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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Vaudemont"/1) | (@(roleclean,performerclean) "Prince Vaudemont")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2419 results for: Keyword - Prince Vaudemont
We found 876 matches on Event Comments, 703 matches on Performance Comments, 508 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

1726
19 November 1703 @ Drury Lane Theatre

Event Comment: For the Entertainment of their Highnesses the Prince and Princess Landgrave of Hesse

Performances

Mainpiece Title: The Constant Couple

Song: As17031019

Music: A piece of Musick for the Violin and Flute-Signior Gasperini, Mr Paisible, it being the most Masterly perform'd of any Musick that was ever heard upon the English Stage

Dance: As17031102

1727
28 February 1704 @

Event Comment: Elizabeth Coke to Thomas Coke: They say the Queen and Prince was both extremely diverted with it. There was a great deal of Company, but no finery, the Court being in mourning. [Cowper MS, III, 163.

Performances

Mainpiece Title: Sir Solomon Single

1728
28 October 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: Henry The Fourth: With The Humours Of Sir John Falstaff

Performance Comment: Advertised but not acted because of the death of Prince George of Denmark.

1729
16 March 1710 @ Drury Lane Theatre

Event Comment: Benefit Prince. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Oedipus, King Of Thebes

1730
13 July 1710 @ Queen's Theatre

Event Comment: Benefit Estcourt. At the Desire of several Persons of Quality. London in 1710 (pp. 138-39): On this occasion the actors represented a prodigiously satirical Interscenium, which was not to be found in the printed copy of the play....In this interlude a troop of soldiers came on, singing at the top of their voices an English song which had been made by the army in Flanders about the Duke of Marlborough. In it Prince Eugene is praised for his open-handedness, while Marlborough, on the other hand, is blamed for his avarice, so that every verse ended: 'but Marlborough not a penny.' The people, who are very bitter against the whole family, even the Duke himself, laughed prodigiously, and bandied about monstrous insults, although Marlborough's daughter, the Duchess of Montagu, was herself at the play and was so greatly shamed that she was covered with blushes....When the song was at an end, there was such a clapping and yelling that the actors were unable to proceed for nearly a quarter of an hour

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

1731
09 January 1712 @ Queen's Theatre

Event Comment: Admission by ticket only at half a guinea. First Gallery 5s. Upper Gallery 2s. At 6 p.m. Letter by Peter Wentworth, 11 Jan.: Wednesday was the Opera and there he [Prince Eugene] brought a great crowd, so much that Operas are to be perform'd thrice a week whilst he stays here (Wentworth Papers, p. 246)

Performances

Mainpiece Title: Antiochus

1732
21 January 1712 @ Stationer's Hall

Event Comment: For the Entertainment of His Highness Prince Eugene of Savoy, His Highness having promis'd his Presence there. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

1733
04 February 1712 @ Two Golden Balls

Event Comment: For the Entertainment of Prince Eugene

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music in Italian, French, English-

1734
23 October 1714 @ King's Theatre

Event Comment: The Pit and Boxes to be put together, and no Persons to be admitted without Tickets...at half a Guinea each. The Number not to exceed 400. Boxes upon the Stage 15s. Gallery 2s. 6d. And whereas by the frequent calling for the Songs again, the Operas have been too tedious; therefore the Singers are forbid to sing any Song but once; and 'tis hoped no body will call for 'em, or take it ill when not obeyed. The Book of the Opera at 1s. By Command, to begin exactly at 5. [Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

1735
20 November 1714 @ King's Theatre

Event Comment: Admission as 26 Oct. Colman's Opera Register: ye Prince & Princess of Wales present, ye House not near full. Ye New Singers...meet with little applause as yet Mrs Robinson not singing

Performances

Mainpiece Title: Ernelinda

1736
22 November 1714 @ Drury Lane Theatre

Event Comment: As 19 Nov. Prince and Princess of Wales present

Performances

Mainpiece Title: The Emperor Of The Moon

1737
03 December 1714 @ Drury Lane Theatre

Event Comment: As 25 Nov. Prince and Princess of Wales present

Performances

Mainpiece Title: The Tempest

1738
11 December 1714 @ King's Theatre

Event Comment: By Command. Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess present, ye House extraordinary full

Performances

Mainpiece Title: Arminius

Dance: As17141204

1739
16 December 1714 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Prince and Princess present

Performances

Mainpiece Title: The Wonder; A Woman Keeps A Secret

1740
18 December 1714 @ King's Theatre

Event Comment: Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess went to ye Play this Night--ye Opera had but a thin House with Dancing

Performances

Mainpiece Title: Ernelinda

Dance:

1741
30 December 1714 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. With New Scenes, Machines, Dances, and all other Decorations, proper to the Play. At Common Prices. [Prince and Princess present.

Performances

Mainpiece Title: The Emperour Of The Moon

1742
05 January 1715 @ Drury Lane Theatre

Event Comment: King, Prince, and Princess present

Performances

Mainpiece Title: Marriage A La Mode

1743
08 January 1715 @ King's Theatre

Event Comment: With all the proper Decorations as Originally. Prince and Princess expected [Weekly Packet, 8 Jan., but see dl]

Performances

Mainpiece Title: Rinaldo

1744
13 January 1715 @ Drury Lane Theatre

Event Comment: His Royal Highness's Command. [Prince and Princess present.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

1745
15 January 1715 @ King's Theatre

Event Comment: By His Royal Highness's Command. Colman's Opera Register: Ye King, Prince & Princess present, & a full House

Performances

Mainpiece Title: Rinaldo

1746
27 January 1715 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [Prince and Princess present.

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

1747
09 April 1715 @ King's Theatre

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

1748
23 April 1715 @ King's Theatre

Event Comment: Benefit Signora Galerati. With several Songs alter'd. Admission as 23 Oct. 1714. By Command. Weekly Journal, 30 April: His Majesty was incognito...at Lucius Verus...as were the Prince and Princess of Wales, who went publickly

Performances

Mainpiece Title: Lucius Verus

1749
03 June 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: Court Gallantry; Or, Marriage A La Mode

Performance Comment: With an Oration [before it, address'd to his Majesty, and their Royal Highnesses the Prince and Princess of Wales, on the glorious Advantages of Unity and Amity amongst us; Written-D'Urfey [D'Urfey].D'Urfey].

Song: Several New Songs by D'Urfey-

Dance: Mrs Santlow

1750
24 October 1715 @ Lincoln's Inn Fields

Event Comment: [Mainpiece: Author unknown. Never Acted before. Afterpiece: By Christopher Bullock. Never Acted before.] The Prince of Wales present. Receipts: #34 19s

Performances

Mainpiece Title: The Lucky Prodigal; Or, Wit At A Pinch

Afterpiece Title: A Woman's Revenge; or, A Match in Newgate

Dance: Moreau, Shaw, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly an Italian Night Scene between a +Scaramouch, a Harlequin, and a Punchanello-