SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prompter"/1) | (@(roleclean,performerclean) "Prompter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 476 matches on Roles/Actors, 199 matches on Event Comments, 59 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Author.
Event Comment: Benefit Marten, Jarvis, and the Prompter

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Mock Doctor

Dance: I: Pierots-Lalauze, Desse; III: Ballet-Desse, Miss Oates; V: Comic Dance-Villeneuve, Miss Oates; End Afterpiece: Glover's Grecian Sailors-

Song: II: War he sung was Toil and Trouble-Roberts; IV: In Praise of the Roast Beef of Old England-Leveridge

Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

Event Comment: Benefit Cole, Prompter

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: Tom Thumb the Great

Dance: As17410415

Event Comment: Benefit Cross (Prompter), Anderson, Clarke, White. Tickets for Miss Burgess also taken. Receipts: #110 (Rylands MS.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Dragon of Wantley

Dance: II: Comic Dance-Richardson, Mlle Ozanne; IV: Pierots-Richardson, Delagarde

Song: III: Roberts

Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Event Comment: Benefit Cross (Prompter), Demaimbray (Machinist), and Ray. Tickets deliver'd out by Green, Miss Thomson, and Miss Minors will be taken. Tickets for the Double Gallant will be taken. Rylands MS.: I had tickets. Receipts: #105

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The King and Miller of Mansfield

Dance: II: Running Footman's Dance, as17420428 V: a Hornpipe-Phillips

Song: IV: Let me Wander not unseen-Beard

Event Comment: Benefit Beckham, the prompter, Blakey, Edw. Giffard, and Miss Story. [Dove's name is in the bill for Seringe, but is also announced to perform this night at the New Wells, Clerkenwell, where he had been dancing regularly; Carney's name is also in the bills to dance this night at the New Wells, Lemon St., Goodman's Fields, where he had been appearing regularly since Easter Monday.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Dance: Carney, Mrs Roland, Miss Story; V: a Minuet-Carney, Miss Story

Event Comment: Benefit Cross (Prompter), DeMaimbray (Mechanist), and Desse. Tickets deliver'd out by Nodder, Owen, Miss Lee, and others will be taken. [This month in the Gentlemen's Magazine appeared a long essay from Champion No. 5, entitled The Character of an excellent Actor, an appreciative essay on the difficulties of acting, and the excellence of Garrick. The author avows he never exchanged a word with Garrick in his life. In July the Gentlemen's Magazine publish'd a reply to the contention that shewing good plays and giving men a relish for them was a satisfactory method of instructing the young, concluding instead against stage entertainments because they may be and are productive of much ill; and can serve no good end but what may be more effectively attained by other means.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lying Valet

Song: As17430120

Dance: II: La Florana, as17430408 New Ballet-Desse, Mrs Walter

Music: V: a Concerto-Burk Thomuth

Event Comment: Benefit Bridges, Blakes and Cross, prompter. Places for the Boxes to be taken of Hobson at the stage door

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Anatomist

Dance: Mlle Auguste

Event Comment: Benefit Bridges, Blakes and Cross, prompter. Afterpiece: By Desire. Mr Garrick's Indisposition continuing, we have, at the particular desire of several ladies, chang'd our play. Tickets deliver'd out for the Stratagem will be taken. [On this Day appeared the Daily Advertiser a full column presentment by the Court of Westminster to the Justices of the Peace against unlicensed players]: This court being inform'd that common Players of Interludes have for several years...assembled...in Mayfair to erect Booths and exhibit Drolls and Shews...whereby numbers of His Majesty's subjects have been encouraged to assemble and commit riots and other Misdemeanours in Breach of His Majesty's Peace, and to the disturbance of the Neighborhood, and that some of the players are and now contracting for ground in order to erect Sheds, Booths and other places...for shewing and acting plays...&c, &c, &c...for the more effectual suppressing of the evils aforesaid, it is hereby recommended unto his Majesty's Justices of the Peace to meet together at such time as they shall appoint in order to proceed according to the law against all such offenders as shall be brought before them by the peace officers, who are required to be aiding the Justice of the Peace. [The gist of the Presentment lies in the statement]: that they [the Justices] shall apprehend all and every other person and Persons who in any other place or places within the said City and Liberty shall act or represent for gain, any Tragedy, Comedy, Opera, Play, Interlude, Farce, or any other Entertainment for the stage

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Tragedy of Tragedies

Dance: I: Sga Bettini; III: Muilment

Song: II: Lowe; V: Nanny O (By Desire)-Lowe

Event Comment: Benefit Laguerre, Rector, Thompson, Harrington [Prompter] and others

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Flora

Dance: Cooke, Picq, LaLauze; particularly a Minuet-Rector, Delagarde

Event Comment: Benefit Bridges, Blakes, Cross (Prompter). Mainpiece alter'd from Beaumont and Fletcher, not acted these 30 years

Performances

Mainpiece Title: The Sea Voyage; Or, The Commonwealth Of Women

Afterpiece Title: The Vintner Trick'd

Song: I: Scotch Dialogue, as17460310 III: Cantata-Lowe

Dance: II: Italian Peasants, as17460206; IV: Swiss Dance, as17460416

Performances

Mainpiece Title: The Fine Lady's Airs

Performance Comment: As17470420 but Epilogue called the Universal Prompter-_.

Afterpiece Title: The Dragon of Wantley

Dance: Salomon, Sga Padouana, the Mechels, Salomon's son

Song: III: A Duet of Purcell's call'd Caesar and Urania-Mrs Clive, Mrs Mozeen

Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Event Comment: Benefit for Anderson; Harrington (Prompter); Miss Ferguson; and Miss Morrison. Tickets deliver'd out by Messing, Plummer, and Mrs Dupre will be taken

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Apollo and Daphne

Music: II: Concerto on a German Flute-Lawson

Event Comment: Mainpiece: Not acted these 10 Years. Afterpiece: Not acted these 20 years. Music, Dances and Other Decorations for afterpiece entirely new. [In a letter to John Gilbert-Cooper, the actor Charles Adams states that "the Prompter gave me a little Part in the Emperor of the Moon...I appear'd in it thrice." He was "paid Twenty Shilling Pr Week." See Theatre Notebook, XI (1957), p. 136. The only male parts left were Baliardo's servant Peter and the figures in the tableau of the final scene.] Receipts: #160 (Cross); #158 11s. (Powel)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Emperour of the Moon

Music: A Piece of Music-the Child

Dance: TThe Sailors Revels-Mathews

Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: Benefit for Simpson, Raftor, Usher. Tickets and places of Hobson at the stage door. Receipts: #180 (Cross); charges, #63 (Powel). [This month, the Gentleman's Magazine Register of Books listed as published Remarks on Three Plays of B. Johnson, viz: The Fox, Silent Woman, and Alchymist, by James Upton.] This week will be published The Hen Peck'd Captain,...as it was intended to be acted...on Saturday last. Taken from The Campaigners; or, the pleasant Adventures at Brussels with a Preface by R. Cross, prompter (General Advertiser)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Miss in Her Teens

Dance: SSavoyards, as17480920

Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Event Comment: Benefit for Cross, Prompter, Mrs Cross, and Son. N.B. Mr Cross takes the liberty to inform the Ladies and Get&ntlemen who intend to honour him with their company, that his constant Attendance upon the Business of the theatre, will hinder him from applying to them in person, and therefore hopes to receive their commands at his house in Crown Court, Little Russel-Street, Covent Garden, or at the Stage Door of the theatre, where Tickets and Places are to be had for his benefit. Receipts: #156 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Duke and no Duke

Dance: II: A Provincial Dance, as17520314

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: II: The Cantata of Cimon and Iphigenia-Beard

Event Comment: Benefit for Carmichael, Prompter, Holtom, Miss Condill, and Miss Helm. Tickets deliver'd out by Mlle Vivier, Mlle Jansolin, &c. will be taken

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: Poitier, Mlle Capdeville, unspecified

Event Comment: Benefit for Holtom, Mrs Stephens, Miss Helm, and Carmichael, Prompter. Tickets deliver'd by Holtom, Carmichael, Chapman, Rawlins, Miss Helm, Miss Stephens, Miss Dawson, Miss Leppie, Mrs Hitchcock, Mrs Gwin will be taken. [The first eight received one-half value. The last two received full value gratis for their tickets.] (Account Book). Receipts: #33 16s. 6d. The benefits: @Tickets Box Pit Gallery Value 1!2 Value@Holtom 56 63 #14 14s. #7 7s.@Carmichael 12 12 12 #6 #3@Chapman 114 214 71 #67 14s. #33 17s.@Rawlins 10 74 47 #18 6s. #9 3s.@Miss Helm 3 14 31 #5 19s. #2 19s. 6d.@Miss Stephens 13 16 35 #9 13s. #4 11s. 6d.@Miss Dawson 126 44 35 #41 12s. #20 16s.@Miss Leppie 4 23 37 #8 3s. #4 1s. 6d.@Mrs Hitchcock 35 67 28 #21 12s. Gratis@Mrs Gwinn 4 39 58 #12 13s. Gratis@Total 321 559 417 #205 7s. #85 15s. 6d.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Contrivances

Dance: IV: By Desire, a Hornpipe-Miss Dawson; IV: Last new Comic Dance-Lucas, Mlle Capdeville, as17580417

Ballet: II: Judgment of Paris. As17580413 but Venus-Miss Hillyard

Event Comment: PPublic Advertiser: In the afternoon died Mr Richard Cross, Prompter to the Theatre Royal in Drury Lane, whose Abilities in his Station were equal to any in the Theatre, and whose Integrity would have done credit to any Profession

Performances

Event Comment: Benefit for Mrs Cross, Widow of the late Prompter, and Moody

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Queen Mab