SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: Boxes #78 5s. (Account Book). Receipts: #218 9s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17600924.

Afterpiece Title: The Lying Valet

Performance Comment: As17601021, but Gayless-Davis; Guttle-Dunstall; Melissa-Mrs Burden; Kitty Pry-Mrs Green.

Dance: As17600924; End II: Dancing [Unspecified in playbill]-Poitier Jr, Mlle Capdeville

Event Comment: The Tragedy of Alexander is oblig'd to be deferr'd till further notice. Boxes #42 12s. 6d. (Account Book). Receipts: #175 17s. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Performance Comment: As17601205.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610112.
Event Comment: Boxes #35 15s. Mr Sutton enter'd from the 17th inclusive at 3s. 4d. (Account Book). Receipts: #115 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17600924, but Mrs Vixen-Miss Allen.

Afterpiece Title: A Duke and no Duke

Performance Comment: As17601002.

Dance: As17600924; and a New Comic Dance-Sg Maranesi, Mlle Capdeville

Event Comment: Boxes #58 2s. 6d. Macklin's fifth came to #20 7s. (Account Book). Receipts: #164 15s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.
Event Comment: Benefit for Author. Receipts #137 4s., but no separate account of moneys from Boxes. Paid for a license for Macklin's Play #2 2s. Paid Pattinson, tallow chandler #19 1s. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.
Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.

Afterpiece Title: Love a la Mode

Performance Comment: As17601219.

Dance: Poitier Jr, Mlle Capdeville

Event Comment: Afterpiece: By Desire. [Macklin's fifth above charges came to #15 15s. 8d.] Paid Rich on account #250 (Account Books). Receipts: #141 18s. 5d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.

Afterpiece Title: Love a la Mode

Performance Comment: As17601219.

Dance: III: As17610202

Event Comment: Benefit for the Author. Receipts:#215 4s. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.

Afterpiece Title: Love a la Mode

Performance Comment: As17601223.

Dance: As17610202

Event Comment: Boxes #15 12s. 6d. Macklin's fifth came to #16 9s. Paid Woodfall's Printing Bill, commencing 22 Sept. last and ending 10 Jan. #128 11s. Paid Ledlay for 7 1!2 doz. wax candles #11 12s. 6d. Paid Pattinson, tallow chandler #14 17s. 6d. Paid Besworth for making ghost's dress for Hamlet #6 18s. Paid for a wig for Cable in Thomas and Sally 3s. 6d. (Account Book). On Saturday Evening during the play of the Married Libertine...several riots ensued, occasioned by a number of Jews assembled for that purpose in the two shilling gallery; but they were soon quelled (Public Ledger, 10 Feb.). Receipts: #143 4s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.

Afterpiece Title: Love a la Mode

Performance Comment: As17601223.

Dance: As17610202

Event Comment: Boxes #31 17s. 6d. Macklin's fifth above charges came to #15 4s. (Account Book). Receipts: #138 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.

Afterpiece Title: Love a la Mode

Performance Comment: As17601223.

Dance: As17610127

Event Comment: Benefit for the Author. Receipts: #121 14s. [No indication of proportion that came from boxes.] Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: As17610128.

Afterpiece Title: Love a la Mode

Performance Comment: As17601223.

Dance: As17610202

Event Comment: Boxes #60 17s. 6d. (Account Book). Receipts: #182 8s. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17601017.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610122, but Water-Poitier, Mlle Capdeville.
Event Comment: Benefit for Miss Brent. Receipts: #90 18s. 6d. (Account Book). [No tickets seem to have been delivered.] Charges: #64 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17600924.

Afterpiece Title: Thomasand Sally

Performance Comment: As17601128.

Dance: As17601024; a Comic Dance-Granier, Mrs Granier

Event Comment: Boxes #19 17s. 6d. (Account Book). Receipts: #91 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Performance Comment: As17601010, but Worcester-Hull.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610302.
Event Comment: Benefit for Mrs Vernon. Opera by Desire. Receipts: #101 4s. plus #44 4s. from tickets (Box 113; Pit 89; Gallery 26) (Account Book). Charges: #64 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17600924, but Lucy-Mrs Vernon, 1st time; with a New Musical Prologue-Mrs Vernon.

Afterpiece Title: Thomasand Sally

Performance Comment: As17601128.

Dance: As17600924; End of Opera: The Waggoners, as17610228

Event Comment: Tickets delivered out by Poitier for Friday 10th instant, will be taken this night. The Rape of Proserpine oblig'd to be deferr'd on Account of the Indisposition of a principal performer. [Poitier Sr had 74 Box tickets which brought to him #18 10s. (Account Book).] Receipts: #62 18s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17610408 but New Musical Prologue-_.

Afterpiece Title: The Lying Valet

Performance Comment: As17610402.

Dance: As17610408

Event Comment: Benefit for Lalauze. Receipts: #63 5s. plus #112 19s. from tickets (Box 153; Pit 340; Gallery 237) (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17601013, but short bill Marplot-Shuter; Sir George-Smith; Miranda-Miss Macklin.

Afterpiece Title: The Double Disappointment

Performance Comment: As17601008. After which Cries of London-Shuter.

Dance: LLa Petite Bergere-Lalauze's Daughter, a child between 7 and 8 years of age; a Serious Dance(for 1st time)-Lalauze's Daughter; also by desire a Ball-Dance call'd The Louvre and Minuet-Lalauze, Lalauze's Daughter; After: (this night only) A Day of Taste-Shuteras17600320

Event Comment: Benefit for Legg and Bennet. Receipts: #34 13s. 6d. plus income from tickets: Bennet #102 19s. (Box 37; Pit 418; Gallery 310); Legg #64 10s. (Box 34; Pit 248; Gallery 188) (Account Book). Charges: #63 17s. (Account Book)

Performances

Mainpiece Title: King Henry V

Performance Comment: As17601118, but Exeter-Hull.

Afterpiece Title: The Englishman Returned from Paris

Performance Comment: As17601013.

Dance: III: Last New Comic Dance-Maranesi, Mlle Capdeville; End: By Desire Heart of Oak (the Song)-Legg; with a Hornpipe in character-Poitier Jr

Event Comment: Benefit for Charles Sarjant, (house keeper). Tickets deliver'd for the Wonder will be taken. Receipts: #69 2s. 6d. plus #73 2s. from tickets (Box 125; Pit 223; Gallery 84) (Account Book). Charges:#80 (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17610408 but Mrs Coaxer-_; Mrs Vixen-_; Jenny Diver-_; Sukey Tawdry-_; Molly-_; Betty Doxey-_; Dolly Trull-_; Mrs Slammekin-_.

Afterpiece Title: A Duke and no Duke

Performance Comment: As17601002.

Dance: A Hornpipe-Mrs Vernon; a Country Dance-the Characters in the opera; End II: Les Charboniers, as17601215

Event Comment: Boxes #10 (Account Book). Receipts: #41 9s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17610505, but Richmond-Clarke; Tressel-Dyer.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610520.
Event Comment: Boxes #4 2s. 6d. (Account Book). [i.e., only 16 persons were in the Boxes, and the 2s. 6d. indicates that at least one occupant came in after the third act and paid only half price.] Receipts: #26 12s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Performance Comment: As17610501.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610520, but Water-Mlle Capdeville.
Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17610402.

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17610522.

Performances

Mainpiece Title: King Henry Iv Part 2

Performance Comment: As17611211.

Afterpiece Title: The Coronation

Performance Comment: As17611113.

Performances

Mainpiece Title: King Henry Iv Part 2

Performance Comment: As17611211.

Afterpiece Title: The Coronation

Performance Comment: As17611113.

Performances

Mainpiece Title: King Henry Iv Part 2

Performance Comment: As17611211.

Afterpiece Title: The Coronation

Performance Comment: As17611113.