SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Queens Birth"/1) | (@(roleclean,performerclean) "Queens Birth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1128 matches on Performance Comments, 834 matches on Performance Title, 462 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: Epsom Wells

Performances

Mainpiece Title: London's Triumphs

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates, King Of Pontus

Event Comment: Apparently The Man of Mode had an amateur revival in Brussels in the autumn, possibly before the Duke and Duchess of York, when they were away from London. Princess Anne to Frances Apsley, 3 Oct. 1679: The play is practisde to night Miss Watts is to be Lady townly which part I beleeve wont much become her. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), pp. 111-12]

Performances

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Cadmus Et Hermione

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: Circe

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Cleomenes, The Spartan Heroe

Event Comment: BM Add. Mss. 34096, folio 63r 64v, Whitehall, 15 July 1692: The Prince and Princesse of Danemarke...yesterday...tooke barge to Goe to ye Play House. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 225, for a letter by Princess Anne ordering boats to take her to the theatre.

Performances

Performances

Mainpiece Title: The Triumphs Of London

Event Comment: This celebration of the Queen's Birthday presumably was given on 30 April, her birthday. The music in the Royal Society of Music gives the singers as Mrs Ayliff, The Boy, Turner, Snow, Edwards, Howell, Bowman, Damascene, Bouchier, Williams, Woodeson, Roberts. See Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Event Comment: The Queen's Birthday Ode, Come, Ye Sons of Art, the music by Henry Purcell, the author of the words not known; and Strike the Viol, sung by Alexander? Damascene, are in Gentleman's Journal, May 1694. See also Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert