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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Philip Hoggins"/1) | (@(roleclean,performerclean) "Philip Hoggins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1561 results for: Keyword - Philip Hoggins
We found 1001 matches on Author, 458 matches on Performance Comments, 78 matches on Performance Title, 77 matches on Event Comments, and 0 matches on Roles/Actors.

1
11 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Philips and Burton. Tickets deliver'd out by Peacop, Berrisford, and others will be taken. Receipts: #190 (Cross)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: Greedy-Yates, 1st time; Welborn-Palmer, 1st time; Allworth-Holland, 1st time; Lovell-Havard; Sir Giles-Burton; Marall-Philips; Furnace-Blakes; Order-Mozeen; Tapwell-Ackman; Welldo-Clough; Amble-Vaughan; Watchman-Perry; Margaret-Mrs Davies; Froth-Mrs Cross; Lady Allworth-Mrs Pritchard.
Cast
Role: Marall Actor: Philips
Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: Tom Thumb

Performance Comment: Tom-Miss Simson; King-Philips; Grizzle-Clough; Noodle-Austin; Doodle-Scrase; Bailiffs-Perry, Ackman; Queen-Mrs Bennet; Huncamunca-Mrs Bradshaw.
Cast
Role: King Actor: Philips

Dance: III: New Grand Dance, as17590509; V: Hornpipe-Walker

2
02 May 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Philip Of Macedon

Performance Comment: Principal Parts-Hulett, Walker, Ryan, Milward, Quin, Ogden, Mrs Younger, Mrs Berriman, but edition of 1727 lists: Perses-Walker; Philip-Hulett; Demetrius-Ryan; Antigonus-Milward; Lysimachus-Ogden; Onomastus-Horton; Didas-Quin; Herodorus-Lacy; Philocles-Berriman; Xychus-Morgan; Olympias-Mrs Younger; Isteria-Mrs Berriman; Prologue-Ryan; Epilogue-Mrs Younger.
Cast
Role: Philip Actor: Hulett

3
23 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Related Works
Related Work: The Roman Actor Author(s): Philip Massinger
Related Work: The History and Fall of Domitian; or, The Roman Actor Author(s): Philip Massinger
Related Work: The Roman Actor Author(s): Philip MassingerJohn Philip Kemble

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Related Works
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): John Philip Kemble

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

4
06 June 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also W. J. Lawrence, Times Literary Supplement, 24 Oct. 1929, p. 846; and J. G. McManaway, "Philip Massinger and the Restoration Drama," ELH: A Journal of English Literary History, 1 (1934), 287-88. The manuscript is in Bod. Rawlinson poet. 20

Performances

Mainpiece Title: The Renegado

Related Works
Related Work: The Renegado Author(s): Philip Massinger

5
16 January 1727 @ Lincoln's Inn Fields

Event Comment: [By Philip Frowde.] All the Characters new Dress'd. Receipts: #148 3s. Probable attendance: boxes, 198 paid and 17 orders; balcony, 1 paid; pit, 283 paid and 3 orders; first gallery, 409 paid and 1 orders; slips, 64 paid; second gallery, 82 paid

Performances

Mainpiece Title: The Fall Of Saguntum

Related Works
Related Work: The Fall of Saguntum Author(s): Philip Frowde

6
23 February 1754 @ Covent Garden

Event Comment: A New Tragedy by Dr Philip? Francis, author of Eugenia, --went off very indifferently (Cross). [This tragedy is mercilessly attacked in The Tuner No 2 by Paul Hiffernan, who compares its phrasing in a dozen instances with similar, but more perfect phrasing in Shakespeare.

Performances

Mainpiece Title: Constantine

Related Works
Related Work: Constantine Author(s): Philip Francis

7
27 February 1758 @ Covent Garden

Event Comment: Receipts: #135 16s. Paid Col. Philip Honywood one night's rent of one share commencing this day 2 shillings (Account Book)

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Philip Massinger

8
08 November 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Performances

Mainpiece Title: The Magic Picture

Related Works
Related Work: The Magic Picture Author(s): Philip Massinger

Afterpiece Title: The Poor Soldier

Song: In Act II of mainpiece a Grand Chorus [Crowned with conquest] by Bannister, Reinhold, Johnstone, Mattocks, Brett, Mahon, Doyle, Darley; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Kennedy. [For songs, see below.]

9
10 May 1738 @ Drury Lane Theatre

Event Comment: Benefit Philips, the Harlequin. At the Desire of several Ladies of Quality. [Tickets at Philips' Lodgings, at the Harness Maker's in Bedford Court, cg.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd; or, Taste a la Mode

Performance Comment: Harlequin-Philips; Flash-Livier; Conjurer-Beard; Colombine-Mrs Walter; with a Grand Ballet-Lilliputians, scholars to Livier.
Cast
Role: Harlequin Actor: Philips

Dance: I: Flanderkins-Master Ferg, Miss Wright; II: A new Hornpipe-Philips; IV: Drunken Peasant-Philips; V: Russian Sailor-Denoyer

Music: III: Preamble on the Kettle Drums-Master Ferg

10
29 April 1737 @ Drury Lane Theatre

Event Comment: Benefit Philips, the Harlequin. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Harlot's Progress

Performance Comment: See17361012, but Kitty-Mrs Clive; Harlequin-Philips; Mordecai-Stoppelaer; Debauchee-Berry; Poudre-Este.
Cast
Role: Harlequin Actor: Philips

Dance: I: Peasant-Philips, Mrs Anderson; II: Turkish Dance-Muilment; III: Drunken Peasant-Phillips; IV: Black Joak-Philips, Miss Mann

Music: Comic Medley Overture-composed by Lampe

11
14 March 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Universal Passion

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Harlequin-Denoyer's Apprentice; V: Dutchman and Frow-Philips, Miss Brett. [Daily Advertiser, 14 March, a less authoritative source, differs on the dances: I: Drunken Peasant-Philips; III: Turkish Dance-Muilment; Villeneuve, Livier; V: Grand Ball-Denoyer, Mlle Roland.

Performance Comment: [Daily Advertiser, 14 March, a less authoritative source, differs on the dances: I: Drunken Peasant-Philips; III: Turkish Dance-Muilment; Villeneuve, Livier; V: Grand Ball-Denoyer, Mlle Roland.]
Cast
Role: Drunken Peasant Actor: Philips

Music: A Comic Medley Overture-composed by Arne

12
15 May 1771 @ Drury Lane Theatre

Event Comment: Benefit for Keen and Wright. Tickets deliver'd by Philips will be taken. [For Philips' first dance, see 7 May 1754.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Invasion

Dance: V: A Clown's Dance, in which will be introduc'd a mock Minuet-Philips

Ballet: II: The Drunken Peasant. Drunken Peasant-Philips (The Original); Clown-Wright

Performance Comment: Drunken Peasant-Philips (The Original); Clown-Wright.
Cast
Role: Drunken Peasant Actor: Philips

13
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

14
15 February 1723 @ Drury Lane Theatre

Event Comment: [Written by Ambrose Philips.] Weekly Journal or Saturday's Post, 23 Feb.: If we consider the Performance of this Play, we shall find, that the Poet is not much beholding to the Actors; for, the two Women Parts excepted, the whole Play was but wretchedly perform'd

Performances

Mainpiece Title: Humphrey, Duke Of Gloucester

Related Works
Related Work: Humphrey, Duke of Gloucester Author(s): Ambrose Philips

15
14 April 1724 @ Lincoln's Inn Fields

Event Comment: [By William Philips.] Receipts: #26 19s. 6d. Weekly Journal or Saturday's Post, 18 April: But how contemptible an Opinion must the next Generation have of this Age, if it should be known amongst them; that the first Night this Tragedy appear'd upon the Stage, it did not Bring half a House, because it happen'd to be upon a Masquerade Night

Performances

Mainpiece Title: Belisarius

Related Works
Related Work: Belisarius Author(s): William Philips

16
23 March 1736 @ Drury Lane Theatre

Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality. Mainpiece: Taken from Racine by Mr Philips. [Tickets at Cibber's House in Great Queen Street.]

Performances

Mainpiece Title: The Distrest Mother

Related Works
Related Work: The Distrest Mother Author(s): Ambrose Philips

Afterpiece Title: The Lottery

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. III: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c. IV: Rover by Essex, Mrs Walter, Miss Mann, &c. V: French Peasants by Poitier, Mlle Roland, &c

17
18 March 1780 @ Covent Garden

Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady Cured

Afterpiece Title: The School For Scandal Scandaliz'd

Related Works
Related Work: The School for Scandal Scandaliz'd Author(s): John Philip Kemble

Afterpiece Title: The Flitch of Bacon

18
22 November 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Arthur and Emmeline

Related Works
Related Work: Arthur and Emmeline Author(s): John Philip Kemble

19
18 February 1786 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Related Works
Related Work: The Projects Author(s): John Philip Kemble

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

20
28 November 1788 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; C 3, by John Philip Kemble, based on 'Tis Well It's No Worse, by Isaac Bickerstaffe]. Morning Chronicle, 13 Mar. 1789: This Day is published The Pannel (1s.). Receipts: #204 8s. (165.3.0; 38.1.6; 1.3.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel

Related Works
Related Work: The Pannel Author(s): John Philip Kemble

21
07 February 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble; see text (J. Christie, 1789)]. In Act II an Ovation, or Entry of Coriolanus into Rome. In Act V a Procession of Roman Matrons to the Volscian Camp. [These were included in all subsequent performances.] Afterpiece: Regattav, as 13 Sept. 1788. Receipts: #196 13s. 6d. (170.14.0; 24.11.6; 1.8.0)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Related Works
Related Work: Coriolanus; or, The Roman Matron Author(s): John Philip Kemble

Afterpiece Title: The Waterman

22
01 May 1789 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Related Works
Related Work: The Farm House Author(s): John Philip Kemble

23
22 December 1789 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2 (?), by John Philip Kemble. Not in Larpent MS; not published]: Taken from Woman's Revenge [by Christopher Bullock]. Kemble Mem.: Trick upon Trick is taken from Bullock's Match in Newgate [i.e. the 2nd title of Woman's Revenge]...my handy-work. Receipts: #200 16s. (172.9.0; 27.11.6; 0.10.6; ticket not come in: 0.5.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Trick upon Trick

Related Works
Related Work: Trick Upon Trick Author(s): John Philip Kemble

Dance: As17891204

24
08 March 1790 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John Philip Kemble]: Taken from [The Rover, by] Mrs Behn, with considerable Alterations. With new Dresses and Decorations. Receipts: #165 14s. 6d. (133.8.0; 31.14.0; 0.12.6)

Performances

Mainpiece Title: Love In Many Masks

Performance Comment: [Characters-Barrymore, R. Palmer, Wroughton, Kemble, Whitfield, Bannister Jun., Suett, Phillimore, Benson, Lyons, Webb, Maddocks, Alfred, Master Gregson, Master Grimaldi, Miss Gawdry, Fairbrother, Mrs Powell, Mrs Jordan, Mrs Kemble, Mrs Ward, Mrs Hedges, Mrs Heard, Miss Tidswell, Miss Barnes. Cast from text (T. and J. Egerton [1790]): Don Antonio-Barrymore; Don Pedro-R. Palmer; Belville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Sancho-Phillimore; Philippo-Benson; Sebastian-Lyons; Biskey-Webb; Officer-Maddocks; Soldier-Alfred; Antonio's Page-Master Gregson; Helena's Page-Master Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard [in text: Mrs Booth]; Lucetta-Miss Tidswell; Flower Girl-Miss Barnes.
Cast
Role: Philippo Actor: Benson
Related Works
Related Work: Love In Many Masks Author(s): John Philip Kemble

Afterpiece Title: The Deaf Lover

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

25
09 June 1794 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Related Works
Related Work: Lodoiska Author(s): John Philip Kemble