Event Comment: The Duke's Company. This play apparently was not printed. Pepys, Diary: and then with my wife by coach to the Duke's house, and there saw The German Princess acted, by the woman herself; but never was any thing so well done in earnest, worse performed in jest upon the stage; and indeed the whole play, abating the drollery of him that acts her husband, is very simple, unless here and there a witty sprinkle or two

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box att the Island Princess. 10s. See Hotson, Commonwealth and Restoration Stage, p. 377

Event Comment: Rich's Company. Post Boy, 27-29 April 1699: Her Royal Highness is this day pleased to see the Opera, call'd The Island Princess, Performed at the Theatre Royal by her own Command

Event Comment: Rich's Company. Lady Marow to Arthur Kay, 12 March 1699@1700: I have been at a play. The Island Princess which is mighty fine (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, 1896, p. 145)

Event Comment: Benefit Mrs Wilks. By Their Majesties' Command. Not Acted [there] these Twenty Years. [Their Majesties and the Princesses present.]

Event Comment: Egmont, Diary, II, 33: In the evening went to The Island Princess . . . where was shown [in the afterpiece] the tallest man of all that I have seen. He is seven feet ten inches and half in height, a German by birth

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, and Princess Augusta. Receipts: #158 15s. (Account Book); #170 (Rylands MS.)

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Princess Augusta. Mainpiece a Farce of three Acts. Afterpiece also by command

Event Comment: By Command of the Prince of Wales. We hear their Royal Highnesses the Prince of Wales, Prince Edward, Prince William, Prince Henry, Princess Augusta, and Princess Elizabeth will be this evening at Covent Garden to see the Siege of Damascus and the Italian Dancers

Event Comment: By Command, The Prince of Wales. Receipts: #191 9s. Present Prince of Wales at #5 5s. and Prince Edward, Princess of Wales at #5 5s. and Princess Augusta

Event Comment: Last night the Prince of Wales, Prince Edward, Prince Henry, Prince Frederick, and Princess Augusta were at Covent Garden to see The Merry Wives of Windsor and The What D'ye Call It (Public Advertiser)

Event Comment: Mainpiece: By Particular Desire. Mr Love & Mr Sanderson's Night. as Authors of ye Pantomime (Hopkins). Benefit for Compo[ser]s Panto (Cross Diary). Mr Powell played much better than the first night. Princess Augusta married to the Hereditary Prince of Brunswick (Hopkins Diary-MacMillan). Receipts: #233 8s. (MacMillan)

Event Comment: This night a new Occasional Interlude call'd Hymen was introduc'd between the Acts; but not put in the Bills (Hopkins). [For cast, see 21 Jan.] An occasional Interlude on the Marriage of Princess Augusta to Prince of Brunswick call'd Hymen (Cross Diary). This night a new occasional Interlude called Hymen, but not in the bills. Hymen was written by Mr Allen (Hopkins Diary-MacMillan). [The Larpent MS 217 lists four characters and a Chorus: Hymen, Cupid, Venus, Mars, Chorus. The words of the Songs by Cupid, Hymen and Venus were published in the Public Advertiser, 23 Jan.] Receipts: #122 5s. (MacMillan)

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Event Comment: At Yeates and Warner's Great Til'd Booth, Bowling Green, Southwark. Interspers'd with the Comical Humours of the Nurse to the Princess Miriam, and her foolish son Zekel, as likewise the Humourous Scene between Captain Bluster, his Man Didymo, and the Witches. [Jeptha-Morrel, instead of Jeptha-$Carr, according to the Daily Advertiser.] To begin each day at Twelve o'clock, during the time of the Fair

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Event Comment: [Princesses Mary and Louisa present.]