SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Edward"/1) | (@(roleclean,performerclean) "Prince Edward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1336 matches on Author, 1146 matches on Performance Comments, 1042 matches on Event Comments, 567 matches on Performance Title, and 289 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Related Works
Related Work: Mahmoud; or, The Prince of Persia Author(s): Prince Hoare

Afterpiece Title: All the World's a Stage

Event Comment: Containing the Distresses and death of King Henry VI ; the Arthful acquisition of the Crown by King Richard ; the Cruel Murder of Young King Edward V , and his brother in the Tower; The Landing of the Earl of Richmond , and the death of King Richard at the Memorable Battle of Bosworth Fieldv ; being the last that was faught between the Houses of Yorkv and Lancasterv . With many other Historical Passages (General Advertiser)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Prince Edward Actor: Miss Morrison

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17591019, but Richard-Holland, 1st time; Tressel-Austin; King Edward-Miss Simson; Duke of York-Miss Rogers.
Cast
Role: King Edward Actor: Miss Simson
Role: Prince Edward Actor: Simson

Afterpiece Title: The Englishman in Paris

Dance: V: The Cow Keepers, as17600313

Event Comment: Tickets delivered by Nash, Edwards, Helme, Master Pulley, Master Benson, Dale, Leslie, Kaygill, Mrs Byrne will be taken. Receipts: #180 4s. 6d. (31.7.0; 17.0.6; 0.5.0; tickets: 131.12.0)

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Master Pulley

Afterpiece Title: The Deserter

Dance: End: The Butterfly, as17800921

Entertainment: Monologue. After Dancing: Bucks have at ye All-Master Pulley; End afterpiece: an Epilogue-Master Benson

Event Comment: Benefit Quin. By Command of their Royal Highnesses the Prince and Princess of Wales. To prevent any imposition on the publick by counterfeit tickets, which are so frequently sold at the doors, no tickets so bought will be admitted into the house

Performances

Mainpiece Title: Richard Iii

Cast
Role: Prince Edward Actor: Miss Hippisley

Dance: LLes Boufons du Cour, as17430305 Characters of Dancing, as17421108; Grand Ballet, as17421108

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Edward Actor: Miss Simson
Role: Prince Edward Actor: Simson

Dance: TThe Cow Keepers, as17600529

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales. We hear that His Royal Highness the Prince of Wales, with Prince Edward will be this night at Covent Garden, to see the tragedy of Romeo and Juliet, and Harlequin Skeleton. On Tuesday 3 March, will be reviv'd a Tragedy call'd Macbeth (as written by Shakespear) the part of Macbeth by Barry, and Lady Macbeth by Mrs Cibber, being the first time of her appearing in that character. To which will be added the Oracle, a new Dramatic piece (of one act) taken from the French, the Principal Part to be perform'd by Mrs Cibber. Pit and boxes laid together

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Related Works
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips
Related Work: The Royal Chace; or, Harlequin Skeleton Author(s): Edward Phillips
Event Comment: "Edward the Black Prince was performed at the Royalty Theatre on Monday evening, by a private party of Gentlemen" (Morning Herald, 9 Mar., which makes no mention of an afterpiece)

Performances

Mainpiece Title: Edward The Black Prince

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Performance Comment: Edward-Wroughton; Arnold-Whitfield; Lord Audley-Hull; Earl of Salisbury-Mahon; Cardinal Perigort-Fearon; King John-L'Estrange; Dauphin-Robson; Duke of Athens-Booth; Charney-Thompson; Ribemont-Aickin; Mariana-Mrs Jackson.
Cast
Role: Edward Actor: Wroughton

Afterpiece Title: Mother Shipton

Ballet: End: The Sailors' Revels at Portsmouth. As17780511

Song: As17780511

Performances

Mainpiece Title: Edward And Eleonora

Performance Comment: Edward-Kemble; Selim-Palmer; Gloster-Whitfield; Theald-Caulfield; Gentleman-Trueman; Assassin-Maddocks; Messenger-Webb; Eleonora-Mrs Siddons; Daraxa-Mrs Powell.
Cast
Role: Edward Actor: Kemble

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Ballet: The Triumph of Love. As17961001

Event Comment: [Edward Young.] A new Tragedy. All the persons being new drest

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Revenge Author(s): Edward Young
Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

Performance Comment: Characters by Barrymore, Davies, Benson, Cooke, Bannister, Bannister Jun., Suett, Mrs Kemble, Mrs Bland, Miss DeCamp. Vocal Parts-Kenrick, Linton, Walker, Dorion, Dorion Jun., Little, Brown, Saunders, Dibble, Abbott, Lyons, Miss Dall, Mrs Powell, Mrs Hatton, Mrs Masters, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale; Cast from text (William Lane, 1793): Edward I-Barrymore; Edward de Mortimer-Davies; Walter-Benson; Merlin-Bannister; Adam de Francton-Bannister Jun.; Phillip le Brun-Suett; Isabel-Mrs Kemble; Resa-Mrs Bland; Jane-Miss DeCamp; unassigned-Cooke.
Cast
Role: Edward I Actor: Barrymore
Role: Edward de Mortimer Actor: Davies
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: King Edward Actor: Moon
Role: Prince Actor: Kenniston
Event Comment: The United Company. The date of the first performance is not known, but it followed The Gordian Knot Unty'd, which is mentioned in the Prologue. Edward III was advertised in the London Gazette, No. 2629, 19-22 Jan. 1690@1, and entered in the Term Catalogues, February 1690@1. The authorship is uncertain. The title page bears no author's name, but the Dedication is signed by Will. Mountfort. In addition, on 10 Oct. 1691 Mountfort received a grant of #10 when Edward III was played before the Queen (L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357). On tne other hand, the Gentleman's Journal, October 1692, stated that it was written by the author of Henry the Second, which has been attributed to John Bancroft. See Nicoll, Restoration Drama, pp. 388-89, for a summation of the evidence on this problem. Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 319, thinks that this is a revision of Robert Davenport's The Politic Queen

Performances

Mainpiece Title: King Edward The Third; With The Fall Of Mortimer, Earl Of March

Performance Comment: [The author is not certain, but possibly the play was written by John Bancroft and William Mountfort.] Edition of 1691: Prologue-Mr Powell; Epilogue-Mrs Bracegirdle; King Edward the Third-Powell; Mortimer Earl of March-Williams; Lord Mountacute-Mountfort; Sir Tho. Delamore-Kynaston; Sir Robert Holland-Hodgson; Tarleton, Bishop of Hereford-Lee; Serjeant Eitherside-Nokes; Turrington-Bridges; Nevill-Freeman; Sly-Bright; Secret-Trafuse; Earl of Leicester-Bowman; Earl of Exeter-Sandford; Isabella-Mrs Barry; Maria-Mrs Bracegirdle.
Cast
Role: King Edward the Third Actor: Powell
Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Performance Comment: Principal Characters by Palmer, Williamson, Wilson; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1783): Prince of Arragon-Palmer; Don Frederick-Williamson; Don Leopold-Wilson; Fiorina-Miss George; Seraphina-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: : Prince of Arragon Actor: Palmer

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Miss Stone.

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Miss Stone.

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Miss Stone.

Performances

Mainpiece Title: Richard Iii

Cast
Role: Prince Edward Actor: Miss Hughes

Afterpiece Title: The Harlot's Progress

Dance: II: The Maggot by Lally Jr and Mrs Walter. III: Drunken Peasant by Le Brun

Performances

Mainpiece Title: Richard Iii

Cast
Role: Prince Edward Actor: Miss Hughes

Afterpiece Title: The Intriguing Chambermaid

Dance: English Maggot by Lally Jr and Mrs Walter. Scot's Dance by Mr and Mrs Davenport

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Green

Afterpiece Title: Harlequin Grand Volgi

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Green

Afterpiece Title: The Devil to Pay

Dance: I: Flanderkins-Master Ferg, Miss Wright; II: Two Pierrots-Vallois, Pelling; III: Punch-Master Ferg; IV: Comic Dance-younger Miss Scott

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Green

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Scots Dance-Master Matthews, Miss Wright; II: Ballet-Muilment; III: Le Tambourine-Mlle Chateauneuf; IV: Drunken Peasant-Master Ferg

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Green

Dance: LLes Matelotes-Fausan, Signora Fausan; The Peasants' Triumph on the Death of the Wild Boar (new)-Fausan, Signora Fausan, Mlle Chateauneuf, Muilment

Performances

Mainpiece Title: Richard Iii

Cast
Role: Prince Edward Actor: Mrs Vincent

Afterpiece Title: The Necromancer