SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess of Orange"/1) | (@(roleclean,performerclean) "Princess of Orange")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 828 matches on Event Comments, 156 matches on Performance Title, 106 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Farmer

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Orange Woman-Mrs Watts; Landlady-Mr King

Performance Comment: Jack in Distress-Blurton; Orange Woman-Mrs Watts; Landlady-Mr King.
Cast
Role: Orange Woman Actor: Mrs Watts

Performances

Mainpiece Title: Fortune's Fool

Performance Comment: Principal Characters by Lewis, Quick, Fawcett, Middleton, Macready, Simmons, Street, Abbot, Wilde, Curties, Blurton, Mrs Mattocks, Miss Morris, Miss Logan, Mrs Watts, Mrs Norton, Miss Leserve, Miss Wallis. [Cast from text (T. N. Longman, 1796): Ap@Hazard-Lewis; Sir Bamber Blackletter-Quick; Tom Seymour-Fawcett; Sir Charles Danvers-Middleton; Orville-Macready; Servants-Street, Wilde, Curties [in text: Lee], Blurton; Samuel-Abbot; Miss Union-Mrs Mattocks; Mrs Seymour-Miss Morris; Orange Women-Mrs Watts, Mrs Norton, Miss Leserve; Lady Danvers-Miss Wallis; unassigned-Simmons, Miss Logan; Prologue-Toms; Epilogue-Mrs Mattocks.

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

Event Comment: By Command of his Royal Highness the Duke, their Highnesses the Princess Amelia, the Princess Caroline, the Princess Louisa, and the Princess Maria. Mainpiece: Written by Mr Voltaire

Performances

Mainpiece Title: Zaire

Afterpiece Title: Harlequin Always Harlequin

Dance:

Event Comment: Both pieces By command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, and Prince Henry, the Lady Augusta and Princess Elizabeth. Present the Prince and Princess of Wales, the Princes George, Edward, William, & Henry, with The Lady Augusta, and Princess Elizabeth (Account Book). Receipts: #202 9s. 6d

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Perseus and Andromeda

Event Comment: On this day Pepys heard a report about the reopening of the play-houses which probably was an erroneous rumor: And found Sir W. Pen talking to Orange Moll [Mary Meggs] of the King's house, who, to our great comfort, told us that they begun to act on the 18th of this month

Performances

Event Comment: The Duke's Company. Pepys, Diary: With my wife's knowledge and leave did by coach go see the silly play of my Lady Newcastle's, called The Humourous Lovers; the most silly thing tiat ever come upon a stage. I was sick to see it, but yet would would not but have seen it, that I might the better understand her. Here I spied Knipp and Betty Hall?, of the King's house, and sent Knipp oranges

Performances

Mainpiece Title: The Humourous Lovers

Event Comment: The King's Company. Pepys, Diary: My wife and Willett and I to the King's playhouse, and there saw Henry the Fourth; and contrary to expectation, was pleased in nothing more than in Cartwright's speaking of Falstaffe's speech about "What is Honour?" The house full of Parliamentmen, it being holyday with them: and it was observable how a gentleman of good habit, sitting just before us, eating of some fruit in the midst of the play, did drop down as dead, being choked; but with much ado Orange Moll did thrust her finger down his throat, and brought him to life again

Performances

Mainpiece Title: Henry The Fourth

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The Duke's Company. Pepys, Diary: Away to my wife at the Duke of York's house, in the pit, and so left her; and to Mrs Pierce, and took her and her cozen Corbet, Knepp and little James, and brought them to the Duke's house; and, the house being full, was forced to carry them to a box, which did cost me 20s., besides oranges, which troubled me, though their company did please me. Thence, after the play, stayed till Harris was undressed, there being acted The Tempest, and so he withall, all by coach, home

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Event Comment: Pepys does not name the theatre in which he saw this play, but previous performances of the play were given by the King's Company. Pepys, Diary: To a play, Love's Cruelty.... Play part 2s. Oranges, 1s

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, into a corner of the 18d. box, and there saw The Maid's Tragedy, a good play. Coach 1s.: play and oranges, 2s

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: The King's Company. Pepys, Diary: With Brouncker, to the King's house, and saw The Surprizall, where base singing, only Knepp, who come, after her song in the clouds, to me in the pit, and there, oranges, 2s

Performances

Mainpiece Title: The Surprizal

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, 1s., and to the play of the Duke of Lerma, 2s. 6d., and oranges, 1s

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: Newsletter, 8 Nov. 1670: The 4th being the birthday of the Prince of Orange a comedy was prepared at Whitehall to entertain him and all things done that might show what a great value the whole Court had for him (Hastings MSS. HMC, III, 324)

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: and two Boxes for H. Prince of Orange. See VanLennep, "Plays on the English Stage", p. 16

Performances

Mainpiece Title: Macbeth

Event Comment: John Verney to Sir R. Verney, 23 June 1679: Churchill, for beating an orange wench in the Duke's playhouse, was challenged by Capt. Otway (the poet), and were both wounded, but Churchill most. The relation beinb told the King, by Sir John Holmes, as Churchill thought to his prejudice he challenged Holmes, who fighting, disarmed him, Churchill. On Saturday, at the Duke's Theatre, happened a quarrel between young Bedlow and one of the novices of St Omer's, and many swords were drawn, but as yet I have not heard whether any blood was shed in this religious quarrel (HMC, Verney MSS., 7th Report, Appendix, 1879, p. 473)

Performances

Event Comment: On this day an order calls for the delivery, customs free, of the properties of the French troupe of the Prince of Orange. See Rosenfeld, Foreign Theatrical Companies, p. 4

Performances

Event Comment: London Post, 13-16 Dec.: There being a French Scaramouch Dance betwixt the second and third Acts, a certain Person went in a Frolick, Incognito, up into the upper Gallery, and so pelted the Dancers with Oranges, that they were forced to quit the Stage, and the Play-house was all in an Uproar; but some of the Auditory perceiving who threw them, cryed out, fling him down into the Pit, which so startled him, that he was forced to make the best of his way down Stairs; however, a Constable having been sent for in the mean time, he was secured. Preface to Ximena (1719): The Fop's Fortune lagg'd on the Fourth Day and only held up its Head by the Heels of the French Tumblers

Performances

Mainpiece Title: Love Makes A Man

Dance: End II: a French Scaramouch-

Event Comment: At the Desire of several Persons of Quality. Newly Corrected. Katherine Tofts, in Daily Courant, 8 Feb.: I was very much surpriz'd when I was inform'd that Ann Barwick, who was lately my Servant, had committed a Rudeness last Night [5 Feb.] at the Playhouse, by throwing of Oranges, and hissing when Mrs l'Epine, the Italian Gentlewoman Sung. I hope no one can think that it was in the least with my Privity, as I assure you it was not. [The statement, addressed to Christopher Rich, was dated 6 Feb.

Performances

Mainpiece Title: The Chances

Dance: As17040124

Song: As17040129

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus announced, but possibly not acted

Event Comment: As it was alter'd from Beaumont and Fletcher, by C. Cibber. Daily Journal, 8 Jan.: Last Friday Night the Rival Fools was Acted for the second time...upon which there was a much greater Disturbance than the Night before, for the Actors were not only hiss'd, but pelted off the Stage with Oranges; scarce was Mr Wilks allow'd the liberty of speaking, and at the end of the 3d Act they were obliged to dismiss the Audience

Performances

Mainpiece Title: The Rival Fools

Event Comment: FFlying Post, 1 March: On Thursday Night last, the Village Opera was play'd the Fifth Time, but met with a most unaccountable Reception; however, tis presumed not from any Pique against the Author, but the Resentment of the town upon some later Proceedings. No sooner did poor Colin appear upon the Stage, but his Arrival was usher'd in with a Serenade of Cat Calls, Penny-Trumpets, Clubs, Canes, Hoarse Voices, whistling in Keys, Hells, Fists; and Vollies of whole Oranges; however, the Players went on with uncommon intrepidity, and like the truly great Men, seem'd greater by opposition. The Audience call'd out for any other Play, Farce or Entertainment, but the Peasants seem'd too intent upon what they were about, to give Ear to them. This so exasperated the Spectators, that they mustered up all the Artillery they could possibly lay hold and made such an Uproar, during the whole intended Entertainment, that it was scarce possible to hear a word the Actors said. As every Player came upon the Stage, they call'd upon him by his real, not fictitious Name, and Swore not a Man of them would come to his Benefit. When Mrs T@@@ appeared, they call'd out for a Quartern of Gin, to chear up her Spirits. The Word Constable being first mentioned in the Gallery, it ran round the House like Wild-fire; and immediately the general Cry was, No Constable, no Constable. At the Conclusion of the Play, a Fellow came upon the Stage, to put out the Lights with his long Pole, but a Gentleman broke it in two, and another taking a Candle from one of the Sockets of the Sconces, his Example was immediately followed by several others, who soon clear'd them of their Lights; when a new kind of Shower compos'd of Candles fell think as Hail on the Stage

Performances

Mainpiece Title: The Village Opera

Event Comment: In Three Acts. Set to Musick after the Italian Manner by Mr John Frederick Lampe. Daily Advertiser, 8 Nov.: The Arrival of his Highness the Prince of Orange, indeed, prevented many Persons of Quality from being there, who had taken Boxes; but 'tis presum'd it cannot fail of Success and Encouragement notwithstanding

Performances

Mainpiece Title: The Opera Of Operas

Dance: