SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Professor John Harold Wilson"/1) | (@(roleclean,performerclean) "Professor John Harold Wilson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 9830 matches on Author, 2785 matches on Performance Comments, 1284 matches on Event Comments, 352 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Subscription. Benefit John and Chr. Rich and Hamilton. Pit and Boxes together at 7s. Receipts: money #34 8s.; tickets #78 13s

Performances

Mainpiece Title: The Island Princess

Related Works
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher

Afterpiece Title: The Cheats

Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich
Related Work: The Cheats Author(s): John Wilson

Music: As17200205

Song: A new Cantata in Italian by Mr Rosengrave-Gordon

Dance: As17200120

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Performance Comment: As17820610 but Wilson in place of Parsons .
Cast
Role: John Actor: Stevens
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: John Actor: Wewitzer

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17830531, but Wilson in place of Gaudrey; Kenny in place of Ledger .
Cast
Role: John Actor: Egan
Related Works
Related Work: The Agreeable Surprise Author(s): John O'Keeffe

Dance: End of mainpiece, as17830611

Event Comment: Benefit for Carleton, Wilson, J. Shade & Daglish. Receipts: #284 1s. 6d. (25.3.0; 5.5.6; 2.1.0; tickets: 251.12.0) (charge: #106 1s. 4d.)

Performances

Mainpiece Title: The Chances

Cast
Role: Don John Actor: Palmer
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Quaker

Cast
Role: Floretta Actor: Mrs Wilson.
Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Dance: The Lucky Return, as17870530, but _Hamoir, Ferrere

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Love's Pilgrimage

Related Works
Related Work: Love's Pilgrimage Author(s): John Fletcher
Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Related Works
Related Work: Oedipus Author(s): John Dryden
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Performances

Mainpiece Title: Thyestes

Related Works
Related Work: Thyestes Author(s): John Wright
Event Comment: The King's Company. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treapy & in ye Afternoon goes to see Rollo D. of Normandy at ye Ks playhouse (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Related Works
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher
Event Comment: The Duke's Company. Newdigate newsletters, 5 Aug. 1682: [Yesterday the] Dutchess goes to ye Dukes Theatre--that and ye Kings house haveing Joyned interests the latter being Discontinued where will be purposely Acted for her Anna Bullen being a deepe Tragedy of the beheading of the said Lady by Henry the 8th (Wilson, Theatres Notes from the Newdigate Newsletters, p. 81). See also London Mercury, 8 Aug. 1682. Juliana Brabazon to the Countess of Rutland, Aug. 1682: The Dutches of Yorke kept her bed the day after seeing Anna Bulloigne acted (HMC, 12th Report, Rutland MSS., Part V, 1889, p. 77)

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Related Works
Related Work: Vertue Betray'd; or, Anna Bullen Author(s): John Banks
Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise Author(s): John Dryden
Event Comment: The United Company. The players received the customary fee of #20. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 179. Newdigate newsletters, 3 Feb. 1682@3: Yesterday the Governors? of ye Temple Invited the Greate Lds: of [...] together with the Ld. Keeper to dinner where afterwards they were entertayned with variety of songs & a play was Acted before them Called the Chances by the Kings players (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise Author(s): John Dryden
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher
Event Comment: Mainpiece: By Command of the Princess of Wales. Tomorrow Noon will be publish'd Appius, a Tragedy, as it is acting at Covent Garden. Printed for A. Miller, D. Wilson, and T. Durham in the Strand at 1s. 6d

Performances

Mainpiece Title: Appius

Related Works
Related Work: Appius and Virginia Author(s): John Dennis
Related Work: Appius Author(s): John Moncrieff
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster
Related Work: Appius and Virginia Author(s): John Webster

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets delivered by Humphreys will be taken. Receipts: #267 13s. Charges: #84. Profits to beneficiaries: #183 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Miller of Mansfield

Entertainment: End Opera: Bucks Have at Ye All-Palmer

Event Comment: Barbarossa [announced on playbill of 6 Feb.] is obliged to be deferred. Wilson's violent Hoarseness prevents his performing this Evening

Performances

Mainpiece Title: The Provok'd Wife

Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Touchstone

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith

Performances

Mainpiece Title: The Agreeable Surprise

Performance Comment: . As17820914, but Mrs Wilson in place of Mrs Wells; Miss Morris of Miss Harper .
Related Works
Related Work: The Agreeable Surprise Author(s): John O'Keeffe

Afterpiece Title: Harlequin Teague

Related Works
Related Work: Harlequin Teague; or, The Giant's Causeway Author(s): John O'Keeffe

Dance: As17820826

Event Comment: Tickets delivered by Miss Barnes, Miss Tidswell, Mrs Heard, Miss Richards, Dale, Stageldoir, Daglish, Kenny, Brigg, Master Wilson will be taken. Receipts: #211 14s. 6d. (27/5/0; 14/16/0; 0/7/6; tickets: 169/6/0)

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Gentle Shepherd

Dance: End of Act III of mainpiece, as17820917; End of Act iv Hornpipe by a Young Lady [unidentified] (Scholar of Brigg)

Song: End of mainpiece Tally Ho! by Miss Barnes

Event Comment: [In mainpiece the playbill assigns Peachum to Wilson, and Lockit to Booth, but on the Kemble playbill MS annotations substitute Booth and Thompson.] Receipts: #140 6s. (139/2; 1/4)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Capt. Macheath-Johnstone; Peachum-Booth; Lockit-Thompson; Mat o' the Mint-Mahon; Ben Budge-Ledger; Jemmy Twitcher-Painter; Crook finger'd Jack-Bates; Wat Dreary-Jones; Harry Paddington-Darley; Jailor-Stevens; Drawer-Helme; Filch-Doyle; Lucy-Mrs Kennedy; Mrs Peachum-Mrs Webb; Jenny Diver-Mrs Morton; Mrs Slammekin-Miss Platt; Mrs Vixen-Mrs Lewis; Dolly Trull-Mrs Chalmers; Sukey Tawdry-Mrs Inchbald; Mrs Coaxer-Mrs Whitfield; Molly Brazen-Miss Stuart; Betty Doxey-Miss Brangin; Polly-Mrs Bannister. hathi.
Cast
Role: . Macheath Actor: Johnstone
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: (End of Act I) The Rival Knights

Afterpiece Title: Three Weeks after Marriage

Dance: In Act III of mainpiece Hornpipe by Miss Besford

Event Comment: Benefit for Brett. Public Advertiser, 27 Apr.: Tickets to be had of Brett, No. 7, Catherine-street, Strand. [In mainpiece the playbill retains Booth as Peachum, but "Moody in the absence of Wilson [sic] played Peachum" (Public Advertiser, 3 May).] Receipts: #248 13s. (148/12; tickets: 100/1) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: . Macheath Actor: Johnstone
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: Rosina

Dance: In Act III of mainpiece, as17831014; End of mainpiece The Poney Races, as17840428

Song: End of Act I of mainpiece a favourite song by Leoni; End of Act II When Phoebus the tops of the bills does adorn by Leoni and Brett

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17840609 but Gaudry in place of Wilson .
Related Works
Related Work: The Agreeable Surprise Author(s): John O'Keeffe

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Son-in-Law

Performance Comment: As17850701 but Wilson in place of Parsons .
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Performances

Mainpiece Title: The School For Scandal

Related Works
Related Work: The School for Scandal Scandaliz'd Author(s): John Philip Kemble

Afterpiece Title: Gretna Green

Performance Comment: As17850802, but Wilson in place of Booth .
Related Works
Related Work: Gretna Green Author(s): John O'Keeffe
Event Comment: Benefit for Carleton, Wilson, J. Shade, Gibson. The last Time of the Company's performing this Season. Receipts: #256 13s. (22.8; 9.8; 0.5; tickets: 224.12) (charge: #106 0s. 8d.)

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Lyar

Dance: End: The Irish Bird@Catchers, as17890519

Song: In the course of the evening: O What a Charming Thing's a Battle-Sedgwick