SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Philip B Gray Jr"/1) | (@(roleclean,performerclean) "Philip B Gray Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1596 matches on Performance Comments, 1272 matches on Author, 761 matches on Performance Title, 359 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: NNossiter play'd Rutland (Cross). [Murphy in Gray's Inn Journal, 15 Dec., notes: It is universally agreed by all who have seen the play [Essex] that Mrs Bland performs the queen with great Spirit and with more resemblance to a personage of rank, than is commonly seen on the stage."

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Mock Doctor

Dance: IItalian Peasants, as17531120

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Event Comment: Play Particular Desire. Tomorrow, The Funeral, for the benefit of a Family in Distress. Tickets for Lady Jane Gray will be taken

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Benefit for a Widow and Family in distress (Cross). Tickets deliver'd out for Lady Jane Gray will be taken; Tomorrow, an Italian Comic Opera, L'Amanti Gelosi

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lover His Own Rival

Dance: Grandchamps, Mlle Camargo; Italian Peasants, as17531120

Event Comment: Benefit for Mr Macklin, to which he spoke a farewell Prologue hinting at his new scheme (a Coffee house now fitting up in the Piazza) Mrs Mack, Miss & He play'd (Cross). [Macklin discharged last June from Covent Garden, one night given him at Drury Lane when he took leave; Poor I toss'd up...King Henry 7, 1764 (Winston MS 8). Gray's Inn Journal noted this performance by the bequeathing to the stage of Miss Macklin who should succeed in genteel comedy.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Englishman in Paris

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Dance: III: A Hornpipe-Granier

Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Cast
Role: King Philip Actor: Davies

Music: As17540123

Dance: Devisse, Mlle Auguste

Event Comment: Benefit for Gray, Dunbar, Smith and Broad. Receipts: #223 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and the Miller

Dance: II: The Pierrot's Dance, as17540504

Event Comment: [Not performed.] Last Night ththe new English Opera of Eliza was suppressed by an Order from superior Power, by which Means many Persons of Taste were deprived of a very elegant Entertainment, as it was universally acknowledg'd that this musical Performance was very extraordinary Merit, being a sensible Composition, calculated to convey the liveliest Ideas to the Fancy, and to awaken the Passions of very feeling Heart. It is said, that instigated by this Disappointment, Mr Arne will apply to P-t for a Bill to unnaturalize him, that he may then have the Privileges of an Englishman, as well as any Foreigner of them all (Gray's Inn Journal No 37, 8 June)

Performances

Mainpiece Title: Eliza

Event Comment: Benefit for Gray, Dunbar, and Smith. Afterpiece: By desire. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Drummer

Cast
Role: Coachman Actor: Philips

Afterpiece Title: Miss in Her Teens

Dance: HHornpipe-Walker

Event Comment: Benefit for the Author. This Day Publish'd Athelstan, a Tragedy, as it is acted at Drury Lane, by the author of Barbarossa, Printed for Lockyer Davis, and Charles Reymers, against Grays Inn Gate, Holborn, and at Lord Bacon's Head in Fleet St. (Public Advertiser). This month was published Critical Remarks on the Tragedy of Athelstan, 6d. Cooper (Gentleman's Magazine). Receipts: #140 (Cross)

Performances

Mainpiece Title: Athelstan

Event Comment: Benefit for Dunbar, Gray, Smith and Shawford. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Anatomist

Dance: II: Hornpipe-Morris; End of Play: A Minuet-Shawford, Mrs Vernon

Song: I: Miss Young

Event Comment: Benefit for Morris, Marr, Berrisford, Gray, Brownsmith, Miss Hippisley. Tickets deliver'd for Richard III and The Mourning Bride, and by Spilsbury, Royal, Hawksly, Costin, and Mrs Smith will be taken. Receipts: #170. 11 people had tickets (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Anatomist

Dance: A Hornpipe-Mossis

Event Comment: Benefit for Morris, Gray, West, Mortimer, and Cape. Tickets deliver'd out by Mr Page and Mr Roberts will be taken. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: JJane Shore oblig'd to be deferr'd on account of Indisposition of some of the principal performers. Churchill's Rosciad published at 1s. Sold by Wm. Flexny, Gray's Inn Gate, Holborn

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Event Comment: [Query whether this New Scene in the Masquerade was added to the performances of Harlequin Skeleton after 4 Feb. 1769.] Afterpiece: By Particular Desire. Gave the Princess Dowager's Footmen (by Gray) #1 1s. and her Chairmen (by Holt) #1 1s. (Account Book). Receipts: #197 16s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Oxonian in Town

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Performances

Mainpiece Title: Douglas

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

Event Comment: Benefit for Trew. Morning Herald, 20 Apr.: Tickets to be had of Trew, No. 9, Great Square, Gray's Inn. Receipts: #220 13s. (100/7; tickets: 120/6) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Comus

Song: End of Act IV of mainpiece the song of Arionelli from The Son-in-Law, as17820419; In afterpiece The Huntsman's sweet Halloo, as17820226

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

Performance Comment: makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi .

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Catherine and Petruchio

Song: In Act v of mainpiece a Roman Ovation. The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.]

Performance Comment: The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.] hathi.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Nunnery

Song: End of Act IV of mainpiece Juliet's Funeral Procession with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Meadows, Cubitt, Darley, Doyle, Pemberton; Mrs Bannister, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Orme, Mrs Gray, Miss Francis, Miss Cranfield, Mrs Kennedy

Performance Comment: Vocal Parts by Johnstone, Brett, Meadows, Cubitt, Darley, Doyle, Pemberton; Mrs Bannister, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Orme, Mrs Gray, Miss Francis, Miss Cranfield, Mrs Kennedy .
Event Comment: Tickets delivered by the Band, Helme, Ledger, Painter, Bates, Newton, Atkins, Mrs Davenett, Rowson, Gray will be admitted. Receipts: #278 11s. (51/13; 5/18; tickets: 221/0)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Padlock

Performance Comment: As17870928, but Scholars-Evatt, _Thompson; Mungo (1st time)-Blanchard; Leonora-Mrs Billington (1st appearance in that character); +Auld Robin Gray-Mrs Billington.

Dance: As17880129