SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Mr Franklin"/1) | (@(roleclean,performerclean) "Rev Mr Franklin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4247 matches on Event Comments, 1142 matches on Performance Comments, 529 matches on Performance Title, 59 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performances

Mainpiece Title: The Virtuoso

Performances

Mainpiece Title: The Town-fopp; Or, Sir Timothy Tawdry

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performances

Mainpiece Title: Titus And Berenice

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: The Siege Of Babylon

Performances

Mainpiece Title: Sir Patient Fancy

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performances

Mainpiece Title: The Rambling Justice; Or, The Jealous Husbands; With The Humours Of Sir John Twiford

Performances

Mainpiece Title: The Man Of Newmarket

Performances

Mainpiece Title: A True Widow

Performances

Mainpiece Title: Friendship In Fashion

Performances

Mainpiece Title: The Tragedy Of Sertorius

Performances

Mainpiece Title: The Feign'd Curtizans; Or, A Night's Intrigue

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late

Performances

Mainpiece Title: Caesar Borgia, Son Of Pope Alexander The Sixth

Performances

Mainpiece Title: The Virtuous Wife; Or, Good Luck At Last

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Performances

Mainpiece Title: The Loyal General

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

Event Comment: The Duke's Company. The date of the first performance is not known. An entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists a performance for 4 April, once thought to be 4 April 1680; but as this date falls on Sunday, it more likely represents a revival on 4 April 1681. As the Epilogue appears to appeal to Parliament (which existed from 15 Oct. 1680 to 18 Jan. 1680@1) to vote funds for King Charles, "Our King of Poets," it seems likely that the play was first performed before the close of Parliament. The play was not entered in the Term Catalogues until June 1681. A song, Phyllis whose heart was unconfined, set by Thomas? Farmer; and another, A pox upon this cursed life, set by Captain Pack, are in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Second Part Of The Rover

Performances

Mainpiece Title: Tamerlane The Great

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Performances

Mainpiece Title: The Royalist

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers