SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Performance Comment: As17760921.

Afterpiece Title: Braganza

Performance Comment: Duke of Braganza-Reddish; Almada-Aickin; Ribiro-Palmer; Mendoza-Brereton; Lemos-Farren; Corea-Hurst; Roderic-Wright; Mello-R. Palmer; Pizarbo-Davies; Ramirez-Packer; Antonio-Wrighten; Ferdinand-Griffiths; Velasquez-Smith; Ines-Mrs Johnston; Dutchess of Braganza-Mrs Yates.

Afterpiece Title: The Rival Candidates

Performance Comment: Byron-Davies; Sir Harry Muff-Dodd; General Worry-Parsons; Spy-Baddeley; 1st Gardener-Bannister; Gardeners-Fawcett, Kear; Jenny-Mrs Wrighten; Narcissa-Mrs Baddeley.
Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove-Reddish; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Younge; Araminta-Mrs Baddeley; Silvia-Miss Essex (1st appearance upon that stage); Lucy-Miss Pope; Laetitia-Mrs Abington; New occasional Prologue (in the Character of a modern fine gentleman)-Dodd. [This was spoken, as here assigned, at the first 4 performances only (see17761207).]This was spoken, as here assigned, at the first 4 performances only (see17761207).]

Afterpiece Title: A ChristmasTale

Performance Comment: As17761022.

Dance: As17761115

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Reddish; Duncan-Bransby [Public Advertiser: Hurst]; Ross-Aickin; Malcolm-Davies; Banquo-Packer; Lenox-Grist; Donalbain-R. Palmer; Angus-Chaplin; Seward-Hurst [Public Advertiser: Wrighten]; Doctor-Wright; Captain-Farren; Fleance-Master Pulley; Seyton-Griffiths; Hecate (1st time)-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Sherry; Lady Macbeth-Mrs Melmoth (1st appearance on this stage).

Afterpiece Title: The Hotel

Performance Comment: As17761121.

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Performance Comment: [This was included in all subsequent performances.]

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Performance Comment: -Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd.
Event Comment: Mainpiece: Altered [by Charlotte Lennox] from [Eastward Hoe, by] Ben Johnson, and others [George Chapman and John Marston]. Receipts: #128 7s. 6d. (100.11.0; 23.8.0; 4.8.6)

Performances

Mainpiece Title: Old City Manners

Performance Comment: Quicksilver-Dodd; Golding-Brereton; Sir Petronal Flash (1st time)-Farren; Security-Parsons; Captain Seagull (with a song)-Bannister; Fig-Norris; Bramble-Hurst; Scapethrift-Fawcett; Spendall-Follett; Wolf-Wrighten; Waterman-Wright; Holdfast-Griffiths; Constable-Carpenter; Drawer-R. Palmer; Coachman-Chaplin; Touchstone-Baddeley; Mildred-Miss Hopkins; Winifred-Miss Boyd; Mrs Touchstone-Mrs Johnston; Syndefy-Miss Platt; Gertrude (with songs)-Mrs Wrighten.

Afterpiece Title: Selima and Azor

Performance Comment: As17761205.
Event Comment: [Mainpiece in place of The Orphan, announced on playbill of 31 Dec. 1776. Public Advertiser assigns the Ghost to Farren.] Afterpiece: With Additions and Alterations, New Music, Scenes [by Greenwood, Leroy and French Jun. (Morning Post, 4 Jan.)], Dresses, and Decorations. Receipts: #175 1s. 6d. (137.1.0; 34.17.0; 3.3.6)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17761023.

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Bransby; Abram-Waldron; Forge-Griffiths; Bogg-Messink; Taffy-Burton; Crib-Everard; Jailor-Carpenter; Turnkey-R. Palmer; Justices-Wrighten, Follett, Norris, Nash, Marr; Falstaff-Gaudry; Slender-Baker; Old Woman-Mr Dodd; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope; Vocal Parts-Fawcett, Legg, Kear, Brown, Chaplin, Mrs Scott, Miss Collett, Miss Abrams, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.
Event Comment: Mainpiece: With the Grand Triumphal Entry. Receipts: #180 5s. (163.14.0; 15.16.6; 0.14.6)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Performance Comment: Alexander-Lacy; Cassander-Farren; Lysimachus-Brereton; Hephestian-Davies; Polyperchon-Bransby; Thessalus-Wright; Perdiccas-Chaplin; Eumenes-Norris; Aristander-Wrighten; Slave-R. Palmer; Clytus-Hurst; Roxana-Mrs Melmoth; Parisatis-Miss Hopkins; Sisigambis-Mrs Johnston; Statira-Mrs Robinson (1st appearance in that character).

Afterpiece Title: Selima and Azor

Performance Comment: As17770215.
Event Comment: Receipts: #215 12s. 6d. (190.4.0; 24.2.0; 1.6.6)

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: As17770304but The other parts-R. Palmer, _Norris; New +Prologue-King.

Afterpiece Title: The Jubilee

Performance Comment: As17770308 .

Dance: As17770301

Event Comment: Receipts: #97 14s. (66.9; 30.1; 1.4)

Performances

Mainpiece Title: The Rivals

Performance Comment: As17770409, but Julia (1st time)-Miss Hopkins.

Afterpiece Title: All the Worlds a Stage

Performance Comment: As17770407, but Harry Stukely-Barrett; Waiter-R. Palmer; New Prologue-Jefferson.

Dance: In: Grand Dance, as17770425

Event Comment: Benefit for Fawcett, Legg & Kear. Morning Chronicle, 3 May: Tickets to be of Fawcett, Craven Buildings, Drury-Lane; of Legg, Market-street, St James's Market; of Kear, No: 2, Stephen-street, Tottenham Court Road. Tickets delivered for Wednesday the 7th Inst. will be taken. Receipts: #229 1s. (36.12; 10.12; 0.0; tickets: 181.17) (charge: #64 15s.)

Performances

Mainpiece Title: The Runaway

Performance Comment: As17770418, but Jarvis-Palmer; Emily (1st time)-Miss Jarratt; Clerk-_.

Afterpiece Title: The Register Office

Performance Comment: As17770422, but Frankly-Norris; Lord Brilliant-R. Palmer.

Dance: End: Grand Dance, as17770425

Event Comment: "A Gentleman who is as mad as myself about the School remark'd that the Characters upon the Stage at the falling of the Screen stand too long before they speak-I thought so too the first Night-he said it was the same on the 2d & was remark'd by others-tho they should be astonish'd & a little petrify'd, yet it may be carry'd to too great a length" (David Garrick to R. B. Sheridan, 12 May 1777, in The Letters of David Garrick, ed. D. M. Little and G. M. Kahrl, 1963, III, 1163). Receipts: #195 13s. (184.7; 10.19; 0.7)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17770508.

Afterpiece Title: The Deserter

Performance Comment: Henry-Davies; Russet-Bannister; Simkin-Carpenter; Skirmish-Parsons; Flint-Wright; Soldiers-Legg, Kear, Griffiths, Chaplin, Follett; Jenny-Mrs Davies; Margaret-Mrs Love; Louisa-Miss Collett.
Event Comment: Mainpiece: A Tragedy for Warm Weather, written after the Manner of the Worst as well as the Best English Poets; containing, amongst a Variety of Particulars, the Rebellion of the Journeymen Tailors; their Military Preparations and Election of a Chief; their Skirmishes, Ambushes, Sieges, Councils and Combats; their Division into Flints and Dungs, with the Defection of the Dungs at the Pass of the Butcher-Row, and total Overthrow of the Flints at the Famous Battle of Temple-Bar; together with the Captivity and Fatal End of their Valiant Leader

Performances

Mainpiece Title: The Tailors

Performance Comment: Master Tailors: Francisco-Parsons; Regniades-R. Palmer; Campbello-Bannister; Flints: Abrahamides (the Chief)-Palmer; Isaacos-Fearon; Jackides-Jackson; Barnardo-Davis; Dungs: Zacharydes-Egan; Timotheus-Stevens; Tailors' Ladies-Mrs GardnerMrs Love, Miss Platt, Mrs Poussin, Mrs Jewell; Genest, V, 582 specifies: Tittilinda-Mrs Gardner; Dorothea-Mrs Jewell. Prologue as17770515.

Afterpiece Title: Lilliput

Performance Comment: As17770515.
Event Comment: Benefit for Wood, Percey, Robinson & Cameron. Tickets delivered by Hodges and Dale will be taken. Receipts: #224 9s. (11.5; 2.10; 0.0; tickets: 210.14) (charge: #84)

Performances

Mainpiece Title: The Fair Quaker

Performance Comment: As17761109, but Sir Charles Pleasant-R. Palmer.

Afterpiece Title: The Devil to Pay

Performance Comment: As17770519.

Dance: As17761109; End II: Comic Dance, as17761217

Song: Rule Britannia-as17761109, but _Fawcett, Gaudry

Event Comment: Ladies and Gentlemen who have taken Places are desired to send their Servants to the Door in Suffolk-Street by Five o'Clock

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17770611 but Antonio-Hull (of cg; 1st appearance [at this theatre]). 1st appearance [at this theatre]).

Afterpiece Title: Polly Honeycombe

Performance Comment: Mr Honeycombe-Parsons; Scribble-R. Palmer; Ledger-Griffiths; Mrs Honeycombe-Mrs Gardner; Nurse-Mrs Love; Polly Honeycombe-Mrs Hitchcock.

Dance: As17770611

Event Comment: [Henderson's 1st appearance on the stage was as Hamlet, at Bath, 6 Oct. 1772. In I.iv "after the short ejaculation of 'Angels and ministers of grace, defend us!' he endeavoured to conquer that fear and terror into which he was naturally thrown by the first sight of the vision, and uttered the remainder of the address calmly, but respectfully, and with a firm tone of voice, as from one who had subdued his timidity and apprehension" (Davies, III, 30). "Palmer's Ghost would have been more in character had he given less into the rant of declamation and the bustle of stage action, which accord not with our ideas of a supernatural being; his crying, likewise, at the recital of his murder, was childish, and destroyed the solemnity of the scene' (Morning Post, 27 June).

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Henderson (1st appearance in that character [in London]); King-Fearon; Horatio-Davies; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Edwin; Laertes-Aickin; Player@King-Griffiths; Lucianus-Blissett; Osrick-R. Palmer; Gravediggers-Parsons, Massey; Ghost-Palmer; Ophelia-Mrs Hitchcock; Player@Queen-Mrs Poussin; Queen-Mrs Hunter.

Afterpiece Title: Polly Honeycombe

Performance Comment: As17770616.

Performances

Mainpiece Title: Polly

Performance Comment: As17770625.

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Palmer; Old Philpot-Parsons; Young Wilding-R. Palmer; Beaufort-Egan; Quildrive-Stevens; Dapper-T. Davis; Corinna-Mrs W. Palmer; Maria-Miss Farren (1st appearance in that character).

Performances

Mainpiece Title: The Minor

Performance Comment: Smirk, Mrs Cole-Foote; The Minor-Aickin; Shift-Bannister; Sir William Wealthy-Egan; Mr Richard Wealthy-Fearon; Loader-T. Davis; Transfer-Jackson; Dick-Stevens; Lucy-Mrs Jewell.

Afterpiece Title: The Author

Performance Comment: Cadwallader-Foote; Young Cape-Aickin; Sprightly-R. Palmer; Vamp-Edwin; Governor Cape-Fearon; Robin-T. Davis; Printer's Devil-Master Hitchcock; Poet-Jackson; Arabella-Miss Platt; Mrs Cadwallader-Mrs Gardner.

Dance: End: The Merry Lasses, as17770611

Event Comment: Mainpiece: The Characters dressed in Spanish Habits. [Henderson's 1st recorded appearance as Leon was at Bath, 4 Feb. 1777.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Henderson (1st appearance in that character [in London]); Don Juan-R. Palmer; Alonzo-Egan; Sanchio-T. Davis; Duke-Fearon; Cacafogo-Massey; Servants-Kenny, Stevens; Copper Captain-Palmer; Old Woman-Mr Parsons; Old Woman's Maid-Mr Besford; Margarita-Mrs Hunter; Altea-Mrs Poussin; Clara-Miss Platt; Ladies-Miss Hale, Mrs W. Palmer, Miss Morris; Estifania-Miss Barsanti.

Afterpiece Title: The Waterman

Performance Comment: Tom Tug-Bannister; Mr Bundle-Davies; Robin-Edwin; Mrs Bundle-Mrs Davies; Wilhelmina-Mrs Jewell.

Dance: As17770707

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Performances

Mainpiece Title: The First Part Of King Henry Iv With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Henderson (1st appearance in that character [in London]); Hotspur-Aickin; King-Younger; Westmorland-Egan; Sir W. Blunt-T. Davis; Sir Richard Vernon-Davies; Worcester-Fearon; Poins-R. Palmer; Bardolph-Massey; Peto-Kenny; Gadshill-Besford; Francis-Edwin; Carriers-Jackson, Blissett; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Percy-Mrs Colles.

Afterpiece Title: The Portrait

Performance Comment: Leander-Bannister; Pantaloon-Edwin; Colombine-Mrs Hitchcock; Isabel-Miss Twist.
Event Comment: [Henderson's 1st appearance as Richard was at Bath, 20 Oct. 1772. Mrs Massey was from the Norwich theatre.

Performances

Mainpiece Title: K

Performance Comment: Richard III. Richard-Henderson (1st appearance in that character [in London]); King Henry-Younger; Catesby-T. Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Davies; Stanley-Fearon; Norfolk-Griffiths; Tyrrell-Kenny; Oxford-Stevens; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Hunter; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey (1st appearance on this stage).

Afterpiece Title: Miss in Her Teens

Performance Comment: Captain Flash-Palmer; Captain Loveit-R. Palmer; Jasper-Egan; Puff-Fearon; Fribble (with a song)-Blissett; Tag-Mrs Gardner; Miss Biddy-Mrs Davies.

Performances

Mainpiece Title: Cato

Performance Comment: As17770814.

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Lord Minikin-R. Palmer; Sir John Trotley-Massey; Col. Tivy-Egan; Jessamy-Fearon; Mignon-Stevens; Davy-Parsons; Lady Minikin-Mrs Hitchcock; Miss Tittup-Miss Farren (1st appearance in that character).

Dance: As17770814

Event Comment: Benefit for Palmer. Mainpiece: Never performed here [so stated on playbill of 18 Aug.]. Public Advertiser, 13 Aug.: Tickets to be had of Palmer at his house in Bow-street, Bloomsbury. [Henderson's 1st appearance as Don John was at Bath, 23 Oct. 1773.

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Henderson (1st appearance in that character [in London]); Petruchio-Aickin; Duke-Fearon; Peter-Blissett; Anthony-Massey; Francisco-Jackson; Surgeon-Griffiths; Antonio-Parsons; Don Frederick-Davies; 1st Constantia-Mrs Hunter; Landlady-Mrs Love; Nurse-Mrs W. Palmer; Kinswoman-Miss Hale; Mother-Miss Platt; 2nd Constantia-Miss Barsanti.

Afterpiece Title: The Lyar

Performance Comment: Young Wilding-Palmer; Old Wilding-Fearon; Sir J. Elliot-R. Palmer; Papillion-Parsons; Miss Godfrey-Miss Platt; Kitty-Mrs Poussin; Miss Grantham-Mrs Davies.

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

Event Comment: Benefit for Henderson. Public Advertiser, 19 Aug.: Tickets to be had of Henderson, No. 21, Maiden-lane, Covent Garden. [Henderson's 1st appearance as Bayes was at Bath, 28 Nov. 1772.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Henderson (1st appearance in that character [in London]); Smith-Aickin; Johnson-Palmer; The other Characters-R. Palmer, Egan, Hitchcock, Besford, T. Davis, Griffiths, Peirce, Fearon, Parsons, Blissett, Jackson, Edwin, Miss Hale, Mr DuBellamy, Mrs Poussin, Mrs Love, Miss Platt, Mrs Colles who acted Amaryllis (Morning Post, 26 Aug.)]. [With an Additional Reinforcement of Mr Bayes's New-raised Troops [for which, and for a list of the other parts, see dl, 13 Dec. 1777].for which, and for a list of the other parts, see dl, 13 Dec. 1777].

Afterpiece Title: The Fairy Tale

Performance Comment: As17770718.
Event Comment: [Digges refused to make use of "the too familiar modern manner of speaking blank verse" (London Chronicle, 30 Aug., which also identifies Fotteral, although misspelling his name as "Fotheril").

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Younger; Surry-Davies; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Jackson; Lord Chamberlain-Egan; Norfolk-T. Davis; Suffolk-Fearon; King Henry-A Gentleman (from the Theatre Royal, Dublin; 1st appearance in London [Fotteral]); Anne Bullen-Mrs Colles; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey (1st appearance in that character).

Afterpiece Title: The Portrait

Performance Comment: As17770724.
Event Comment: Benefit for Jewell, treasurer.Mainpiece: Never performed here. [Henderson's 1st recorded appearance as Falstaff was at Bristol, 11 Sept. 1775.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Henderson (1st appearance in this play [in London]); Justice Shallow-Blissett; Sir Hugh Evans-Parsons; Dr Caius-Jackson; Mr Page-Fearon; Master Slender-Bates; Fenton-R. Palmer; Host-Massey; Bardolph-Kenny; Pistol-Stevens; Robin-Master Hitchcock; Simple-Master Pulley; Ford-Palmer; Mrs Page-Mrs Davies; Ann Page-Mrs Colles; Hostess-Mrs Love; Mrs Ford-Mrs Lisley (late Miss Barsanti).

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Bannister; Leander-DuBellamy; Mungo-Davies (1st appearance in that character); Ursula-Mrs Love; Leonora-Mrs Jewell.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17770903, but Master Slender-R. Palmer; Fenton-Egan.

Afterpiece Title: The Portrait

Performance Comment: As17770724.