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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "PPrincesses Royal and Caroline"/1) | (@(roleclean,performerclean) "PPrincesses Royal and Caroline")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2194 results for: Keyword - PPrincesses Royal and Caroline
We found 1246 matches on Event Comments, 688 matches on Performance Title, 388 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1226
14 April 1719 @ Drury Lane Theatre

Event Comment: Benefit Norris. By His Royal Highness's Command

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The What D'ye Call It

Dance: Serious Dance-Shaw, Mrs Santlow; Comic Dance-Topham, Mrs Bicknell

1227
24 April 1719 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: Circe

1228
06 June 1719 @ Richmond

Event Comment: By His Royal Highness's Command at the Opening of Mr Penkethman's New Theatre at Richmond. At 6 p.m. [The Prologue was printed in the Weekly Journal or British Gazetteer, 13 June.

Performances

Mainpiece Title: Chit Chat

Afterpiece Title: The Island Princess (the Comedy in the last Act)

Performance Comment: Original Parts-Penkethman, Norris; Likewise a Prologue-Penkethman in Company of an Ass, Ground Landlord of the Place, upon a Writ of Ejectment.
Cast
Role: Likewise a Prologue Actor: Penkethman in Company of an Ass, Ground Landlord of the Place, upon a Writ of Ejectment.

Dance: Salle, Mlle Salle; Shepherdess-; Turkey Cock-; Mimic Song of an Old Woman-; The Irish Trot-Mrs Willis

1229
06 July 1719 @ Richmond

Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

1230
24 August 1719 @ Bartholomew Fair

Event Comment: At Spiller and Lee Booth. Weekly Journal or Saturday's Post, 20 Aug.: On Tuesday Night about Ten [25 Aug.]...His Royal Highness came thither incognito, with only one Nobleman and a Footman attending; he was well pleased with the Performance, and was very liberal to the Actors

Performances

Mainpiece Title: King Egbert, King Of Kent And Monarch Of England; Or, The Union Of The Seven Kingdoms

1231
23 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

1232
26 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Pilgrim

Dance: Shaw, Mrs Booth, Thurmond, Topham, Mrs Tenoe, Miss Smith, Miss Lindar

1233
29 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. An ancient Story, written by Mr Phillip Massinger, and Acted but twice since the Reign of King Charles the First; now revis'd with Alterations. [The Prince present.

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

1234
02 November 1719 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Quaker's Wedding

Dance: As17191022

1235
20 November 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Chit Chat

Dance:

1236
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

1237
30 November 1719 @ King's Theatre

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

1238
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

1239
08 January 1720 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Squire Of Alsatia

Dance:

1240
18 January 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Rover

Dance:

1241
22 January 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Dance: As17191007

1242
16 February 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Lord Chamberlain's Office, 5@157, p. 287: I do hereby Order and direct that Mr Gay s Pastorall Tragedy be imediately Acted after Mr Hugh's

Performances

Mainpiece Title: The Stratagem

Dance: As17200210

1243
07 March 1720 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Bullock. By His Royal Highness's Command. Three Rows of the Pit will be rail'd into the Boxes

Performances

Mainpiece Title: The Double Dealer

Song: As17200213

Dance: Topham Jr

1244
22 March 1720 @ King's Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Amorous Follies

Afterpiece Title: Harlequin a Man of Good Fortune

Dance:

1245
24 March 1720 @ King's Theatre

Event Comment: For The Entertainment of their Royal Highnesses the Young Princesses. [The Princesses present.] For comment on the current theatrical scene, see The Letters of the Late Thomas Rundle, pp. 18-22

Performances

Mainpiece Title: Harlequin A Sham Astrologer, A Parrot, A Child, A Statue, And A Chimney Sweeper

Dance: Danjeville

1246
02 April 1720 @ King's Theatre

Event Comment: [By Paolo Antonio Rolli. The Scenes by Roberto Clerici, Engineer to the Royal Academy.] A New Opera. Pit and Boxes by tickets only at half a guinea

Performances

Mainpiece Title: Numitor

1247
04 May 1720 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [Author unknown. Apparently not published.] A new Farce of three Acts. Benefit Ryan. By His Royal Highness's Command

Performances

Mainpiece Title: Mississippi

Afterpiece Title: The Country Wake

Afterpiece Title: The Walking Statue

1248
31 May 1720 @ King's Theatre

Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Performances

Mainpiece Title: Les Deux Arlequins

Afterpiece Title: La Baron de la Crasse

Dance: Dangeville

Entertainment: Tumbling=-Francisque

1249
09 June 1720 @ King's Theatre

Event Comment: Benefit Roger, who acted the Part of Piero. By their Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Arlequin Docteur Chinois

Afterpiece Title: Letourdy

Afterpiece Title: The Reasonable Animals

Dance: As17200531

1250
29 August 1720 @ Richmond

Event Comment: At Mr Penkethman's Theatre, before their Royal Highnesses, the Prince and Princess

Performances

Mainpiece Title: Concert

Music: Singing the Famous-Signor Beneditte