SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Powell"/1) | (@(roleclean,performerclean) "Powell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3282 matches on Roles/Actors, 931 matches on Performance Comments, 326 matches on Event Comments, 12 matches on Author, and 11 matches on Performance Title.

Performances

Mainpiece Title: The Patriot

Performance Comment: Principal Characters by Wilkinson, Parker, Cross, Hunter, Miller, Powell, Shatford, Smith; Miss Watson Sen., Miss Forde, Miss Watson Jun., Miss Frederick, Miss Hemet. Cast not known. New Prologue [spoken by T. Davis] and Epilogue [spoken by Miss Hemet] .

Afterpiece Title: The Reprisal; or, The Tars of Old England

Event Comment: Tickets delivered by Jones, Stageldoir, Newbold, Powell, Shaw, Pemberton, Dale, Smith [Account-Book adds: Mills], Miss Hale, Mrs Heard, Miss Tidswell will be admitted. Receipts: #229 17s. (18/11; 7/16; 0/15; tickets: 202/15)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece Minuet de la Cour and Allemande, as17860502; End of Act I of afterpiece a Highland Reel, as17860223

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: High Life below Stairs

Performance Comment: Duke's Servant (for that night only)-Lewis; Lovell-Munden; Sir Harry's Servant (with a Mock Minuet)-Blanchard; Philip-Wilson; Freeman-Macready; Tom-Cubitt; Robert-Thompson; Coachman-[C.] Powell; Kingston-Cross; Lady Charlotte-Miss Stuart; Cook-Mrs Davenett; Lady Bab-Mrs Rock; Kitty (with a song and mock Minuet, for that night only)-Mrs Pope.

Dance: As17901204

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Tickets delviered for The Merry Wives of Windsor will be admitted. Account-Book: Tickets delivered by Rowson, Blurton, Evatt, Jackson, Ratchford, Cross, Letteney, C. Powell, Little, Hall [box-keeper], Mrs Masters, Egan, Mrs Rock, Mrs Harris, Mrs Lefevre will be admitted. Receipts: #397 7s. (55.4.6; 4.7.6; tickets: 337.15)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Tom Thumb

Dance: End: The Jockey Dance-Ratchford, Blurton, Jackson, Mrs Watts, Mrs Ratchford; finish: a Reel-

Event Comment: Account-Book: Paid Lewis in full for management #100. Tickets delivered by Savery, Iredale, Robson, Way, Finley, Dosel, Kelm, Goodwin, Lamp, Wilkins, Varley, Jealous, Longley, Powell, Plank, Atkins, Pilbro will be admitted. The Last Night of the Company's performing this Season. Receipts: #421 16s. (48.18; 2.10; tickets: 370.8)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Rosina

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Mountaineers

Song: 2nd piece: Vocal Parts-Kenrick, Walker, Linton, Dorion Jun., Little, Brown, Hobler, Horsfall, Saunders, Dibble, Lyons, Miss Fontenelle, Miss DeCamp, Miss Dall, Miss Menage, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry

Performance Comment: , Little, Brown, Hobler, Horsfall, Saunders, Dibble, Lyons, Miss Fontenelle, Miss DeCamp, Miss Dall, Miss Menage, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry.

Performances

Mainpiece Title: Piety In Pattens

Performance Comment: Squire-Benson; Butler-Barrett; Candy-Mrs Edwin [Public Advertiser: Mrs Powell]; Polly-Miss Heard [Public Advertiser: Mrs Brooks].Public Advertiser: Mrs Brooks].

Afterpiece Title: The Mountaineers

Song: As17930803

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17931007, but Mrs Powell (1st time [playbill of 29 Oct.]) in place of Miss Heard .

Afterpiece Title: THE CITIZEN

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17931001, but Mrs Powell in place of Miss De Camp .
Event Comment: Paid Jacobs for carpenters bill to 8th Inst. #56 16s.; Powell for Advertisements [in newspapers] #112 16s. Receipts: #598 7s. 6d. (570/10/6; tickets: 19/10/0; 8/7/0)

Performances

Mainpiece Title: The Messiah

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Event Comment: [Afterpiece in place of THE CHEATS OF SCAPIN , advertised on playbill of 23 Apr.] Powell: As You Like It rehearsed at 10; Children in the Wood at 12; Jew at 1. Receipts: #418 11s. (371/ 1/6; 45/2/0; 2/4/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE VIRGIN UNMASK'D

Song: As17940423

Event Comment: Afterpiece: In one Act. [For Miss Leak's 1st appearance as Sally see HAY 24 Feb.] Powell: Thomas & Sally rehearsed at 1 0; The Inconstant at 11; The Jew at 12.30 (for Suett and Miss Tidswell). Receipts: #540 (462/7/6; 76/7/0; 1/5/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THOMAS AND SALLY

Song: As17940421, but omitted: Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby

Event Comment: Paid Collings for painting the Flies #8 15s. Mainpiece: The Music composed by Starace. Powell: Miller of Mansfield rehearsed at 11; Siege of Belgrade at 12. Receipts: #473 4s. 6d. (404/3/6; 68/10/0; 0/8/o; ticket not come in: 0/3/0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE MILLER OF MANSFIELD

Event Comment: Paid Barratt for Oil and Candles #132 10s. Powell: The Jew rehearsed at 10 (for Bannister Jun.); The Citizen at 12. Receipts: #457 5s. 6d. (382/14/0; 70/12/0; 3/7/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Authors of Prologue and Epilogue unknown] . Account-Book, 25 Sept. 1794: Paid Cumberland for The Jew #300. Morning Chronicle, 4 Oct. 1794: This Day is published THE JEW (1s. 6d.). Powell: The Quaker rehearsed at 10; The Jew at 11. Receipts: #401 17s. (344/3; 45/19; 11/15)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE QUAKER

Event Comment: Afterpiece: The Musick composed by Storace. Powell: My Grandmother rehearsed at 10 (Bannister Jun. one scene, Sedgwick one scene, Storace); Prize at 11 (Master Welsh and Suett two scenes); Lodoiska at 12. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #481 11s. 6d. (392/15/0; 80/16/0; 6/7/6; tickets not come in: 1/13/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: MY GRANDMOTHER

Song: As17940428

Event Comment: Afterpiece: The Musick composed by Storace. Powell: Englishman in Paris rehearsed at 10; Children in the Wood at 11 (Master Welsh absent; rehearsal dismissed); Love a-la-Mode at 12 (Suett and Miss Heard, one scene). Receipts: #416 3s. (343/7/6; 61/19/0; 10/7/6; tickets not come in: 0/9/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE PRIZE; or, 2

Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. "But for the excellent acting of Falmer, [THE ENGLISHMAN IN PARIS] would now scarcely be tolerated" (Thespian Magazine, June 1794, p. 225). Powell: Pirates rehearsed at 11 (Sedgwick one scene; Bardeauleau, Boyce, Horsfall). Receipts: #337 3s. (277/3/6; 57/3/0; 2/16/6)

Performances

Mainpiece Title: The Pirates

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Powell: Love a-la-mode rehearsed at 10 (for King); Lodoiska music at 11 (for Kelly, Storace, Crouch); Natural Son at 12 (King, Moody. Miss Farren one scene). Receipts: #347 15s. 6d. (283/0/0; 53/13/6; 7/2/0)

Performances

Mainpiece Title: The }ew

Afterpiece Title: BON TON

Event Comment: [Afterpiecc in place of LOVE A-LA-MODE, advertised on playbill of 17 May.] Powell: Macbeth's scenes rehearsed at 11; Natural Son at 12. Receipts: #366 5s. (293/2/0; 69/12/6; 3/10/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE PRIZE

Song: Mainpiece: Chorus of Witches and Spirits by Kelly, Master Welsh, Sedgwick, Dignum, Cooke//Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, &c. &c

Event Comment: [For the naming of the characters in mainpiece, as they were called originally, see 23 Feb. 1792.) Powell: Douglas rehearsed at 10:30 (Mrs Siddons ill; Barrymore one scene); Lodoiska at 12 (Miss De Camp absent). Receipts: #365 1s. 6d. (298/11/0; 60/1/0; 6/9/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: No SONG No SUPPER

Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Event Comment: [Afterpiece in place of COMUS, advertised on playbill of 11 June.) Powell: Clandestine Marriage rehearsed at 10 (King ill; Barrymore one scene); Lodoiska at 12 (Bannister Sen. not call'd; Danby, Denman, Reynoldson, Hobler, Horsfall, Dorion Jun., G. D'Egville, Hamoir absent). Receipts: #114 2s. 6d. (74/19/0; 33/10/6; 5/13/0)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: THOMAS AND SALLY