SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R Bentley"/1) | (@(roleclean,performerclean) "R Bentley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1737 matches on Performance Comments, 236 matches on Event Comments, 24 matches on Author, 21 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Prophet

Related Works
Related Work: The Prophet Author(s): Richard Bentley

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: The Prophet

Related Works
Related Work: The Prophet Author(s): Richard Bentley

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Dance: HHornpipe-R. Jones , from gf

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Farmer's Son; or, The Maiden's Second Slip

Dance: I: Dutch Skipper-Sandham; III: Scaramouch-Sandham; V: Hornpipe-R. Jones

Song: II: Singing in Italian-

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Touchstone

Song: End II: several of the newest and most approved Catches and Glees (selected from the invaluable Collection of the Noblemen's and Gentlemen's Catch-Club)-Reinhold, Vernon, Champness, R.? Smith, Webb, Reynoldson, Simpkinson, Leoni, assisted by several other of the most eminent Performers

Performances

Mainpiece Title: La Vestale

Dance: End I: Divertissement, as17870428; End Opera: Le Cossac Jaloux-Mme Perignon, Goyon, Laborie, Henry, Mlle R. Simonet

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: High Life below Stairs

Dance: End: The Slave in Love-the young D'Egvilles, Miss DeCamp; In afterpiece: Mock Minuet-R. Palmer, Miss Pope [which was danced, as here assigned, in all subsequent performances]

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Song: In course evening: Henry's Cottage Maid-Miss Hagley

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Song: As17911119; accompanied upon the Harp-Meyer Jun

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: High Life Below Stairs

Dance: In II afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: My Grandmother

Afterpiece Title: Tit for Tat

Afterpiece Title: The Liar

Entertainment: MonologueEnd 2nd piece: Bucks have at ye all-R. Palmer

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performances

Mainpiece Title: False And True

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: Mock Minuet-R. Palmer, Miss DeCamp

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: Mr Sturdy-R. Palmer; Bentley-Caulfield; Capt. Berry-Palmer Jun.; Frank-Waldron; Miss Elizabeth Sturdy-Miss Heard; Miss Sukey-Miss DeCamp; Tabitha-Mrs Booth; Mrs Sturdy-Mrs Heard; Nanny-Mrs Hale.
Cast
Role: Bentley Actor: Caulfield

Afterpiece Title: Inkle and Yarico

Afterpiece Title: Sylvester Daggerwood

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: Mr Sturdy-R. Palmer; Bentley-Caulfield; Capt. Berry-Palmer Jun.; Frank-Waldron Jun.; Miss Elizabeth Sturdy-Miss Heard; Miss Sukey-Miss DeCamp; Tabitha-Mrs Booth; Mrs Sturdy-Mrs Hale; Nanny-Mrs Harlowe.
Cast
Role: Bentley Actor: Caulfield

Afterpiece Title: The Spanish Barber

Afterpiece Title: Bannian Day

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Performances

Mainpiece Title: Love In The East; Or, Adventures Of Twelve Hours

Performance Comment: Principal Characters by King, Baddeley, Bannister Jun., Aickin, Dignum, Williames, Kelly, Miss Romanzini, Miss Pope, Mrs Wilson, Miss Collett, Mrs Crouch. Cast from text (W. Lowndes, 1788): Mushroom-King; Colonel Baton-Baddeley; Twist-Bannister Jun.; Colonel Bentley-Aickin; Stanmore-Dignum; Capt. Coromandel-Williames; Warnford-Kelly; Rosario-Miss Romanzini; Mrs Muchroom-Miss Pope; Eliza-Mrs Wilson; Lucy-Miss Collett; Ormellina-Mrs Crouch.
Cast
Role: Colonel Bentley Actor: Aickin

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Miser

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: Half an Hour after Supper

Performance Comment: [Principal Characters by Kemble, Iliff, Johnson, Williamson, Mrs Barresford, Mrs Edwin, Miss Heard, Miss Prideaux, A Young Lady (1st appearance Mrs Taylor]). [Cast from text (J. Debrett, 1789): Mr Sturdy-Kemble; Captain Berry-Iliff; Frank-Johnson; Mr Bentley-Williamson; Miss Tabitha-Mrs Barresford; Mrs Sturdy-Mrs Edwin; Miss Elizabeth-Miss Heard; Nanny-Miss Prideaux; Miss Sukey-Mrs Taylor.
Cast
Role: Mr Bentley Actor: Williamson

Dance: End 2nd piece: The Graces-the Miss Simonets