Vaillant, facing Southampton Street in the Strand. [A letter from Samuel Foote to the Author of the General Advertiser clears himself from any imputation of confederacy in the Bottle Conjuror fraud. See also my Introduction, note 103.] Receipts: #100 (Cross); #119 2s. 6d. (Powel)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Lethe

Music: I: A Piece of Music-the Child

Dance: II: New Scotch Dance-Cooke, Ann Auretti

Event Comment: By desire. [N.B. John Potter's letter of 18 Jan. is repeated in the General Advertiser for this day. Also further statements by Potter and Foote concerning the use of Mr Lewis's name (Potter's attorney).] Receipts: #120 (Cross); #103 4s. 6d. (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Devil to Pay

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: By Particular Desire. Receipts: #160 (Cross); #145 3s. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Lying Valet

Dance: NNew Scotch Dance, as17490118

Event Comment: By Desire. Receipts: #80 (Cross); #98 1s. 6d. (Powel)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Anatomist

Music: I: Concerto on Flute-a Child; III: Piece of Music-the Child

Dance: II: New Scotch Dance, as17490118; V: Savoyards, as17480920

Event Comment: Receipts: #160 (Cross); #159 4s. 6d. (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Intriguing Chambermaid

Dance: II: New Scotch Dance, as17490118

Event Comment: Receipts: #100 (Cross); #105 14s. (Powel)

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): Richard Jones

Afterpiece Title: Miss in Her Teens

Dance: II: New Scotch Dance, as17490118

Event Comment: Receipts: #190 (Cross); #108 15s. (Powel)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Event Comment: By Desire. Don John de Nasaquitine, sworn brother and champion to the man that was to have jumped into the bottle...hereby invites all such as were then disappointed to repair to the theatre on Monday the 30th, and that shall be exhibited to them which never was before, nor ever will be hereafter seen. All such as shall swear upon the Book of Wisdom that they paid for seeing the Bottle man, will be admitted gratis; the rest at Gotham prices (General Advertiser). Receipts: #50 (Cross); #70 11s. 6d. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miller of Mansfield

Dance: II: New Scotch Dance, as17490118

Event Comment: By particular Desire. Receipts: #150 (Cross); #138 14s. (Powel)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Intriguing Chambermaid

Dance: V: Savoyards, as17480920

Event Comment: Receipts: #150 (Cross); #154 11s. 6d. (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Devil to Pay

Dance: II: New Scotch Dance, as17490118

Event Comment: Mainpiece: By Desire. Receipts: #80 (Cross); #89 9s. 6d. (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

Dance: NNew Scotch Dance, as17490118

Performances

Mainpiece Title: None

Performance Comment: [No Performance (Cross).]
Event Comment: Receipts: #120 (Cross); #137 19s. 6d. (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Event Comment: Receipts: #100 (Cross); #115 18s. (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Event Comment: Afterpiece: By Desire. Receipts: #120 (Cross); #1O5 5s. 6d. (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Anatomist

Dance: SScotch Dance, as17490118

Event Comment: Afterpiece: By Desire. [A full column, front-page letter to the Author of the General Advertiser from one purporting to live many miles from London, but whose curiosity about the New Tragedy Irene brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing Irene as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of Great Britain for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 (Cross); #101 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Lying Valet

Dance: SScotch Dance, as17490118

Event Comment: Benefit for the Author Tickets to be had as 9 and 14 Feb. [The Gentleman's Magazine this month gave a nine-column article to the Plan and Specimens of Irene a Tragedy by Mr Samuel Johnsin acted at Drury Lane from 6-20 February inclusive." In it plot was first retold, then excerpts from speeches were given which illustrated the beautiful expression of the moral values contained in the play: "To instance every moral which is inculcated in this performance, would be to transcribe the whole; but, however difficult I shall select a few." No comments are made upon the stage presentation, all is presented upon the basis of examination of the text. William Shenstone thought not much of it as a play. See Letter to Lady Luxborough 22 March.] Receipts: #110 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Virgin Unmask'd

Dance: SSavoyards, as17480920

Event Comment: This day is publish'd, at 6d. A Criticism on Mahomet and Irene in a Letter to the Author. Printed and sold by W. Reeve. Receipts: #130 (Cross); #126 14s. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: The Triumph of Peace

Event Comment: This day is publish'd written by Henry Fielding, Esq. the 4th edn. of An Old Man taught Wisdom; or the Virgin Unmask'd, a Farce, as it is now acting at Drury Lane. With the Music prefix'd to each song. Printed for I. Watts. Receipts: #170 (Cross); #171 12s. (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Triumph of Peace

Event Comment: Mainpiece: By Desire. Receipts: #170 (Cross); #143 5s. (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Triumph of Peace

Event Comment: Benefit for Mrs Cibber. Mainpiece: Not acted these 6 years.[See 2 April 1745]. Pit and Boxes laid together, where servants will be allowed to keep Places, and on the stage; which for the better Accommodation of the Ladies will be inclos'd and form'd into Front and Side Boxes. Ladies send servants by 3 o'clock. Tickets of Mrs Cibber at New Street, Spring Garden, and of Hobson. Receipts: #275 (Cross); house charges, #60. This must be subtracted as before (Powel)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Intriguing Chambermaid

Dance: Cooke, the Aurettis

Event Comment: Benefit for Mrs Clive. Part of Pit laid into the Boxes [as on 7 March]. Tickets and places to be had of Mrs Clive in Great Queen St., Lincoln's Inn Fields, and of Hobson at the stage door. [According to the Larpent MS, No. 77 additions were made to the afterpiece of some fifty lines to bring Lettice back into the picture, and enable her to resolve the plot, and to sing The Life of a Beau as a take-off.] Receipts: #206 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Intriguing Chambermaid

Dance: Cooke, Janneton Auretti, Mathews, Mrs Addison

Song: By particular desire The Life of a Beau-Mrs Clive