SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Edward"/1) | (@(roleclean,performerclean) "Prince Edward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1336 matches on Author, 1146 matches on Performance Comments, 1042 matches on Event Comments, 567 matches on Performance Title, and 289 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.
Cast
Role: Prince of Wales Actor: Master Benson
Role: Tirrell Actor: Edwards

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Three and the Deuce! Author(s): Prince Hoare

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Principal Characters-Edwin, Bannister, Aickin, Williamson, Baddeley, R. Palmer, Davies, Moss, Iliff, Gardner, Barrett, Burton, Chapman, Usher, Johnson, Milbourn, Painter, Ledger, Bannister Jun., Mrs Goodall, Mrs Kemble; Other Vocal Parts-Reeve, Chambers, Lyons, Abbott, Hobler, Mathews, Guishard, Vincent, Aylmer, Shaw, Linton, Dorion, Miss George, Mrs Iliff, Mrs Taylor, Mrs Plomer, Mrs Edwards, Miss Francis, Mrs Powell, Mrs Gaudry, Miss Cranford, Mrs Bannister. [Cast from text (Longman et al], 1808), and playbill of 15 June 1790: Gregory Gubbins-Edwin; +Robbers-Bannister, Davies, Chapman, Rees, Mathews, Chambers, Lyons, Abbott; +Barton-Aickin; +La Varenne-Williamson; +Corporal-Baddeley; +Fool-R. Palmer; +Drummer-Moss; +Nobleman-Iliff; +Marquis of Montague-Gardner; +Fifer-Barrett; +Male Villagers-Burton, Painter; +Soldiers-Usher, Milbourn, Ledger; +Duke of Somerset-Johnson; +Gondibert-Bannister Jun.; +Prince of Wales-Miss Gaudry [see17890813]; +Adeline-Mrs Goodall; +Margaret-Mrs Kemble; +Female Singing Villagers-Mrs Iliff, Mrs Bannister.

Afterpiece Title: A Quarter of an Hour before Dinner

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Marquis of Montague-Cubitt; Duke of Somerset-Evatt; Egbert-Iliff; La Varenne-Williamson; Prince of Wales-Miss Gaudry; Gondibert-Bannister Jun.; Barton-Aickin; Gregory Gubbins-Edwin; Fool-R. Palmer; Corporal-Baddeley; Drummer-Moss; Fifer-Barrett; Soldiers-Usher, Ledger, Vincent, Shaw; Robbers-Bannister, Davies, Chapman, Abbott; Villagers-Burton, Painter, Lyons, Mrs Bannister, Mrs Iliff, Mrs Taylor, Mrs Edwards; Queen Margaret-Mrs Kemble; Adeline-Mrs Goodall.

Afterpiece Title: The Author

Entertainment: Monologue. End: As17900614

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Marquis of Montague-Phillimore; Duke of Somerset-Bland; Egbert-Iliff; La Varenne-Williamson; Prince of Wales-Miss Gaudry; Gondibert-Palmer; Barton-Aickin; Gregory Gubbins-Bannister Jun.; Fool-R. Palmer; Corporal-Baddeley; Drummer-Edwin; Fifer-Barrett; Robbers-Chapman, Abbott; Villagers-Mrs Bannister, Mrs Iliff, Mrs Taylor, Mrs Edwards; Queen Margaret-Mrs Kemble; Adeline-Mrs Goodall.

Afterpiece Title: Who's the Dupe

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Gondibert-Palmer; Barton-Aickin; La Varenne-C. Kemble; Duke of Somerset-Lyons; Prince of Wales-Miss Menage; Fool-R. Palmer; Corporal-Wathen; Drummer-Trueman; Fifer-Waldron Jun.; Marquis of Montague-Caulfield; Egbert-Palmer Jun.; Robbers-Bannister, Davies, Abbot; Gregory Gubbins-Fawcett; Adeline-Mrs Harlowe; Villagers-Mrs Bland, Miss Andrews, Mrs Edwards; Queen Margaret-Mrs Fawcett (1st appearance in that character).

Afterpiece Title: The Irishman in London

Cast
Role: Edward Actor: Fawcett

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham; or, Days of Old

Performance Comment: Gondibert-Barrymore; Barton-Aickin; La Varenne-C. Kemble; Marquis of Montague-Caulfield; Egbert-Palmer Jun.; Duke of Somerset-Lyons; Prince of Wales-Master Chatterley; Fool-R. Palmer; Corporal-Davenport; Drummer-Trueman; Fifer-Waldron Jun.; Robbers-Bannister, Davies, Abbot, Ledger; Gregory Gubbins-Fawcett; Adeline-Mrs Harlowe; Villagers-Mrs Bland, Mrs Edward, Miss Menage; Queen Margaret-Miss DeCamp.

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: Cambro-britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Aickin; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-Clarke; King Edward-Davies; Prince David-C. Kemble; Dynevor-Trueman; Mortimer-Caulfield; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland.
Cast
Role: King Edward Actor: Davies
Role: Prince David Actor: C. Kemble

Afterpiece Title: The Castle of Sorrento

Cast
Role: Charlotte Actor: Mrs Edward
Role: Miss Nancy Actor: Mrs Edward

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Gondibert-Barrymore; Barton-Aickin; La Varenne-Clarke; Marquis of Montague-Caulfield; Egbert-Abbot; Duke of Somerset-Lyons; Prince of Wales-Master Chatterley; Fool-Palmer; Corporal-Wathen; Drummer-Trueman; Fifer-Chippendale; Robbers-Bannister, Davies, Abbot, Ledger; Gregory Gubbins-Fawcett; Adeline-Mrs Harlowe; Villagers-Mrs Bland, Mrs Edward, Miss Menage; Queen Margaret-Miss Chapman (1st apperance in that character).

Afterpiece Title: The Castle of Sorrento

Cast
Role: Charlotte Actor: Mrs Edward
Role: Miss Nancy Actor: Mrs Edward

Performances

Mainpiece Title: Cambro-britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.
Cast
Role: King Edward Actor: Caulfield
Role: Prince David Actor: A Gentleman

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Event Comment: Command of the Prince of Wales (playbill). Prince of Wales, Edward-Augusta, and another (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Fortunatus

Dance: I: By command, A New Dance-Sga Sabatini, as17541115

Event Comment: By Command of the Prince of Wales (playbill). Prince of Wales, Edward, Augusta and 2 More (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Athelstan

Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p.162. See also Nicoll, Restoration Drama, p. 349. The Diary of Edward Lake, 16 Nov. 1677: This day the court began to whisper the prince's sullennesse, or clownishnesse, that hee took no notice of his princesse at the playe and balle (Camden Miscellany, 1847, I, 9)

Performances

Mainpiece Title: The Tempest

Event Comment: By His Royal Highness's Command. According to the Original Weekly Journal 26 April the Prince was present, but Edward Harley Jr writing to Abigail Harley on 6 May stated: The P..., not long ago, bespoke at the Old Playhouse, a play called the Indian Emperor. The K...hearing of it, sent to the players to tell them that if the P...came, and they acted that play, he would turn them out of his service, which message they sent to the P..., who had the good sense not to come, so the Indian Emperor was acted.-Portland MS, V, 560

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-

Event Comment: PPrince of Wales, Edward, Augusta, and 2 more princes. Mr Garrick (By Command) did Osmyn (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: [But unspecified.

Event Comment: Benefit for Fawcett and Butler. [As mainpiece the playbill announces Edward the Black Prince, but it was not acted. The Account-Book lists the substitute play.] Receipts: #280 7s. (37/9; 4/6; tickets: 238/12) (charge: #115 10s.)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece Hornpipe, as17840517; End of Act hi, as17840311athi

Song: End of mainpiece Gramacbree Molly, as17840503

Event Comment: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Related Works
Related Work: The Prize; or, 2.5.3.8 Author(s): Prince Hoare

Afterpiece Title: The Irish Widow

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Manoa-Savage; Micah-Mrs Cibber; Dalila-Mrs Clive; Harapha-Reinhold; Officer-Lowe; Israelite Women-Signora Avoglio, Miss Edwards; Philistine Women-Signora Avoglio, Miss Edwards; Philistine-Lowe (Deutsch, Handel p. 559).

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Statesman Foil'd

Performance Comment: Characters-Sowdon, Mahoon, Bannister, Miss Grace, Miss Edwards. Lord Crafty-Sowdon; Meanwell-Mahoon; Worthy-Bannister; Amilia-Miss Edwards; Sally-Miss Groce (Edition of 1768).

Dance: As17680530

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Judgment of Paris

Performance Comment: Parts by Mahoon, Bannister, Vandermere, Mrs Barthelemon, Mrs Saunders, Miss Ogilvie, Miss Edwards. Paris-Mahoon; Mercury-Bannister; Palaemon-Vandermere; Oenone-Mrs Barthelemon; Venus-Miss Edwards; Pallas, Discord-Mrs Saunders; Juno-Miss Ogilvie (Edition of 1768).
Cast
Role: Venus Actor: Miss Edwards

Dance: As17680530

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: Harvest Home

Performance Comment: Principal Characters by Meadows, Chapman, Usher, Mathews, Johnson, Young Sestini, Mrs Bannister, Mrs Edwards, Miss George. Cast from text (Harrison and Co., 1787): Glanville-Meadows; Trim-Chapman; Scandaroon-Usher; Muzzy-Mathews; Congo-Johnson; Pickle-Young Sestini; Cleora-Mrs Bannister; Goody Muzzy-Mrs Edwards; Unah-Miss George; Signora Estella-Mrs Poussin (see17870521).
Cast
Role: Goody Muzzy Actor: Mrs Edwards

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Oldcastle-Parsons; Goodall-Moss; Valentine-Johnson; Drunken Colonel-Bannister Jun.; Charlotte-Mrs Forster; Mrs Highman-Mrs Webb; Intriguing Chambermaid-Mrs Edwards.

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Related Works
Related Work: The Six Days' Adventure; or, The New Utopia Author(s): Edward Howard

Performances

Mainpiece Title: A Wife Well Managed

Performance Comment: Principal Characters-Edwin, Kemble, Burton, Mrs Edwards, Mrs Whitfield. [Cast suggested by Genest, VI, 570: Don Pisalto-Edwin; Father Bernardo-Kemble; Teague-Burton; Inis-Mrs Edwards; Lady Pisalto-Mrs Whitfield.]

Afterpiece Title: The Young Quaker

Afterpiece Title: Duke and No Duke; or, Trappolin's Vagaries

Song: End 2nd piece: Four@and@twenty Perriwigs all on a Row-; In 3rd piece: Quoz-Edwin