SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Henry"/1) | (@(roleclean,performerclean) "Prince Henry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3766 matches on Author, 1721 matches on Performance Title, 1238 matches on Event Comments, 1141 matches on Performance Comments, and 94 matches on Roles/Actors.
Event Comment: [Both pieces by command of the] Prince of Wales, &c. (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Related Works
Related Work: The Genii, Arabian Night's Entertainment Author(s): Henry Woodward
Event Comment: Benefit for Driscol, Wilford, Prince, and Trott (Lobby Doorkeeper). Tickets delivered out by Ross, Browse, Elliot, &c. will be taken

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Contrivances

Related Works
Related Work: The Contrivances; or, More Ways Than One Author(s): Henry Carey

Dance: IItalian Peasants, as17550414

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales. Mainpiece: Not acted these 10 years [see 8 May 1753]. Written by Beaumont and Fletcher. Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate. [Lucy was played by Miss Sledge; see 4 Feb. 1757.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Frenchified Lady never in Paris

Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Henry Dell

Dance: Poitier, Granier, Lucas, Mlle Capdeville, Miss Hilliard

Event Comment: Mainpiece, Dance, and Afterpiece: By Command of the Prince of Wales. [No receipts in Cross.

Performances

Mainpiece Title: Amphitryon

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): Henry Purcell

Afterpiece Title: The Upholsterer

Dance: TThe Market, as17571126

Event Comment: Benefit for Pritchard, Treasurer. At the Desire of the African Prince the Farce of Catharine and Petruchio is changed to the above pantomime. Tickets of Pritchard at his house in Queen St., and at Stage Door. Receipts: #140 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): Henry Woodward
Event Comment: & a new P a new +Prologue upon the Prince Wales's birth-day, being now 21. So ended the Season. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Wonder

Related Works
Related Work: The Honest Yorkshireman Author(s): Henry Carey

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): Henry Woodward
Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): Henry Woodward
Event Comment: [Afterpiece in place of The Virgin Unmask'd, advertised on playbill of 18 Sept.] Powell, 19 Sept.: Henry V rehearsed at 10; Lodoiska at 12; 20 Sept.: Heiress rehearsed at 11. Receipts: #246 5s. 6d. (155.2.6; 89.2.6; 2.0.6)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare
Event Comment: Mainpiece [1st time; C 5, by Edward Jerningham. Prologue by John Taylor. Epilogue by Henry Seymour Conway (see text)]. Morning Chronicle, 22 May 1795: This Day is published The Welch Heiress (2s.). Receipts: #309 12s. 6d. (246.1.6; 51.15.6; 11.15.6)

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare
Event Comment: 2nd piece [1st time; MF 2, by Prince Hoare]: The Music principally composed by Shield [and selected from Paisiello]. The Overture by W. Parke. Books of the Songs to be had at the Theatre. 3rd piece: Representation of the Indian Manner, &c., as 26 Oct. 1795. Account-Book, 22 Feb.: Paid Hoare in full for Lock & Key #210. Receipts: #197 10s. (195.6; 2.4)

Performances

Mainpiece Title: The Days Of Yore

Afterpiece Title: Lock and Key

Related Works
Related Work: Lock and Key Author(s): Prince Hoare

Afterpiece Title: The Shipwreck

Related Works
Related Work: The Shipwreck Author(s): Henry Mackenzie

Dance: As17951031

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Henry Fielding

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: Henry The Sixth: The First Part; With The Murder Of Humphrey Duke Of Glocester

Performance Comment: Edition of 1681: Prologue-; King Henry the Sixth-Jos. Williams; Humphrey Duke of Glocester-Batterton; Cardinal-Harris; Richard Plantagenet-D. Williams; Duke of Suffolk-Smith; Queen Margaret-Lady Slingsby; Elianor-Mrs Batterton; Epilogue-.
Event Comment: The United Company. This performance is known by one of the rare playbills extant from this period. It is in HMC, Verney MSS., 7th Report, p. 509, and reproduced opposite page 240 in Lawrence, Elizabethan Playhouse, 2d Series: Never Acted but once. At the Theatre Royal, in Drury-Lane, this present Wensday being the Nineth day of November, will be presented, A New Play called, Henry the Second King of England. No money to be return'd after the curtain is drawn. By their Majesties Servants. Vivant Rex & Regina. Lady Margaret Russell to Katherine Russell, 10 Nov. 1692: You will be surprised that Lady Cavendish has been hindered by a little sore throat from going yesterday to a new play of King Henry and Rosamond, which is much commended (HMC, 12th Report, Appendix, Part V, Rutland MSS., p. 124)

Performances

Mainpiece Title: Henry The Second

Performances

Mainpiece Title: Henry The Viiith

Performance Comment: King Henry-Quin; Buckingham-Ryan; Wolsey-Boheme; Queen Katherine-Mrs Berriman; Anne Bullen-Mrs Bullock.
Cast
Role: King Henry Actor: Quin
Event Comment: Mainpiece: Never Acted before. [by Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Books of the Tragedy, with Notes by Way of Key, &c. will be sold at the Theatre, as also Books of the Farce

Performances

Mainpiece Title: The Tragedy Of Tragedies; Or, The Life And Death Of Tom Thumb The Great

Performance Comment: Edition of 1731 lists: King Arthur-Mullart; Tom Thumb-Young Verhuyck; Ghost of Gaffer Thumb-Lacy; Lord Grizzle-Jones; Merline-Hallam; Noodle-Reynolds; Doodle-Wathan; Foodle-Ayres; Bailiff-Peterson; Follower-Hicks; Parson-Watson; Queen Dollalolla-Mrs Mullart; Princess Huncamunca-Mrs Jones; Glumdalca-Mrs Dove.
Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Afterpiece Title: The Letter Writers; or, A New Way to Keep a Wife at Home

Related Works
Related Work: The Letter Writers; or, A New Way to Keep a Wife at Home Author(s): Henry Fielding

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: See17311014, but Henry-Mills; Shallow-Cibber; Justice-Bowman; Pistol-T. Cibber (Burney).
Cast
Role: Henry Actor: Mills

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Henry Vii; Or, The Popish Imposter

Performance Comment: King Henry-Delane; Huntly-Macklin; Oxford-Berry; Frion-L. Sparks; Perkin Warbeck-Goodfellow; Sir David Bruce-Blakes; Sevez-Bridges; Soldier-Barrington; King of Scotland-Stevens; Stanley-Winstone; Bishop of York-Havard; Sir Robert Clifford-Marshall; Dawbney-Woodburn; Lord Mayor-Taswell; Lady Katherine Gordon-Mrs Woffington; Jane-Miss Minors; Prologue-Macklin; Epilogue-Mrs Woffington. [From first edition, but listed in order of actors given in General Advertiser.]From first edition, but listed in order of actors given in General Advertiser.]
Cast
Role: King Henry Actor: Delane

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Henry and Emma; or, The Nut Brown Maid

Performance Comment: Principal parts-Ridout, Gibson, Arthur, Anderson, Mrs Ridout, Miss Hippisley, Mrs Hale; Vocal parts-Lowe, Miss Falkner, Miss Norris, Miss Young. [The parts (Larpent MS 79) were: Reginald, Henry, Alan, Sir Aymeri, Emma, Adelinda, Editha, Huntsmen.]The parts (Larpent MS 79) were: Reginald, Henry, Alan, Sir Aymeri, Emma, Adelinda, Editha, Huntsmen.]
Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Henry Fielding
Related Work: An Old Man Taught Wisdom; or, The Virgin Unmask'd Author(s): Henry Fielding

Afterpiece Title: The Dramatic Puffers

Related Works
Related Work: The Dramatic Puffers Author(s): Henry Bate

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Kelly. Afterpiece [1st time, MF 2, by Prince Hoare]: The Music chiefly composed by Storace; the Rest selected from Pleyel, Harington, Giordani, Gluck, &c. [text adds Gretry]. Account-Book, 16 Dec. 1790: Paid P. Hoare for the Copyright of No Song No Supper #63. Gazetteer, 2 Apr.: Tickets to be had of Kelly, No. 27, James-street, Covent-garden. Receipts: #273 5s. (125.19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: III: Hornpipe-Bourk

Event Comment: Benefit for Mrs Crouch. Afterpiece [1st time; CO 2, by Prince Hoare, based on La Grotta di Trofonio, by Giovanni Battista Casti. Not in Larpent MS; not published]; Written by the Author of No Song No Supper. The Music composed principally by Storace [partly adapted from Salieri, composer of Casti's opera; one song each by Anna Storace, Thomas Attwood, Giovanni Paisiello, Richard Suett]. Oracle, 28 Apr.: Tickets to be had of Mrs Crouch, No. 26, Bridges-street. Receipts: #280 2s. (100.12.0; 33.13.6; 4.13.6; tickets: 141.3.0) (charge: #119 9s. 8d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; performed but once [on 3 May 1791]. The Music composed principally by Storace. Receipts: #464 15s. (377.4; 85.15; 1.16)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Henry Fielding
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; the Music composed principally by Storace. Receipts: #145 14s. 6d. (94.1.6; 49.17.0; 1.16.0)

Performances

Mainpiece Title: At King's Love Makes A Man

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Related Works
Related Work: My Grandmother Author(s): Prince Hoare