SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Dr Swift"/1) | (@(roleclean,performerclean) "Rev Dr Swift")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 399 matches on Event Comments, 362 matches on Performance Comments, 234 matches on Performance Title, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performances

Mainpiece Title: The Way To Get Un-married

Afterpiece Title: The School for Arrogance

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Shipwreck

Dance: In 4th piece: Dance, as17951026, but Holland; in which dance Bells-Lawrence that inimitable Performer, will introduce accompaniments on his Bells

Song: In: Admiral Benbow-Incledon; In 3rd piece: All on Hobbies-Williamson; In 4th piece: Rule Britannia-Townsend

Entertainment: 3rd piece: a variety of Imitations-Rees

Event Comment: MMiss Bellamy has lain in & is up (Cross). [This month published, The Upper Gallery, a poem, neatly descriptive of the opening scene in a playhouse from the vantage point of the first Gallery. This is an expanded, revised and modernized version of The Upper Gallery inscribed to the Rev Dr Swift, Dublin, 1733.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Genii

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Dr Last's Examination Before the College Of Physicians

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Hamlet

Afterpiece Title: Dr Last in his Chariot

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Venus and Adonis

Music: A select Band of the best Masters of Instrumental Musick

Performances

Mainpiece Title: The Double Dealer

Related Works
Related Work: The Double Dealer Author(s): William Congreve

Afterpiece Title: Venus and Adonis

Dance: Dancing proper to the Masque-delaGarde, delaGarde's Two Sons, Moreau, Mrs Bullock, Mrs Moreau

Event Comment: Mr Moody Dr Cantwell 1st time--very bad (Hopkins Diary). Theatrical Review, 27 Nov.: Dr Cantwell was, this evening, played by Mr Moody on account of Mr King's illness, and, as we apprehend, it was undertaken on a short notice, we think he executed it with great propriety and justness. [Potter interprets the moral impact of the play considering it an improvement over Cibber's Non-Juror, its source.] Receipts: #108 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Non Juror

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance-Fishar, Sga Manesiere

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Song: Comical Dialogue between Dr Thornhill and his Old Merry Andrew-Mr Platt, others

Dance: Mr Jones, others

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Englishman in Paris

Song: new Anniversary Ode in Commemoration of Shakespeare written by Havard set to music by Dr Boyce-Beard, Champness

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Irish Lilt, as17670921

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Phoebe At Court

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

Performances

Mainpiece Title: Secrets Worth Knowing

Performance Comment: Rostrum-Lewis; Nicholas-Emery; Egerton-Holman; Greville-Pope; Undermine-Munden; April-Fawcett; Plethora-Knight; Valet-Klanert; Coachman-Thompson; Cook-Rees; Butler-Abbot; Sally Downright-Mrs Mattocks; Rose Sydney-Miss Mansel; Mrs Greville-Mrs Pope.
Cast
Role: Greville Actor: Pope
Role: Mrs Greville Actor: Mrs Pope.

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Song: [not listed on playbill] End: A new Loyal Song and Chorus- which recounts all the recent victories fo our Naval Heroes"Incledon, Johnstone, Townsend, Hill [, the music by Dr Burney (Morning Herald, 8 Nov.)

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel