SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Prince Rupert"/1) | (@(roleclean,performerclean) "Prince Rupert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 879 matches on Event Comments, 724 matches on Performance Comments, 508 matches on Performance Title, 418 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Performance Comment: As18000101, but Gustavus-Chippendale; Kera Khan-Barrymore; Ithorak-Dignum; Camazin-Clarke; Princess Lodoiska-Mrs Crouch; The Horde-_Fisher.

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Song: As18000516

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Of Age To morrow

Song: End IV: Crazy Jane-Mrs Bland

Ballet: End: The Scotch Ghost. As17991202

Performances

Mainpiece Title: Sighs Or The Daughter

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Tis All a Farce

Song: [not listed on playbill]in II: 'Twas in the solemn mid@night hour-Mrs Bland

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

Performances

Mainpiece Title: Obi

Afterpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Review

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, by agreement met Sir W. Pen, and saw Love in a Maze: but a sorry play: only Lacy's clowne's part, which he did most admirably indeed; and I am glad to find the rogue at liberty again. Here was but little, and that ordinary, company. We sat at the upper bench next the boxes, and I find it do pretty well, and have the advantage of seeing and hearing the great people, which may be pleasant when there is good store. Now was only Prince Rupert and my Lord Lauderdale, and my Lord [...]...But here was neither Hart, Nell, nor Knipp; therefore, the play was not likely to please me

Performances

Mainpiece Title: The Changes Or Love In A Maze

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Goldsmiths Jubilee Or Londons Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. Mountstevens to Henry Stevens, 20 Feb. 1679@80: Upon Sunday the Court is to be in mourning for the death of the Princess Elizabeth, sister to Prince Rupert. (R. W. Blencowe, Diary of the Time of Charles the Second [London, 1843], I, 283)

Performances

Mainpiece Title: Epsom Wells

Event Comment: The United Company. As the play was certainly acted on 1 Dec. 1682, it was probably given also on 29 Nov., in spite of the death of Prince Rupert on that day

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Performances

Mainpiece Title: Henry Iv Part Ii

Performance Comment: King-Mills; Prince-W. Mills; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Falstaff-Harper; Pistol-Cibber; Lancaster-A. Hallam; Gloster-Cross; York-Mil ward; Justice-Boman; Poins-Oates; Bardolph-Shepard; Hostess-Mrs Shireburn; Doll-Miss Mann. A new Prologue upon the Company's Return to the Theatre Royal, spoken by Mills .
Cast
Role: Prince Actor: W. Mills

Song:

Dance:

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Dance: Prince, Wade, Birkhead, Mrs Willis, Miss Younger; particularly a Dance after the Italian Manner-Prince

Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: King John-Redman; Hubert-Simpson; Bastard-Pinner; Chatillion-Walker; Pembroke-Johnson; Pandulph-White; Prince Arthur-Miss Yates; Constance-Mrs Cushing.
Cast
Role: Prince Arthur Actor: Miss Yates

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Event Comment: Written by Shakespear. [The Prince present.

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff

Performance Comment: King-Thurmond; Prince of Wales-Wilks; Hotspur-Booth; Falstaff-Mills; Carriers-Johnson, Miller; Francis-Norris; Hostess-Mrs Willis.
Cast
Role: Prince of Wales Actor: Wilks