SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Q Mary"/1) | (@(roleclean,performerclean) "Q Mary")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 208 matches on Performance Comments, 145 matches on Event Comments, 68 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Miser

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: Afterpiece: Intermix'd with Songs and Dances. [The Duke and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Arlequin Misantrope

Afterpiece Title: Le Carillon de Maitre Gervaise et Dame Alison

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

Event Comment: [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Le Festin De Pierre; Ou, L'atthee Foudroye; Or, Don John; Or, The Libertine Destroy'd

Afterpiece Title: Le Francois a Londres

Dance:

Event Comment: Benefit the Lilliputians. By Command of their Royal Highnesses the Princesses Mary and Louisa

Performances

Mainpiece Title: The French Cuckold

Afterpiece Title: The Intrigues of Harlequin

Afterpiece Title: Don Pasquin d'Avalos

Afterpiece Title: Le Carillon Comique & Dame Alison & Maitre Gervase

Dance: The last Lilliputian Scotch Dance. A new Lilliputian Chacone of Characters: Harlequin Man and Woman. Pierot and Pierraite. Punch and Dame Ragondy. Scaramouch

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: Tartuffe

Afterpiece Title: Attendez Moy Sous l'Orme

Dance:

Event Comment: Mainpiece: Written by Ben Johnson. By Her Majesty's Command. [The Queen, Prince of Wales, Duke, and Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Harlequin Grand Volgi: Being the Comic Interlude of Cephalus and Procris

Event Comment: By Her Majesty's Command. Written by Shakespear. [Queen, Duke, and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Julius Caesar

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett

Event Comment: By Their Majesties' Command. [Their Majesties, Duke, Princesses Amelia, Caroline, Mary, Louisa present.] London Daily Post and General Advertiser, 20 Nov.: Mrs Porter perform'd the Part of Belvidera, without having either Stick or Cane to support her. Receipts: #168 12s. 6d

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #120 4s. [Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Apollo and Daphne

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #128 14s. [Princesses Caroline, Mary, Louisa, and the Duke present.]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Royal Chace

Event Comment: By Their Majesties' Command. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #147 1s. [Their Majesties, Duke, and Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The False Friend

Related Works
Related Work: The False Friend; or, The Fate of Disobedience Author(s): Mary Pix

Afterpiece Title: The Royal Chace

Event Comment: By Command of his Royal Highness the Duke, and their Royal Highnesses the Princesses Caroline, Mary, and Louisa [who were present]

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Solo on Violin by Charke

Dance: II: New Serious Dance by Denoyer, Mlle Anne Roland, &c. III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: Mainpiece: Written by the late Mr Congreve. Daily Journal, 8 March: On Friday Night last died Mrs Mary Heron, a celebrated Actress belonging to Drury-lane Playhouse

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Fall of Phaeton

Event Comment: Benefit Glover. By Command of their Royal Highnesses the Duke, and the Princesses Mary and Louisa. [Tickets at Glover's, in Chandos Street, cg.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: I: Two Pierrots-Nivelon, Lalauze; II: Dance of Sailors-Glover; III: Minuet, with a Ball Dance called The Marriee-Glover, Mlle Roland; IV: Grand Dance-Glover, Mlle Roland; V: Scots Dance-Glover, Mlle Roland

Event Comment: By Command of His Royal Highness The Duke and Their Royal Highnesses the Princesses Caroline, Mary, and Louisa

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Robin Goodfellow

Event Comment: By Command of His Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Taken from Plautus and Moliere

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Grand Volgi

Event Comment: By Command of his Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Dance: III: Dance of Moors-Muilment, Mrs Walter

Event Comment: By command of His Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Restor'd

Dance: II: Grand Ballet-Muilment, Mrs Walter

Ballet: IV: Double Jealousy. As17381108

Event Comment: By His Majesty's Command. Mainpiece: Written by Shakespear. [The King, Duke, Princess Amelia, Caroline, Mary, and Louisa present.] London Daily Post and General Advertiser, 12 Jan.: Being the first time of his Majesty's being at any Publick Diversion since the Death of the late Queen

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Royal Chace

Event Comment: By Command of His Royal Highness the Duke, and Their Royal Highdesses the Princesses Amelia, Caroline, Mary and Louisa. Benefit Glover. Three Rows of the Pit will be laid into Boxes. [Tickets at Glover's, Chandos Street, near cg.

Performances

Mainpiece Title: All For Love

Dance: I: Comic Dance-Villeneuve, Miss Oates; II: Two Pierots-Lalauze, Desse; III: Grand Ballet as performed in the Opera of Pastor Fido-Glover, Mlle Roland; IV: Scots Dance-Glover, Mlle Roland; V: The Louvre (a Ball Dance), including The Minuet-Glover, Mlle Roland

Event Comment: By Command of His Royal Highness the Duke. [The Duke and the Princesses Amelia, Caroline, Mary, and Louisa expected to attend.

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: Harlequin Shipwreck'd

Dance: II: La Provencale (new)-Mlle Chateauneuf alone; IV: Tambourine-Mlle Chateauneuf