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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Dowager of Wales"/1) | (@(roleclean,performerclean) "Princess Dowager of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1375 results for: Keyword - Princess Dowager of Wales
We found 971 matches on Event Comments, 261 matches on Performance Comments, 163 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

276
19 March 1730 @ Drury Lane Theatre

Event Comment: Benefit Mrs Oldfield. By Thier Majesties' Command. Tickets for Sophonisba will be taken. [The King, Queen, Prince of Wales, and three eldest Princesses present.

Performances

Mainpiece Title: The Fair Penitent

Dance: Mrs Booth

277
23 May 1730 @ King's Theatre

Event Comment: [P$Prince of Wales and Princess Caroline present.

Performances

Mainpiece Title: Ptolemy

278
20 October 1730 @ Richmond

Event Comment: DDaily Journal, 26 Oct.: On Tuesday last...the Prince of Wales and the Princess Caroline, were at the Theatre in Richmond, to see the Busy Body

Performances

Mainpiece Title: The Busy Body

279
01 December 1730 @ King's Theatre

Event Comment: [T$Their Majesties, Prince of Wales, Princesses Amelia and Caroline present.

Performances

Mainpiece Title: Ormisda

280
15 December 1730 @ King's Theatre

Event Comment: TTheir Majesties, Prince of Wales, and three eldest Princesses present

Performances

Mainpiece Title: Parthenope

281
14 January 1731 @ Lincoln's Inn Fields

Event Comment: By Command of His Royal Highness. [Prince of Wales and Princess Caroline present.] Receipts: #42 7s

Performances

Mainpiece Title: Periander

282
23 January 1731 @ King's Theatre

Event Comment: TTheir Majesties, Prince of Wales, and three eldest Princesses present

Performances

Mainpiece Title: Wenceslaus

283
09 February 1731 @ King's Theatre

Event Comment: [P$Prince of Wales and Princess Royal present.

Performances

Mainpiece Title: Porus

284
16 February 1731 @ King's Theatre

Event Comment: TTheir Majesties, Prince of Wales, and three eldest Princesses present

Performances

Mainpiece Title: Porus

285
18 September 1731 @ Drury Lane Theatre

Event Comment: Written by Shakespear. [Prince of Wales and the Princesses Amelia and Caroline expected to attend.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

286
23 November 1731 @ King's Theatre

Event Comment: [T$Their Majesties, Prince of Wales, Prince William, three eldest Princesses, Duke of Lorrain present.

Performances

Mainpiece Title: Porus

287
22 July 1732 @ Richmond

Event Comment: PPrince of Wales, Duke, Princesses Caroline, Mary, and Louisa present

Performances

Mainpiece Title: The Careless Husband

288
11 October 1732 @ Goodman's Fields

Event Comment: Written by Shakespear. Daily Advertiser, 12 Oct.: The same Day [11 Oct., the Anniversary of His Majesty's Coronation] Mr Giffard...gave a handsome Entertainment, with a Concert of Musick, to the Company of Comedians, and a large Bonfire and Liquor to the Populace, when the Healths of their Majesties, his Royal Highness the Prince of Wales; the Duke, and the Princesses, were drank, with the sounding of Kettle Drums and Trumpets, and repeated Acclamations of Joy. Daily Post, 13 Oct.: Mr Fielding the Player (who keeps a Booth...during...Bartholomew Fair) gave to the Populace before his own Door in Hart-street, Bloomsbury, a Butt of the strongest Beer that could be got; also a large Bonfire

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance: DDutch Skipper-D'Valois, Mrs Bullock; Tambourine-Miss Wherrit; Sailor's Dance-Jones

289
28 October 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the late Mr Congreve. [Prince of Wales and Princess Royal present.

Performances

Mainpiece Title: Love For Love

Dance: Mrs Booth

290
05 December 1732 @ King's Theatre

Event Comment: Formerly Compos'd by Mr Handel, and now again Revis'd by him. With several Additions, to be perform'd by a great Number of the best Voices and Instruments. There will be no Action on the Stage, but the Scenes will represent (in a Picturesque Manner) a Rural Prospect, with Rocks, Groves, Fountains, and Grottos, amongst which will be disposed a Chorus of Nymphs and Shepherds. The Habits and every other Decoration suited to the Subject. [Prince of Wales and Princess Royal present. See letter from Hill to Handel, in Hill, Works, I, 174-75, and in Deutsch, Handel, p. 299.

Performances

Mainpiece Title: Acis And Galatea

291
27 March 1733 @ King's Theatre

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

292
01 January 1734 @ Lincoln's Inn Fields

Event Comment: [Prince of Wales and Princess Amelia present.]

Performances

Mainpiece Title: Ariadne

293
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne [in Creta]

294
15 March 1734 @ Goodman's Fields

Event Comment: Daily Advertiser, 18 March: And on Friday [Giffard] invited the whole Company to a very grand Entertainment, prepar'd for 'em in the Play-house, where their Majesties, his Royal Highness the Prince of Wales, the Prince and Princess of Orange, the Royal Family, Success to Trade, Prosperity to the City of London, and many other Loyal Healths were drank; during which time the Arches were again illuminated, Fireworks play'd off, and the Night concluded with a Ball

Performances

Mainpiece Title:

295
21 March 1734 @ Covent Garden

Event Comment: Benefit Mlle Salle. By Their Majesties' Command. [Prince of Wales, Prince of Orange, and two young Princesses present.]

Performances

Mainpiece Title: Henry Iv, Part I

Dance: Les Charactres de P Amour by Mlle Salle. Un Pas de Trots by Malter, Houghton, Mlle Salle. Peasant by Malter. Pigmalion, as17340114

296
18 April 1734 @ Drury Lane Theatre

Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Performances

Mainpiece Title: Henry Iv, Part Ii

Song:

Dance:

297
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

298
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

299
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

300
28 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance: