SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R Ford"/1) | (@(roleclean,performerclean) "R Ford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1864 matches on Performance Comments, 251 matches on Event Comments, 31 matches on Performance Title, 7 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford

Afterpiece Title: Alexander the Little; or, The Rival Queans

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Performances

Mainpiece Title: Agmunda; Huniades

Afterpiece Title: The Humourist

Performances

Mainpiece Title: King John

Afterpiece Title: The Humourist

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: At King's King Richard The Third

Performance Comment: King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Dignum; Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Caulfield; Sir R. Brackenbury-Benson; Lord Stanley-Aickin; Sir James Blount-Bland; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Duchess of York-Miss Tidswell.
Cast
Role: Earl of Oxford Actor: Caulfield

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: At King's Know Your Own Mind

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: At Hay King John

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Afterpiece Title: Comus

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

Performances

Mainpiece Title: At King's The Chapter Of Accidents

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performances

Mainpiece Title: The Foundling

Afterpiece Title: LODOISKA

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Afterpiece Title: COMUS

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: My Grandmother

Song: III: a song-Sedgwick

Event Comment: Principal Instrumental Performers-C. Ashley, Bridgtower, Archer, Harvey, Sarjant, Mahon, Boyce, Cantelo, Parkinson, Taylor, J. Sharp, Lavenu, Napier, Simpson, the Flacks, Purney, Seutze, Gwilliam, Monro, Wood, Warren, Woodham, Francis, M. Sharp, &c. Organ by J. Ashley. Double Drums by R. Ashley. The Chorusses will be numerous and compleat, and the Orchestra will consist of upwards of Two Hundred Performers. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places to be taken, and Tickets for the Boxes may be had of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. [This performance was originally advertised to take place at the Pantheon, Oxford-street, but "The routed Host of Harmonists, driven from their new works in Oxford-road, hastily encamped last night [at Covent Garden]. Their performance...went off as might be expected from a scanty band, thus collected, without any previous rehearsal" (Morning Herald, 21 Feb.). The Pantheon had been destroyed by fire in January 1792. Work on its reconstruction had only recently been begun, and Was still not completed. It was reopened with a masquerade on 9 April 1795, the "usual licenses being now fully renewed and established" (Morning Herald, 9 Apr.).

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: King John

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: King John

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Devil to Pay

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])