SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Brunswick his wife and Louisa"/1) | (@(roleclean,performerclean) "Prince Brunswick his wife and Louisa")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2800 matches on Performance Title, 1487 matches on Performance Comments, 1345 matches on Event Comments, 402 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love Makes A Man

Cast
Role: Louisa Actor: Mrs Fawcett

Afterpiece Title: Tom Thumb

Dance: End: The Jockey Dance-Ratchford, Blurton, Jackson, Mrs Watts, Mrs Ratchford; finish: a Reel-

Event Comment: [Mainpiece in place of Inkle and Yarico, advertised on playbill of 7 June. In it the playbill retains Gray as Anthonio , but he "being ill, his part of Anthonio was read by Macready"(Thespian Magazine, July 1793, p. 52).] Tickets delivered for The School for Wives will be admitted. Receipts: #213 9s. 5d

Performances

Mainpiece Title: The Duenna

Cast
Role: Louisa Actor: Mrs Martyr

Afterpiece Title: Two Strings to your Bow

Cast
Role: Ferdinand Actor: Macready
Event Comment: [Mainpiece in place of A BOLD STROKE FOR A WIFE; afterpiece of THE PRIZE, both advertised on playbill of 9 Nov.] The Doors to be opened at 5:15. To begin at 6:15, and on every future evening. [But all playbills for the remainder of the season read as 19 Sept., except on 17 Feb. and 3 Mar. 1794.]

Performances

Mainpiece Title: The Wonder

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.
Event Comment: [1st piece in place of The Wives Revenged, advertised on playbill of 22 Oct.] 2nd piece: 4th Time [i.e. in continuation of the reckoning for the previous season]. In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgment-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. And in the Last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by the Scenery and Certainty of its Judgments, produced many alarming Events in the 15th century, throughout the Germanic Empire. 3rd piece: In the course of the Pantomime a Representation of an Engagement between an English and French Man of Warv. A Shipwreckv. The original Allegoric Scene from Provocation. A View of an English Campv. A Naval and Military Procession. Receipts: #235 3s. 6d. (209.0.0; 26.3.6)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Secret Tribunal

Afterpiece Title: The Shipwreck; or Treachery and Ingratitude

Performance Comment: English Characters Capt. Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons; Captain's Lady-Mlle St.Amand; French Characters Gen. Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland; Indian Characters Indian Chief-Follett; Female Savage-Mr Goosetree.

Song: In 3rd piece: a song-Townsend

Event Comment: Afterpiece: Not acted these 10 years [acted 18 Feb. 1789]. With new Scenery, Dresses, and Decorations. Musick by late Mr Linley. The Scenery of First Part by Greenwood and his assistants, of Second Part by Marinari and his assistants. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston, Gay, Miss Rein. [Synopsis of plot (T. Becket, 1797).] Account-Book, 24 Dec.: Parrot bought and Cage for Robinson Crusoe #3 5s. 6d.; Paid Hunt, fireworker #2 3s. Receipts: #326 9s. (257.1; 62.13; 6.15)

Performances

Mainpiece Title: The London Merchant

Cast
Role: Trueman Actor: Holland

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Performance Comment: Act I. Characters on the Desert Island. Robinson Crusoe-Palmer; Friday-Gentili; Principal Savages-Roffey, W. Banks, Whitmell, Garman; Pantaloon (the Portugese Merchant, shipwreck'd, and brought by the Savages to the Island)-Banks; Pero (his Servant)-Grimaldi; Captain of the Portugese Frigate-Sedgwick; Chorus of Sailors-Wentworth, Welsh, Fisher, Gregson; Act II. Characters at Lisbon. Robinson Crusoe (on his return to England)-Palmer; Friday , when Harlequin, remaining at Lisbon-Male; Pantaloon-Banks; Figaro , the Lover-Caulfield; Pantaloon's Servants: Sancho , the Clown-Hollingsworth; Pero-Grimaldi; Miller-Cooke; Father Paul-Denman; Lay Brother-Evans; Friars-Phillimore, Webb; Principal Witches-Maddocks, Trueman, Miss Heard; Ursula (Pantaloon's wife)-Miss Tidswell; Colombine (his daughter)-Mrs Wild , late Miss Simonet (1st appearance at this theatre); Principal Warriors Savages and Dancers , in the Indian Festival, on Friday's return to his Island-Gentili, Wells, Butler, Thompson, Nicolini, Ms Brooker, Ms Brigg, Ms Barrett, Ms Byrne, Ms Bourk, Ms Haskey.
Event Comment: [In mainpiece the playbill retains Fawcett, but "An apology was last night made for the absence of Fawcett, occasioned by a severe domestic affliction-the death of his wife; and his part in the Heir at Law was, in consequence, read by Wathen" (Morning Herald, 1 Aug.).

Performances

Mainpiece Title: The Heir At Law

Cast
Role: Phoebe Actor: Mrs Bland
Role: Rosina Actor: Miss Andrews.

Afterpiece Title: The Mock Doctor

Performance Comment: As17970622 but Leander-Trueman.
Cast
Role: Leander Actor: Trueman.
Role: Laura Actor: Miss Andrews
Event Comment: Afterpiece [1st time; MF 2, by Henry Lee. Larpent MS 1221; not published in this form, but altered by the author in 3 acts, as Caleb Quotem and His Wife!; or, Paint, Poetry, and Putty (J. Roach, 1809)]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. "Suett was, as he always is on a first night, most shamefully imperfect" (Monthly Mirror, July 1798, p. 52). [For Lee's accusing Colman, in his The Review, of plagiarism, see Genest, VII, 387-90. And see 1 Sept. 1800.

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Throw Physick to the Dogs

Performance Comment: Characters by Suett, Trueman, Caulfield, Wathen, Fawcett, Mrs Edward, Mrs Davenport, Mrs Hale, Mrs Norton, Miss Leserve, Mrs Gibbs. Cast from Songs (Cadell and Davies, 1798): Sir Nathan Nervous-Suett; Capt. Hardiman-Trueman; Brookly-Caulfield; Johnny-Wathen; Quotem-Fawcett; Augusta-Mrs Edward; Mrs Tidy-Mrs Davenport; Mrs Quotem-Mrs Hale; Betty-Mrs Norton; Dolly-Miss Leserve; Hannah-Mrs Gibbs.
Event Comment: [In mainpiece the playbill retains Incledon, but "Family distresses (The loss of an amiable wife) preventing Incledon from appearing in public, the part of Darbony was assigned to Hill" (Dramatic Censor, I, 181).] Receipts: #215 11s. 6d. (212.0.6; 3.11.0)

Performances

Mainpiece Title: Joanna

Related Works
Related Work: Joanna Author(s): Richard Cumberland

Afterpiece Title: The Volcano

Song: As18000124

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

Performance Comment: At the Magnificent Triumphs and Entertainment of His Most Sacred Majesty Charles the II...At Guildhall on Thursday the 5th day of July 1660.
Event Comment: The Lord Mayor's show. Evelyn, Diary: Was my L. Majors shew with a number of sumptuous pageantry, speeches & Verses: I was standing in an house in Cheape side, against the place prepared for their Majesties. The Prince & heire of Denmark was there, but not our King

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

Performance Comment: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson. The edition of 1662 has no actors' names, no prologue, no epilogue.
Event Comment: Roger Boyle, Earl of Orrery, to Edward, Viscount Conway, 17 July 1666: If we meet at London you will see a Play Acted, wh I writt by ye King s Command; I call it, Edward ye Black Prince; And if ever I writt anythinge fit for ye Theatre this Play is it (Calendar of State Papers, Ireland, 1666-1669, p. 158; in The Dramatic Works of Roger Boyle, 1, 43)

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, by agreement met Sir W. Pen, and saw Love in a Maze: but a sorry play: only Lacy's clowne's part, which he did most admirably indeed; and I am glad to find the rogue at liberty again. Here was but little, and that ordinary, company. We sat at the upper bench next the boxes, and I find it do pretty well, and have the advantage of seeing and hearing the great people, which may be pleasant when there is good store. Now was only Prince Rupert and my Lord Lauderdale, and my Lord [...]...But here was neither Hart, Nell, nor Knipp; therefore, the play was not likely to please me

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Event Comment: Newsletter, 8 Nov. 1670: The 4th being the birthday of the Prince of Orange a comedy was prepared at Whitehall to entertain him and all things done that might show what a great value the whole Court had for him (Hastings MSS. HMC, III, 324)

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: and two Boxes for H. Prince of Orange. See VanLennep, "Plays on the English Stage", p. 16

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performance Comment: Edition of 1672: Mr Jorden-Nokes; Young Jorden-Cademan; Mr Cleverwit-Crosby; Sir Simon Softhead-Underhil; Trickmore-Harris; Cureal-Sandford; Maistre Jaques-Angel; Lucia-Mrs Bitterton; Marina-Mrs Burroughs; Betty Trickmore-Mrs Leigh; Prologue-; Epilogue-. See also below.
Cast
Role: Cureal Actor: Sandford

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: The Bulstrode Papers (1, 274): The first of January ye young Princes are to divert their Maties and Court wth a play & an opera in whch ye splendour of ye English monarchy will be seen

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty as to whether this is the date of the first performance. Downes (Roscius Anglicanus, p. 35): Then the Conquest of China by the Tartars, by Mr Settle; in this Play Mr Jevon Acting a Chinese Prince and Commander in it, and being in the Battle, Vanquisht by the Tartars; he was by his Part to fall upon the point of his Sword and Kill himself, rather than be a Prisoner by the Tartars: Mr Jevon instead of falling on the point of his Sword, laid it in the Scabbard at length upon the Ground and fell upon't, saying, now I am Dead; which put the Author into such a Fret, it made him speak Treble instead of Double Jevons answer was; did not you bid me fall upon my Sword

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performance Comment: Edition of 1676: Prologue-; Epilogue-Mrs Lee; Theinmingus-Gillow; Zungteus-Harris; Palexus-Norris; King of China-Medbourn; Quitazo-Smith; Lycugus-Sandford; Orunda-Mrs Batterton; Alcinda-Mrs Corer; Amavanga-Mrs Mary Lee; Vangona-Mrs Spencer. See also Downes (below).
Cast
Role: Lycugus Actor: Sandford
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345. Marquis of Worcester to the Marchioness, 8 June 1675: I sate up last night at the play in Court--which was to entertaine the Prince of Newbough--till one of the clock in the morning (HMC, 12th Report, Appendix, Beaufort MSS., IX, 65)

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1675@6, the references to "Miss-Non-so-Fair," prince Nick, and t'other House Gallants" suggest that it capitalized upon the appearance of Psyche Debauched at dg

Performances

Mainpiece Title: Piso's Conspiracy

Event Comment: Sir Charles Lyttleton, 10 Nov. 1677: [The Princess of Orange] is gone to ye play to-night in these and all ye Duchesses jewells (Hatton Correspondence, Camden Society, 1878, XXII, 155). The Prince and Princess had been married on 4 Nov. 1677

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p.162. See also Nicoll, Restoration Drama, p. 349. The Diary of Edward Lake, 16 Nov. 1677: This day the court began to whisper the prince's sullennesse, or clownishnesse, that hee took no notice of his princesse at the playe and balle (Camden Miscellany, 1847, I, 9)

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. Mountstevens to Henry Stevens, 20 Feb. 1679@80: Upon Sunday the Court is to be in mourning for the death of the Princess Elizabeth, sister to Prince Rupert. (R. W. Blencowe, Diary of the Time of Charles the Second [London, 1843], I, 283)

Performances

Mainpiece Title: Epsom Wells

Event Comment: The United Company. As the play was certainly acted on 1 Dec. 1682, it was probably given also on 29 Nov., in spite of the death of Prince Rupert on that day

Performances

Mainpiece Title: The Duke Of Guise