SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Queen Anne"/1) | (@(roleclean,performerclean) "Queen Anne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1317 matches on Performance Comments, 851 matches on Performance Title, 475 matches on Event Comments, 1 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Dance: In: As17780128

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Dance: As17780203

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Dance: As17771009

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Dance: As17771009

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Dance: As17771009

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Dance: End II: Minuet de la Cour, as17780508

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Dance: End I: Minuet de la Cour, as17780508; End IV: Rural Grace, as17780113

Performances

Mainpiece Title: The Fathers

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss Abrams

Song: As17781006

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss M. Stageldoir

Dance: End I: The Butterfly, as17800921; Afterpiece: Dancing, as17800930

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss M. Stageldoir

Dance: Afterpiece: Dancing, as17800930

Song: I: song-Du-Bellamy

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss M. Stageldoir

Dance: In afterpiece: Dancing, as17800930

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss M. Stageldoir

Dance: In afterpiece: Dancing, as17800930

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Annette Actor: Miss Prudom

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss M. Stageldoir

Dance: In afterpiece: Blurton

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Cast
Role: Queen Mab Actor: Miss M. Stageldoir

Dance: In afterpiece: Dancing, as17801230

Song: II: song-Du-Bellamy

Event Comment: Benefit for Edwin. Afterpiece: With the Triumphal Entryv of King Chrononhotonthologos into Queerumania attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagellets, Lutes, Bagpipes, Tabours and Pipes, Marrow-Bones and Cleavers, Post-Horns, French Horns, Cows Horns, Salt-Boxes, Broom-stickado's. The different Instruments will be played after the Manner of the Queen's Band at Queerum. The most comical Tragedy that ever was Tragedized by any comical Company of Tragedians. Public Advertiser, 23 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Edwin; Bombardinian (his General)-Bannister Jun.; Aldiborontiphoscophornio-Moss; Ridgum@Funidos-Wewitzer; Herald-Gardner; Captain of the Guards-Phillimore; Cook-Barrett; Doctor-Ledger; King of the Fiddlers-Johnson; King of the Antipodes-Smith; Fadladinida (Queen of Queerumania)-Mrs Edwin; Tatlanthe (Favourite to the Queen)-Miss Collett; Maids of Honour-Miss Francis, Miss Palmer; Venus-Mr Mathews; Cupid-Mr Painter.

Song: End III: Four@and@twenty Perriwigs all on a Row-Edwin

Entertainment: Monologue. End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Performance Comment: End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin.
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: The United Company. This performance is on the L. C. list, 5@149. p. 368. See also Nicoll, Restoration Drama, p. 352. The Prologue, separately printed, bears a licensing date of 16 Nov. 1689, and is reprinted in Wiley, Rare Prologues and Epilogues, pp. 276-77. Huygens, 15 Nov. 1689 OS (translation): The King, who had been at the comedy, at the birthday of the Queen-mother, which had been played at Whitehall, did not come home until twelve o'clock (Journal van Constantijn Huygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 205)

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.

Performances

Mainpiece Title: Queen Elizabeth; Or, The Earl Of Essex The Unhappy Favorite

Performances

Mainpiece Title: Queen Tragedy Restored

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored