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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev David Williames"/1) | (@(roleclean,performerclean) "Rev David Williames")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3394 results for: Keyword - Rev. David Williames
We found 2885 matches on Author, 432 matches on Performance Comments, 124 matches on Event Comments, 68 matches on Performance Title, and 0 matches on Roles/Actors.

3351
11 June 1778 @ Haymarket Theatre

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Waterman; or, The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

3352
30 July 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Performance Comment: Principal Parts by Digges, Aickin, Usher, Gardner, Lamash, R. Palmer, Parsons, Massey, Davis, Griffin, Egan, Stevens, Kenny, Painter, Master Edwin, Palmer, Miss Sherry, Mrs Greville, Mrs Massey. [Cast from text (T. Cadell, 1778): Caratach-Digges; Penius-Aickin; Nennius-Usher; Suetonius-Gardner; Junius-Lamash; Demetrius-R. Palmer; Judas-Parsons; Macer-Massey; Decius-Davis; Drusius-Griffin; Curius-Egan; Soldiers-Stevens, Kenny, Painter; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; Daughters-Mrs Greville, Mrs Massey; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Daughters Actor: Mrs Greville, Mrs Massey

Afterpiece Title: The Portrait

3353
27 August 1778 @ Haymarket Theatre

Event Comment: Benefit for Bannister. [Afterpiece: Prologue by David Garrick.] Public Advertiser, 25 Aug.: Tickets to be had of Bannister at Starzaker's, Upper End of Bow-street, Covent Garden

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Apprentice

Dance: As17780615

3354
26 March 1779 @ Drury Lane Theatre

Event Comment: Paid Norris #105; Mrs Kennedy #115; Webster #80 17s.; Boy's Choir #52 10s.; David Richards #40; Parke #20; Advertisements in Public Advertiser #9 5s.; Band #354 9s. 6d.; Chorus Singers #174 19s. 6d.; Cramer, Cervetto, Crosdill #5 5s. a performance. Received from Stanley for Oratorio rent of theatre #308. Receipts: #206 3s. (204.10; 1.13)

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: As17790303

3355
05 April 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract; or, The Female Captain

Performance Comment: Principal Characters-Palmer, Farren, Waldron, Burton, Parsons, Miss Walpole, Miss Pope; [Larpent MS 476 lists the parts: Dorimant, Sir David Dupe, Gregory, Skip, Gypsey, Lady D'Orville, Lydia Freeland.] Prologue-Palmer.

3356
31 May 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Bonduca

Performance Comment: Principal Parts by Digges, Aickin, Bensley, Lamash, R. Palmer, Parsons, Usher, Massey, Webb, Davis, Egan, Master Edwin, Palmer, Miss Sherry, Mrs Cuyler, Mrs Massey; [Cast adjusted from text (T. Cadell, 1778) and from playbill of 10 July 1780: Caratach-Digges; Penius-Aickin; Suetonius-Bensley; Junius-Lamash; Demetrius-R. Palmer; Judas-Parsons; Nennius-Usher; Macer-Massey; Regulus-Webb; Decius-Davis; Curius-Egan; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; 2nd Daughter-Mrs Cuyler; Eldest Daughter-Mrs Massey; [The original Prologue[, written by the late David Garrick,-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

3357
18 September 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: Comus

3358
28 February 1780 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. [Epilogue by David Garrick.] Receipts: #244 15s. 6d. (230.7.0; 13.8.0; 1.0.6)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Critic

Dance: II: New Pastoral Dance-Delpini, Henry, Miss Armstrong, Sga Crespi; V: Grand New Dance-Sg and Sga Zuchelli, Miss Simonet, Delpini, Henry, Miss Armstrong, Sga Crespi

Song: In: Fete Champetre. The vocal parts-Davies, Fawcett, Miss Abrams, Miss Collett, Miss Kirby, Mrs Wrighten

3359
06 June 1780 @ Haymarket Theatre

Event Comment: 3rd piece: Prologue by David Garrick

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: The Apprentice

3360
27 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Tom Thumb

Dance: End of Act II of mainpiece The Gala. A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards

Performance Comment: A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards .

Song: End of Act I of afterpiece Tally-Ho by Miss Langrish

3361
03 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Suett and Wright. Morning Herald, 3 May: Tickets to be had of Suett at his house, No. 20, Gloucester-street, Queen's-square, Bloomsbury; of Wright at his house, No. 21, Bennett-street, Westminster. [Afterpiece: Prologue by David Garrick.] Receipts: #232 10s. (67/13/0; 30/16/6; 0/12/6; tickets: 133/8/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequin's Invasion

Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): David Garrick

Dance: As17820318athi

3362
17 May 1784 @ Covent Garden

Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

Related Works
Related Work: The Election Author(s): David Henry Irquhart

3363
17 September 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

3364
12 May 1785 @ Covent Garden

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

3365
02 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Stead. Tickets to be had of Stead, at the Angel. [Afterpiece: Prologue by David Garrick.]

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Apprentice

3366
06 August 1785 @ Haymarket Theatre

Event Comment: [Afterpiece: Prologue by David Garrick.]

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Apprentice

3367
16 October 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

3368
28 August 1787 @ Haymarket Theatre

Event Comment: Benefit for Edwin. 2nd piece [1st time; F 2, by George Colman, elder, based of L'Avocat Patelin, by David Augustin de Brueys. This is usually ascribed to William Macready. But on the title-page of his copy (K-D 295 in Huntington Library) J. P. Kemble has written "This Piece was not written by Mr Macready." Public Advertiser, 29 Aug. states that "Colman...presented Edwin upon this occasion with a new Farce, taken from a celebrated French Play." World, 15 Oct. 1787 refers to Colman's dislike of L'Avocat Patelin, but adds, "When [he] came to translate it himself, he found reason to alter his opinion."]. Public Advertiser, 25 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

3369
14 November 1787 @ Covent Garden

Event Comment: [Miss Tweedale is identified in European Magazine, Nov. 1787, p. 390. Mainpiece: Epilogue by David Garrick.] Receipts: #222 4s. (219.7; 2.17)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Farmer

Related Works
Related Work: Farmer's Return from London Author(s): David Garrick

3370
18 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; O had I Jubal's Lyre-Mrs Ambrose (Joshua); Jehovah crowned-Miss Lockhart; He comes!-Chorus (Esther); Angels ever bright and fair-Mrs Ambrose (Theodora); Welcome mighty King-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Lord remember David Actor: Kelly

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.
Cast
Role: Hosannah to the Son of David Actor: Chorus

Music: As17890311

3371
26 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; Oh! Had I Jubal's lyre-Miss Hagley (Joshua); Jehovah crowned-Reinhold; He comes!-Chorus (Esther); Angels ever bright and fair-Sga Storace (Theodora); Welcome mighty King-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest harmony-Mrs Crouch (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Kelly (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Lord remember David Actor: Kelly

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).
Cast
Role: Hosannah to the Son of David Actor: Chorus

Music: As17900219

3372
23 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: PART II. Ye sons of Israel-Chorus; O had I Jubal's Lyre-Miss Hagley (Joshua); Jehovah crown'd-Reinhold; He comes-Chorus (Esther); Angels ever bright and fair-Miss Davies (Theodora); Welcome mighty king-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest Harmony-Mrs Crouch, Chorus (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Spence (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).
Cast
Role: Lord remember David Actor: Spence

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).
Cast
Role: Hosannah to the Son of David Actor: Chorus

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

3373
18 May 1791 @ Covent Garden

Event Comment: Benefit for Wilson. Afterpiece [1st time; M. ENT 3]: The Dialogue and part of the Songs written by Richard? Wilson. The Overture, new Music and accompaniments composed by Reeve. The Songs, Duets, Glees compiled from Arnold, Rogers, Giordani, Shield, Hook, Dibdin, W. Wilson, Stevens, Broderip and David Rizzio. [Larpent MS 908; not published. Prologue probably by Richard Wilson. Epilogue by Joseph Haynes.] Public Advertiser, 14 May: Tickets to be had of Wilson. No. 10, Bow-street, Covent Garden. Receipts: #354 14s. 6d. (165.17.6; 5.4.0; tickets: 183.13.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

3374
24 February 1792 @ King's Theatre

Performances

Mainpiece Title: Redemption 0, Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: Ye sons of Israel-Chorus; Oh! had I Jubal's lyre-Miss Barclay (Joshua); Jehovah crown'd-Reinhold, Chorus (Esther); Angels ever bright and fair-Master Welsh (Theodora); Welcome mighty king-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch, Mrs Bland, Chorus (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-(Coronation Anthem).
Cast
Role: Lord remember David Actor: Kelly

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).
Cast
Role: Hosannah to the Son of David Actor: Chorus

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

3375
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).
Cast
Role: Lord remember David Actor: Kelly

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)