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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princess of Wales"/1) | (@(roleclean,performerclean) "Prince and Princess of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2951 results for: Keyword - Prince and Princess of Wales
We found 1203 matches on Event Comments, 786 matches on Performance Comments, 664 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

2076
16 February 1675 @ Whitehall or St. James's

Event Comment: On this date the masque was certainly acted, and the possible performance on 15 Feb. 1674@5 may have been a final rehearsal. Newdigate newsletters (Folger Shakespeare Library): This day the great maske at court is publiquely acted wch is intended to exceed all others of that Nature, the 2 young Princesses, the Duke of Monmouth & all ye principall persons of quality abt ye Court having parts in it (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 15 Feb. 1674@5: To-morrow the great mask at Court is to be publickly acted in all its bravery and pompe, the like of whch was never yett seene, all the greatest persons of quality about Court having pts in it

Performances

Mainpiece Title: Calisto

Afterpiece Title: Calisto's Additional performers

2077
February 1678 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Cast
Role: Andravar Actor: Powell
Role: Semandra Actor: Mrs Boutel

2078
03 October 1679 @ Brussels, Belgium

Event Comment: Apparently The Man of Mode had an amateur revival in Brussels in the autumn, possibly before the Duke and Duchess of York, when they were away from London. Princess Anne to Frances Apsley, 3 Oct. 1679: The play is practisde to night Miss Watts is to be Lady townly which part I beleeve wont much become her. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), pp. 111-12]

Performances

2079
27 February 1680 @ Whitehall or St. James's

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. It should be noted that not only is this date a Friday in Lent but it is also during the period of mourning for the Princess Elizabeth. Yet to place this performance in 1681 would make it fall on Sunday

Performances

Mainpiece Title: She Would If She Could

2080
13 April 1691 @ York Buildings

Event Comment: London Gazette, No 2651, 6-9 April 1691: The Consort of Vocal and Instrumental Musick lately held in York-Buildings, will be performed again (at the same place and hours as formerly) on Monday next (being Easter-Monday) by the Command, and for the Entertainment, of her Royal Highness the Princess of Denmark

Performances

Mainpiece Title: Concert

2081
13 June 1692 @ Dorset Garden Theatre

Event Comment: The United Company. Newdigate newsletters, 11 June 1692: And on Monday [the Princess Anne] comes to see the new opera (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Fairy Queen

2082
24 February 1697 @ York Buildings

Event Comment: London Gazette, No. 3264, 18-22 Feb. 1696@7: On Wednesday next, being the 24th instant, will be performed at York Buildings, a New Song Set by Signior Baptist, for the Birth Day of Her Royal Highness the Princess, and by Her Royal Highness's Command

Performances

Mainpiece Title: Concert

2083
December 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first performance is not known, but it cannot be later than December 1698, for the play was advertised in the Post Man, 27-29 Dec. 1698. The play may have been produced earlier in the season, but it apparently followed the two operatic works (The Island Princess and Rinaldo and Armida), as the Epilogue alludes to the "late Singers." It also refers to Sigismondo Fideli, as being lately arrived, and he is known to have given a concert on 22 Dec. 1698

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: Edition of 1699: Prologue By J. H. (Joseph Haines)-Mr Powell (a Servant attending with a Bottle of Wine); Epilogue by and-Jo. Haynes (in Mourning); Roebuck-Williams; Lovewell-Mills; Mockmode-Bullock; Lyrick-Johnson; Pamphlet-Haynes; Rigadoon-Haynes; Nimblewrist-Ashton; Club-Pinkethman; Brush-Fairbank; Lucinda-Mrs Rogers; Leanthe-Mrs Maria Alison; Trudge-Mrs Mills; Bulfinch-Mrs Powel; Pindress-Mrs Moor.
Cast
Role: Epilogue by and Actor: Jo. Haynes

2084
20 February 1699 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: James Brydges, Diary: I set Mr Bullock down at ye Playhouse, & came home (Huntington MS St 26). John Dryden wrote to Mrs Steward on 23 Feb. [1699@1700, but possibly 1698@99, as the letter concerns theatrical affairs of the autumn and winter of 1698-99]: The Poem of The Confederates [see The Island Princess, November 1698] some think to be Mr Walsh: the copies are both lik'd. And there are really two factions of ladyes, for the two play-houses. If you do not understand the names of some persons mention'd I can help you to the knowledge of them. You know, Sir Tho. Skipwith is master of the play-house in Drury-Lane; and my Lord Scarsdale is the patron of Betterton's house, being in love with somebody there [presumably Anne Bracegirdle] (The Letters of John Dryden, p. 133)

Performances

2085
25 November 1710 @ Queen's Theatre

Event Comment: Receipts: #147 3s. 6d. Signora Schiavonetti is announced as in the Service of her Highness the Princess Sophia of Hanover

Performances

Mainpiece Title: Hydaspes

2086
27 January 1715 @ King's Theatre

Event Comment: By Command. The two young Princesses present

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

2087
10 February 1715 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Written by Beaumont and Fletcher. [The Princess present.

Performances

Mainpiece Title: The Humorous Lieutenant

Dance:

2088
15 February 1715 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [For the Princess' attendance at this play, see Diary of Mary Countess Cowper, pp. 46-47.

Performances

Mainpiece Title: The Amorous Widow

Dance:

2089
05 August 1715 @ Drury Lane Theatre

Event Comment: Not Acted these Ten Years. Written Originally by Beaumont and Fletcher, and since Revis'd

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Performance Comment: With the Epilogue to the Play-the Child that acted Princess Elizabeth in Anna Bullen.
Cast
Role: With the Epilogue to the Play Actor: the Child that acted Princess Elizabeth in Anna Bullen.

Music: With the Addition of that Celebrated Musick by the late Mr Henry Purcell-Randal, Renton, Teno, Burkhead, Mrs Willis, Mrs Mills, Miss Booth

2090
10 April 1716 @ Drury Lane Theatre

Event Comment: Benefit Dupre. The Princesses Anna and Amelia present

Performances

Mainpiece Title: The Stratagem

Song: As17151028

Dance: As17151122

2091
19 March 1717 @ Drury Lane Theatre

Event Comment: Benefit Dupre. By Command. For the Entertainment of the Young Princesses

Performances

Mainpiece Title: Love's Last Shift

Song: As17161004

Dance: As17161009

2092
18 July 1718 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Written by Beaumont and Fletcher. [The Princess present.

Performances

Mainpiece Title: The Little French Lawyer

Song: As17180414

Dance: Fairbank's Maggot-Topham, Miss Tenoe; Spanish Entry-Miss Lindar

2093
23 September 1718 @ Hampton Court

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

2094
01 October 1718 @ Hampton Court

Event Comment: Weekly Journal or British Gazetteer, 4 Oct.: His Majesty, and their Highnesses the Young Princesses were at the Play...the House being very full

Performances

Mainpiece Title: Henry Viii

2095
03 August 1719 @ Richmond

Event Comment: Weekly Journal or Saturday's Post, 8 Aug.: On Monday last the young Princesses were at the Consort of Musick at the Theatre at Richmond, where were present a large Number of Persons of Quality

Performances

Mainpiece Title: Concert

2096
05 April 1720 @ King's Theatre

Event Comment: Original Weekly Journal, 9 April: His Majesty was present; as were also their Highnesses the young Princesses, all in Black Velvet

Performances

Mainpiece Title: Numitor

2097
10 February 1724 @ Lincoln's Inn Fields

Event Comment: By command of their Royal Highnesses, the young Princesses. Receipts: #151 19s. 6d

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Necromancer

Cast
Role: Harlequin Man and Woman Actor: Dupre, Mrs Rogeir
Role: Pierot Man and Woman Actor: Nivelon Jr, Mrs Cross
Role: Messetin Man and Woman Actor: Glover, Mrs Wall
Role: Scaramouch Man and Woman Actor: Lanyan, Mrs Bullock

2098
10 May 1725 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rover

Performance Comment: As17241113, but Pedro-Thurmond; With a new Prologue, Epilogue-Miss Robinson Jr , who acted the Part of Princess Elizabeth by Anna Bullen , and the Duke of York in Richard the Third.
Cast
Role: Epilogue Actor: Miss Robinson Jr , who acted the Part of Princess Elizabeth by Anna Bullen , and the Duke of York in Richard the Third.

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-

2099
15 January 1726 @ King's Theatre

Event Comment: [Text by Haym.] Admission as 30 Nov. 1725. The King and the three Princesses present

Performances

Mainpiece Title: Elisa

2100
26 December 1727 @ King's Theatre

Event Comment: TTheir Majesties and the Princess Royal present

Performances

Mainpiece Title: Alexander

Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: The Count of Burgundy Author(s): Alexander PopeAugust Friedrich Ferdinand von Kotzebue
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon
Related Work: Telemachus Author(s): Alexander Scarlatti
Related Work: Sethona Author(s): Alexander Dow
Related Work: Zingis Author(s): Alexander Dow