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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince George of Denmark"/1) | (@(roleclean,performerclean) "Prince George of Denmark")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8434 results for: Keyword - Prince George of Denmark
We found 5659 matches on Author, 1438 matches on Event Comments, 1347 matches on Performance Comments, 682 matches on Performance Title, and 0 matches on Roles/Actors.

6426
11 January 1800 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: The Volcano

6427
17 April 1800 @ Covent Garden

Performances

Mainpiece Title: The Votary Of Wealth

Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: The Rendezvous

Afterpiece Title: Tom Thumb

6428
22 May 1800 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: Britains Sons or Success to our Heroes

Afterpiece Title: The Turnpike Gate

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

6429
15 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Guardian

6430
16 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Jew and the Doctor

6431
18 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: Fortunes Frolick

6432
19 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Irishman in London

6433
20 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Prisoner at Large

6434
22 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: Obi

6435
25 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: Obi

6436
27 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Liar

6437
12 December 1660 @ Salisbury Court

Event Comment: On this day (L. C. 5@137,p. 343) Davenant was granted a warrant to act the following plays: Tempest, Measures for Measures, Much Adoe About Nothing, Romeo? and Juliet, Twelfe Night, The Life of King Henry the Eyght, The Sophy, Kinge Lear, The Tragedy of Mackbeth, The Tragedy of Hamlet Prince of Denmark, and The Dutchesse of Malfy. In addition, he was to have exclusive right for two months to The Mad Lover, The Mayde in Ye Mill, The Spanish Curate, The Loyall Subject, Rule a Wife and have a Wife, and [Pericles] Persiles Prince of Tyre. Davenant also received the right to act his own plays

Performances

6438
29 October 1689 @ The City, London

Performances

Mainpiece Title: Londons Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]

6439
03 January 1700 @ Dorset Garden Theatre

Event Comment: London Post, No. 30, 1-3 Jan. 1700: This day at the Theatre-Royal in Dorset-garden, the Famous Kentish-man Mr Joy, designs to show the same Tryals of Strength, he had the honour of showing before his Majesty, the Prince and Princess of Denmark, and several Persons of Quality, viz. The lifting a weight of 2240 l. Holding an extraordinary large Cart-Horse; and afterwards breaking a Rope that will bear 3500 weight. There will likewise be shewn the Sister, carrying 5 Bushels of Wheat, or any other grain; She being but 15 Years of Age. They will also show on Thursday, Friday, and Saturday, beginning at 3 of the Clock, and ending at 4 in the Afternoon. Boxes 3s. Pit 2s. 1st Gallery 1s. Upper gallery 6d

Performances

Mainpiece Title: Entertainments

6440
05 March 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #183 4s. Probable attendance: boxes, 240 paid and 4 orders; stage, 79 paid; pit, 292 paid and 4 orders; slips, 64 paid and 1 order; first gallery, 433 paid; second gallery, 204 paid. Daily Journal, 5 March: Mrs Barbier, in Compliance to the Town, has wav'd her right to the Beggar's Opera and the Tickets delivered out for Saturday the 16th, will be taken on Monday the 18th to Hamlet, Prince of Denmark, for her Benefit

Performances

Mainpiece Title: The Beggars Opera

6441
06 February 1697 @ Whitehall or St. James's

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

6442
22 September 1768 @ Drury Lane Theatre

Event Comment: KKing of Denmark--Macbeth, Mr Garrick (Cross Diary). For the King of Denmark--put in by Particular desire (Hopkins Diary). Lady Macbeth-Mrs Barry, late Mrs Dancer. The doors (by Particular Desire) will be opened at half past 5 o'clock. The Play to begin exactly at 7 o'clock

Performances

Mainpiece Title: Macbeth

Dance: TThe Lilliputian Camp-

6443
01 October 1768 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. The Doors By Particular Desire will be opened at Five. The Play to begin exactly at Half an Hour after Six. Played for the King of Denmark. [The anecodote is recorded by Genest, V, 237, that the king fell asleep. Annoyed, Mrs Yates, playing Alicia, drew near his Box and with violent exertion of voice cried out in her part "O Thou False Lord!" The King aroused declared he would not be married to a woman with such a voice for the world. The London Evening Post, however, for 10 Oct. states, "Mrs Yates had the greatest honour done her, after playing Jane Shore, by the King of Denmark going to her and thanking her for the pleasure she had given him." (Winston MS 10).] Receipts: #157 9s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Dance: End: The Irish Lilt, as17680930

6444
11 October 1768 @ Drury Lane Theatre

Event Comment: Doors opened at 6 o'clock. To Begin (By Particular Desire) exactly at Seven. Mainpiece: By Particular Desire. King of Denmark. Lusignan-Mr Garrick (Cross Diary). For the King of Denmark.--At a Quarter after seven, an Apology was made by Mr Holland--viz.--"The King, being detained longer than he expected, sent word to desire the play might begin as he would not by any means make the publick wait, and he would come as soon as he possibly could,--and he [Holland] desired to know the audience's pleasure whether it should begin before he came."--A great clap and cry'd "No,"--not begin till he comes"--At thirty-five minutes after seven he came, and the play began (Hopkins Diary)

Performances

Mainpiece Title: Zara

Afterpiece Title: Queen Mab

6445
19 May 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos or A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

6446
13 March 1734 @ King's Theatre

Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa Or Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

6447
03 January 1754 @ Covent Garden

Event Comment: By Command of the Princess of Wales, for the first time since the Prince's Death (Cross). [This is the mother of George III, now Prince of Wales. His father Frederick, Prince of Wales, had died 19 March 1751.

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Sorcerer

6448
February 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: The Younger Brother Or The Amorous Jilt

Performance Comment: Edition of 1696: Prologue by an unknown hand-Mr Powel; Epilogue-Mr Horden; Prince Frederick-Verbruggen; Sir Rowland Marteen-Johnson; George Marteen-Powel; Welborn-Horden; Sir Merlin Marteen-Pinkerman; Sir Morgan Blunder-Bullock; Mr Twang-Smeaton; Brittone-Kent; Mirtilla-Mrs Knight; Olivia-Mrs Verbrugen; Teresia-Mrs Temple; Lady Blunder-Mrs Powel; Mrs Menage-Mrs Willis; Lady Youthly-Mrs Harris.
Cast
Role: Prince Frederick Actor: Verbruggen
Role: George Marteen Actor: Powel

6449
28 April 1703 @ Lincoln's Inn Fields

Performances

Mainpiece Title: As You Find It

Performance Comment: Edition of 1703 lists: Hartley-Verbruggen; Sir Abel Single-Dogget; John Single-Pack; Bevil-Betterton; Ledger-Powel; Sir Pert-Bowman; Mrs Hartley-Mrs Bowman; Orinda-Mrs Bracegirdle; Eugenia-Mrs Barry; Chloris-Mrs Lee; Lucy-Mrs Prince; Prologue-Betterton; Epilogue written by George Granville-Powel.
Cast
Role: Lucy Actor: Mrs Prince
Role: George Granville Actor: Powel.

Afterpiece Title: Acis and Galatea

Music: From The Mad Lover-

Song: Mrs Hodgson, Cook, Davis

Dance: Mrs Elford, Fairbanch

6450
23 March 1779 @ King's Theatre

Event Comment: Public Advertiser, 22 Mar.: At the particular Desire of the Nobility and Gentry, the Subscribers to this Theatre, on account of the young Prince's Christening there will be no Opera to-morrow. This delay will prove very convenient for compleating the great Preparations which in every respect are necessary to present [the new] Opera [see 25 Mar.] in all the Magnificence it requires. [Prince Octavius, 8th son of George III, was christened on 23 Mar.

Performances

Mainpiece Title: None