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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Amelia Caroline Louise"/1) | (@(roleclean,performerclean) "Princesses Amelia Caroline Louise")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1168 results for: Keyword - Princesses Amelia, Caroline, Louise
We found 794 matches on Event Comments, 221 matches on Performance Comments, 175 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

626
11 March 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

627
29 November 1666 @ no theater listed

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

628
09 March 1671 @ Lincoln's Inn Fields

Event Comment: William Cartwright's The Lady Errant was licensed by Sir Henry Herbert to the Duke's Company on this date. See Bentley, Jacobean and Caroline Stage, III, 128-32

Performances

629
06 February 1731 @ King's Theatre

Event Comment: [P$Princesses Royal and Caroline present.

Performances

Mainpiece Title: Porus

630
18 March 1732 @ King's Theatre

Event Comment: PPrincesses Royal and Caroline present

Performances

Mainpiece Title: Sosarmes

631
13 March 1788 @ Drury Lane Theatre

Event Comment: Benefit for Kemble [whose 1st appearance as Hastings was in Dublin in the spring of 1782]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 25 Feb.: Tickets to be had of Kemble, No. 13, Caroline-street, Bedford-square. Receipts: #324 12s. (190.0; 9.8; 0.14; tickets: 124.10) (charge: #107 4s. 7d.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

Dance: End: The Conjugal Frolick, as17880221

632
11 February 1789 @ Covent Garden

Event Comment: Benefit for Miss Wallis. Public Advertiser, 27 Jan.: Tickets to be had of Miss Wallis, at Alden's, No. 15, Caroline-street, Bedford-square. Receipts: #297 10s. (160.6; 6.9; tickets: 130.15)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Love in a Camp

Dance: As17881112

633
18 April 1796 @ Drury Lane Theatre

Event Comment: Benefit for Kemble. Mainpiece: In Act II an Ovation; or, Entry of Coriolanus into Rome. In Act V A Procession of Roman Matrons to the Volscian Camp. Oracle, 4 Apr.: Tickets to be had of Kemble, No. 13, Caroline-street, Bedford Square. Receipts: #475 4s. (277.10.6; 60.15.0; 5.16.6; tickets: 131.2.0) (charge: #229 14s. 6d.)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Citizen

634
17 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

Performance Comment: Characters-Russell, Wathen, Wewitzer, Trueman, Suett, Bannister Jun., Hollingsworth, Maddocks, Miss DeCamp, Mrs Bland; [Larpent MS lists the parts: Repartee, Andrew, Charles Seymour, Amoabite, Shroud, Porters, Bailiffs, Security, Jack Junk, Servant, Caroline, Nancy.] Prologue-Bannister Jun.

635
23 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

636
03 March 1732 @ Haymarket Theatre

Event Comment: As 2 March. According to Daily Post, 4 March, the new English Opera of Amelia was rehearsed at hay on 3 March by a Set of Performers that never appeared before upon any Stage

Performances

Mainpiece Title: The Blazing Comet

637
13 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic Medley Overture composed by Charke

Dance: III: By Nivelon and Miss Mann. End of Afterpiece: English Maggot by S. Lally and Mrs Walter

Song: I: A Teneri Affeti by Mrs Cibber and Mrs Barbier. II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier

Performance Comment: II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier .

638
10 March 1750 @ Drury Lane Theatre

Event Comment: Benefit for Barry. By Command of his Majesty. Duke and Amelia [present] (Cross). Pit and Boxes laid together, and servants will be allowed to keep places there and on the stage, which will be formed into front and side boxes. Ladies desired to send their servants by three o'clock. Tickets and places to be had of Barry, the corner of Bow St., Covent Garden; and of Hobson at the stage door. Receipts: #280 (Cross); #252 (Treasurer's Book). @Rec'd: Cash Front #84 14s. 6d.@Stage #45 16s. 6d.@Tickets Front #119 10s.@Stage-@ Paid salary List 4 days, #203 7s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Dance: Grandchamps, Mlle Auretti, Mathews, Miss Baker

639
21 March 1750 @ Covent Garden

Event Comment: PPrincess Amelia present; audience very thin (Deutsch, Handel, p. 684)

Performances

Mainpiece Title: Theodora

Afterpiece Title: New Concerto on the Organ

640
20 April 1768 @ Covent Garden

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921

641
21 April 1768 @ Covent Garden

Event Comment: KKing Lear and Amelia oblig'd to be deferr'd on account of indisposition of Clarke. Receipts: #75 9s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Harlequin Dr Faustus

642
04 December 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Douglas

Afterpiece Title: Deaf Indeed

Performance Comment: Principal Characters-Palmer, Parsons, Farren, Burton, Chaplin, Fawcett, Holcroft, Phillimore, Griffiths, Helme, Dodd, Miss Kirby, Mrs Brereton; [Larpent MS lists the parts: Sir Humphrey Homespun Fordair, Kirpatrick, Demipique, Security, Knightly, Diggory, Amelia, Rose.] Prologue-King.

643
24 June 1669 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

644
02 February 1675 @ Whitehall or St. James's

Performances

Mainpiece Title: A Rehearsal Of Calisto

645
16 February 1675 @ Whitehall or St. James's

Event Comment: On this date the masque was certainly acted, and the possible performance on 15 Feb. 1674@5 may have been a final rehearsal. Newdigate newsletters (Folger Shakespeare Library): This day the great maske at court is publiquely acted wch is intended to exceed all others of that Nature, the 2 young Princesses, the Duke of Monmouth & all ye principall persons of quality abt ye Court having parts in it (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 15 Feb. 1674@5: To-morrow the great mask at Court is to be publickly acted in all its bravery and pompe, the like of whch was never yett seene, all the greatest persons of quality about Court having pts in it

Performances

Mainpiece Title: Calisto

Afterpiece Title: Calisto's Additional performers

646
February 1678 @ Drury Lane Theatre

Performances

Mainpiece Title: Mithridates, King Of Pontus

647
03 October 1679 @ Brussels, Belgium

Performances

648
20 February 1680 @ Whitehall or St. James's

Performances

Mainpiece Title: Epsom Wells

649
27 February 1680 @ Whitehall or St. James's

Performances

Mainpiece Title: She Would If She Could

650
29 October 1687 @ The City, London

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee